This book is the follow-up to Thierry Groensteen's
ground-breaking "The System of Comics," in which the leading
French-language comics theorist set out to investigate how the
medium functions, introducing the principle of iconic solidarity,
and showing the systems that underlie the articulation between
panels at three levels: page layout, linear sequence, and
nonsequential links woven through the comic book as a whole. He now
develops that analysis further, using examples from a very wide
range of comics, including the work of American artists such as
Chris Ware and Robert Crumb. He tests out his theoretical framework
by bringing it up against cases that challenge it, such as abstract
comics, digital comics and shojo manga, and offers insightful
reflections on these innovations.In addition, he includes lengthy
chapters on three areas not covered in the first book. First, he
explores the role of the narrator, both verbal and visual, and the
particular issues that arise out of narration in autobiographical
comics. Second, Groensteen tackles the question of rhythm in
comics, and the skill demonstrated by virtuoso artists in
intertwining different rhythms over and above the basic beat
provided by the discontinuity of the panels. And third he resets
the relationship of comics to contemporary art, conditioned by
cultural history and aesthetic traditions but evolving recently as
comics artists move onto avant-garde terrain.
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