Affecting audiences with depictions of suffering and injustice
is a key function of tragedy, and yet it has long been viewed by
philosophers as a dubious enterprise. In this book Thomas Gould
uses both historical and theoretical approaches to explore tragedy
and its power to gratify readers and audiences. He takes as his
starting point Plato's moral and psychological objections to
tragedy, and the conflict he recognized between "poetry"--the
exploitation of our yearning to see ourselves as victims--and
"philosophy"--the insistence that all good people are happy.
Plato's objections to tragedy are shown to be an essential feature
of Socratic rationalism and to constitute a formidable challenge
even today. Gould makes a case for the rightness and psychological
necessity of violence and suffering in literature, art, and
religion, but he distinguishes between depictions of violence that
elicit sympathy only for the victims and those that cause us to
sympathize entirely with the perpetrators. It is chiefly the
former, Gould argues, that fuel our responses not only to true
tragedy but also to religious myths and critical displays of
political rage.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand
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