The present volume offers eloquent testimony that many of the
master builders of this century have held passionate convictions
regarding the philosophic and social basis of their art. Nearly
every important development in the modern architectural movement
began with the proclamation of these convictions in the form of a
program or manifesto. The most influential of these are collected
here in chronological order from 1903 to 1963. Taken together, they
constitute a subjective history of modern architecture; compared
with one another, their great diversity of style reveals in many
cases the basic differences of attitude and temperament that
produced a corresponding divergence in architectural style. In
point of view, the book covers the aesthetic spectrum from right to
left; from programs that rigidly generate designs down to the
smallest detail to revolutionary manifestoes that call for anarchy
in building form and town plan. The documents, placed in context by
the editor, are also international in their range: among them are
the seminal and prophetic statements of Henry van de Velde, Adolf
Loos, and Bruno Taut from the early years of the century; Frank
Lloyd Wright's 1910 annunciation of Organic Architecture; Gropius's
original program for the Bauhaus, founded in Weimar in 1919;
"Towards a New Architecture, Guiding Principles" by Le Corbusier;
the formulation by Naum Gabo and Antoine Pevsner of the basic
principles of Constructivism; and articles by R. Buckminster Fuller
on universal architecture and the architect as world planner. Other
pronouncements, some in flamboyant style, including those of Erich
Mendelsohn, Hannes Meyer, Theo van Doesburg, Oskar Schlemmer,
Ludwig Mies van der Rohe, El Lissitzky, and Louis I. Kahn. There
are also a number of collective or group statements, issued in the
name of movements such as CIAM, De Stijl, ABC, the Situationists,
and GEAM.Since the dramatic effectiveness of the manifesto form is
usually heightened by brevity and conciseness, it has been possible
to reproduce most of the documents in their entirety; only a few
have been excerpted.
General
Imprint: |
MIT Press
|
Country of origin: |
United States |
Series: |
The MIT Press |
Release date: |
November 1975 |
First published: |
1970 |
Editors: |
Ulrich Conrads
|
Translators: |
Michael Bullock
|
Dimensions: |
198 x 129 x 15mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
192 |
Edition: |
New Ed |
ISBN-13: |
978-0-262-53030-9 |
Categories: |
Books >
Arts & Architecture >
Architecture >
General
Promotions
|
LSN: |
0-262-53030-9 |
Barcode: |
9780262530309 |
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