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Reason and Resonance - A History of Modern Aurality (Paperback)
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Reason and Resonance - A History of Modern Aurality (Paperback)
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How the ear came to play a central role in modern culture and
rationality. Hearing has traditionally been regarded as the second
sense-as somehow less rational and less modern than the first
sense, sight. Reason and Resonance explodes this myth by
reconstructing the process through which the ear came to play a
central role in modern culture and rationality. For the past four
hundred years, hearing has been understood as involving the
sympathetic resonance between the vibrating air and various parts
of the inner ear. But the emergence of resonance as the centerpiece
of modern aurality also coincides with the triumph of a new type of
epistemology in which the absence of resonance is the very
condition of thought. Our mind's relationship to the world is said
to rest on distance or, as the very synonym for reason suggests,
reflection. Reason and Resonance traces the genealogy of this
"intimate animosity" between reason and resonance through a series
of interrelated case studies involving a varied cast of otologists,
philosophers, physiologists, pamphleteers, and music theorists.
Among them are the seventeenth-century architect-zoologist Claude
Perrault, who refuted Cartesianism in a book on sound and hearing;
the Sturm und Drang poet Wilhelm Heinse and his friend the
anatomist Samuel Soemmerring, who believed the ventricular fluid to
be the interface between the soul and the auditory nerve; the
renowned physiologist Johannes Muller, who invented the concept of
"sense energies"; and Muller's most important student, Hermann von
Helmholtz, author of the magisterial Sensations of Tone. Erlman
also discusses key twentieth-century thinkers of aurality,
including Ernst Mach; the communications engineer and proponent of
the first nonresonant wave theory of hearing, Georg von Bekesy;
political activist and philosopher Gunther Anders; and Martin
Heidegger.
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