This book examines the relationship between wartime conflict and
theatre practices. Bringing together a diverse collection of essays
in one volume, it offers both a geographically and historically
wide view of the subject, taking examples from Britain, Australia
and America to the Middle East, Korea and China, and spanning the
fifth century BCE to the present day. It explores the ways in which
theatre practices have been manipulated for use in political and
military propaganda, such as the employment of scenographers to
work on camouflage and the application of acting methods in
espionage training. It also maps the change in relationships
between performers and audiences as a result of conflict, and the
emergence of new forms of patronage during wartime theatre-going,
boosting morale at periods when social structures and identity were
being destabilized.
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