Through the lens of popular music in and from Hong Kong, "Sonic
Multiplicities" examines the material, ideological, and
geopolitical implications of music production and consumption. Yiu
Fai Chow and Jeroen de Kloet draw on rich empirical research and
industry experience to trace the worldwide flow of popular culture
and the people who produce and consume it. In doing so, the authors
make a significant contribution to our understanding of the
political and social roles such circulation plays in today's
world--and in a city under cultural threat in a country whose
prominence is on the rise. Just as important, they clear a new path
for the study of popular music.
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