In AS TIME GOES BY Leo F. Weddle tells a story of growing up in a small town in Kentucky in the years of the Great Depression and World War Two. His recollections of elementary school experiences pinpoint problems which resulted from an absence of accountability for teachers during those years. Weddle recounts his experiences as a combat Marine in the Korean war, and as a college professor during the turbulent decades of the 1960

This volume provides a comparative philosophical investigation into a particular concept from a variety of angles-in this case, the concept of "miracle." The text covers deeply philosophical questions around the miracle, with a multiplicity of answers. Each chapter brings its own focus to this multifaceted effort. The volume rejects the primarily western focus that typically dominates philosophy of religion and is filled with particular examples of miracle narratives, community responses, and polemical scenarios across widely varying religious contexts and historical periods. Some of these examples defy religious categorization, and some papers challenge the applicability of the concept "miracle," which is of western and monotheistic origin. By examining miracles thru a wide comparative context, this text presents a range of descriptive content and analysis, with attention to the audience, to the subjective experiences being communicated, and to the flavor of the narratives that come to surround miracles. This book appeals to students and researchers working in philosophy of religion and science, as well those in comparative religion. It represents, in written form, some of the perspectives and dialogue achieved in The Comparison Project's 2017-2019 lecture series on miracles. The Comparison Project is an enterprise in comparing a variety of religious voices, allowing them to stand in dialogue.

An examination of the practice and philosophy of sacrifice in three religious traditions In the book of Genesis, God tests the faith of the Hebrew patriarch Abraham by demanding that he sacrifice the life of his beloved son, Isaac. Bound by common admiration for Abraham, the religious traditions of Judaism, Christianity, and Islam also promote the practice of giving up human and natural goods to attain religious ideals. Each tradition negotiates the moral dilemmas posed by Abraham's story in different ways, while retaining the willingness to perform sacrifice as an identifying mark of religious commitment. This book considers the way in which Jews, Christians, and Muslims refer to "sacrifice"-not only as ritual offerings, but also as the donation of goods, discipline, suffering, and martyrdom. Weddle highlights objections to sacrifice within these traditions as well, presenting voices of dissent and protest in the name of ethical duty. Sacrifice forfeits concrete goods for abstract benefits, a utopian vision of human community, thereby sparking conflict with those who do not share the same ideals. Weddle places sacrifice in the larger context of the worldviews of Judaism, Christianity, and Islam, using this nearly universal religious act as a means of examining similarities of practice and differences of meaning among these important world religions. This book takes the concept of sacrifice across these three religions, and offers a cross-cultural approach to understanding its place in history and deep-rooted traditions.

From Steve Weddle, the author who the New York Times calls “downright dazzling,” comes the story of a prodigal son returning home to hard times and harder choices during the Great Depression. Life has never been easy for Cottonmouth Tomlin. Raised by an uncle in a hardscrabble Arkansas town, Cottonmouth couldn’t leave fast enough. As a young man, he set out to seek his fortune but was soon caught up in a life of low-level misdeeds, taking him from New Orleans all the way to Honduras. Now he’s back in Columbia County, mourning his uncle and worrying on what to do with the broken-down outlaw camp that represents the sum of his family legacy. And legacy is no small matter in a county like his. The townsfolk remember Cottonmouth and his kin, just like they remember everyone who ever put down roots in the area. Folks do like the way the outlaw camp helps out the local economy: so long as criminals undertake their troublemaking across county lines, they’re more than welcome to stay and spend some of that money in county establishments. But when Cottonmouth gets embroiled in some ill-conceived ransom plans with a few of those visiting scofflaws, he pushes the boundaries of the community’s forgiving nature. Set against the unyielding backdrop of the Great Depression and with an unforgettable cast of ornery characters, The County Line is a lyrical and loving celebration of community and opportunity in 1933 America.

All Caroline's fiance wants to do in bed is sleep - so soundly that she's free to go visiting their handsome neighbour in the small hours. Annie is addicted to flirting and sets out to find a cure in the shape of a super-hot professional sports star who has the moves it takes to make her feel better. Madison's best pal has a dreamboat of a boyfriend who exists only in her head - or does he? These seven stories, with a strong transatlantic flavour, are all about women and sex, and all are funny, intriguing and occasionally outrageous. By the author of It Starts With a Kiss

Middle-aged Jennifer Green is living a life of quiet despair following her husband's confession of an affair - until she encounters a half-crazed hobo who appears to know more about her than she does herself. Thanks to the tramp's strange powers, Jennifer suddenly finds herself 25 years younger, with the figure and face of a goddess and every millionaire in New York trying to date her. When Jennifer moves in with her own unsuspecting daughter she takes up 'honey trapping' to catch cheating husbands, even checking out her daughter's dubious fiance. But then her killer combination of stunning beauty and mature wisdom makes her a star on prime-time TV and she begins to discover the astonishing truth about the rich and handsome stranger who now sweeps her off her feet. It Starts With A Kiss is a magical, funny, sexy story of glamour and romance, of lost youth and found love.

In the late summer and fall of 1777, after two years of indecisive fighting on both sides, the outcome of the American War of Independence hung in the balance. Having successfully expelled the Americans from Canada in 1776, the British were determined to end the rebellion the following year and devised what they believed a war-winning strategy, sending General John Burgoyne south to rout the Americans and take Albany. When British forces captured Fort Ticonderoga with unexpected ease in July of 1777, it looked as if it was a matter of time before they would break the rebellion in the North. Less than three and a half months later, however, a combination of the Continental Army and Militia forces, commanded by Major General Horatio Gates and inspired by the heroics of Benedict Arnold, forced Burgoyne to surrender his entire army. The American victory stunned the world and changed the course of the war. Kevin J. Weddle offers the most authoritative history of the Battle of Saratoga to date, explaining with verve and clarity why events unfolded the way they did. In the end, British plans were undone by a combination of distance, geography, logistics, and an underestimation of American leadership and fighting ability. Taking Ticonderoga had misled Burgoyne and his army into thinking victory was assured. Saratoga, which began as a British foraging expedition, turned into a rout. The outcome forced the British to rethink their strategy, inflamed public opinion in England against the war, boosted Patriot morale, and, perhaps most critical of all, led directly to the Franco-American alliance. Weddle unravels the web of contingencies and the play of personalities that ultimately led to what one American general called "the Compleat Victory."

Despite the dominance of scientific explanation in the modern world, at the beginning of the twenty-first century faith in miracles remains strong, particularly in resurgent forms of traditional religion. In Miracles, David L. Weddle examines how five religious traditions--Hinduism, Judaism, Buddhism, Christianity, and Islam--understand miracles, considering how they express popular enthusiasm for wondrous tales, how they provoke official regulation because of their potential to disrupt authority, and how they are denied by critics within each tradition who regard belief in miracles as an illusory distraction from moral responsibility.

In dynamic and accessible prose, Weddle shows us what miracles are, what they mean, and why, despite overwhelming scientific evidence, they are still significant today: belief in miracles sustains the hope that, if there is a reality that surpasses our ordinary lives, it is capable of exercising--from time to time--creative, liberating, enlightening, and healing power in our world.

An examination of the practice and philosophy of sacrifice in three religious traditions In the book of Genesis, God tests the faith of the Hebrew patriarch Abraham by demanding that he sacrifice the life of his beloved son, Isaac. Bound by common admiration for Abraham, the religious traditions of Judaism, Christianity, and Islam also promote the practice of giving up human and natural goods to attain religious ideals. Each tradition negotiates the moral dilemmas posed by Abraham's story in different ways, while retaining the willingness to perform sacrifice as an identifying mark of religious commitment. This book considers the way in which Jews, Christians, and Muslims refer to "sacrifice"-not only as ritual offerings, but also as the donation of goods, discipline, suffering, and martyrdom. Weddle highlights objections to sacrifice within these traditions as well, presenting voices of dissent and protest in the name of ethical duty. Sacrifice forfeits concrete goods for abstract benefits, a utopian vision of human community, thereby sparking conflict with those who do not share the same ideals. Weddle places sacrifice in the larger context of the worldviews of Judaism, Christianity, and Islam, using this nearly universal religious act as a means of examining similarities of practice and differences of meaning among these important world religions. This book takes the concept of sacrifice across these three religions, and offers a cross-cultural approach to understanding its place in history and deep-rooted traditions.

Flying yogis, mind-reading rabbis, levitating monks, saints who converse with animals, healers who restore sight to the blind and make the lame walk. Miracles are signs whose meanings emerge from the specific cultural contexts and religious traditions in which they occur, yet across religions they serve as expressions of a common faith that the horizon of possibilities for human life is not restricted to closed systems of material forces. Despite the dominance of scientific explanation in the modern world, at the beginning of the twenty-first century faith in miracles remains strong, particularly in resurgent forms of traditional religion.

In Miracles, David L. Weddle examines how five religious traditions--Hinduism, Judaism, Buddhism, Christianity, and Islam--understand miracles, considering how they express popular enthusiasm for wondrous tales, how they provoke official regulation because of their potential to disrupt authority, and how they are denied by critics within each tradition who regard belief in miracles as an illusory distraction from moral responsibility. In dynamic and accessible prose, Weddle shows us what miracles are, what they mean, and why, despite overwhelming scientific evidence, they are still significant today: belief in miracles sustains the hope that, if there is a reality that surpasses our ordinary lives, it is capable of exercising--from time to time--creative, liberating, enlightening, and healing power in our world.

This collection of papers is the result of a symposium sponsored by NATO's Defense Research Group Panel VIII in the Spring of 1985. The symposium came into being when it became obvious to the NATO countries that research, development and utilization of advanced technologies for training was the best means of increasing both training effectiveness and efficiency. This symposium was the second in a series of three devoted to training. The series was structured to cover all aspects of training. The first series addressed the value of training, the second one dealt with the application of training technologies and the third and last of the series focused on academic issues concerned with the effect of prior learning on subsequent learning. The fact that a major American publisher has determined that computer based instruction is the technology of greatest interest to the NATO community is not surprising. Advances in microprocessor technology have revolutionized both how and where we train. During this symposium there were a limited number of carefully chosen exhibits to demonstrate the various applications of computer based training techniques. In the following papers you will find both a practical and scientific basis for the way current and future training and training systems should be designed, applied and utilized. We know that training must be done faster and more effectively.

The only major biography of Sam Peckinpah in print, David Weddle's If They Move . . . Kill 'Em tells the wild story of Peckinpah's life with novelistic verve and does justice to one of the most important bodies of work in American cinema. Born into a clan of lumberjacks, ranchers, and frontier lawyers, David Samuel Peckinpah served in the Marines and then made his way to Hollywood, where he worked on a string of low-budget features before being hired as a writer for Gunsmoke in 1955. Quickly becoming the hottest writer in television, Peckinpah went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. The life he led -- glamorous, wild, and beset by personal demons -- is as vivid as his films. A hopeless romantic and a grim nihilist, inspiration to such luminaries as DePalma, Scorsese, and Tarantino, Sam Peckinpah was an audacious American original. If They Move . . . Kill 'Em is his wild and woolly story.

This book investigates the historical context, meaning, and expression of early Quaker pacifism in England and its colonies. Weddle focuses primarily on one historical moment - King Philip's War, which confronted the New England Quakers with the practical need to define the parameters of their peace testimony. Weddle has uncovered records of many Quakers engaged in or abetting acts of violence, thus debunking the traditional historiography of Quakers as saintly pacifists. Weddle shows that Quaker pacifism existed as a doctrinal position before the 1660 crackdown on religious sectarians, but that it was a radical theological position rather than a pragmatic strategy. She thus convincingly refutes the Marxist argument that Quakers acted from economic and political, and not religious motives. She examines in detail how the Quakers' theology worked - how, for example, their interpretation of certain biblical passages affected their politics - and traces the evolution of the concept of pacifism from a doctrine that was essentially about protecting the state of one's own soul to one concerned with the consequences of violence to other human beings.