At the heart of European literary modernism lies a concern with the erotic, and in particular with various forms of what Freud saw as 'sexual aberration', including sadism, masochism, homosexuality, fetishism and necrophilia. Modernist Eroticisms explores the impact of sexological and early psychoanalytic conceptions of sexual perversion on the representation of the erotic in modernist literature: writers whose work is discussed include Djuna Barnes, Georges Bataille, Edouard Dujardin, Hans Henny Jahnn, Henry James, James Joyce, Franz Kafka, D. H. Lawrence, Maurice Maeterlinck, Thomas Mann, Robert Musil, Marcel Proust, Rainer Maria Rilke, Paul Valery, Frank Wedekind and Oscar Wilde. Taken together, the essays in this volume explore not only the specificities of the modernist writing of the erotic, but also its decisive role in the shift from conceptions of sexual deviance to those of sexual difference.

The second half of the nineteenth and the early years of the twentieth century saw a growing preoccupation with sexual perversion: in particular homosexuality, sadism, masochism, fetishism, voyeurism and exhibitionism. Charting the intellectual history of the construction of the perversions in German, French and English sexology in this period, Anna Schaffnerexplores the decisive role played by literary representations of deviant sexualities in the formation of sexological knowledge. Just as sexologists, including Richard von Krafft-Ebing, Alfred Binet, Havelock Ellis, Magnus Hirschfeld, Iwan Bloch and Sigmund Freud, relied upon the literary, so major modernist writers such as Georges Bataille, Franz Kafka, D.H. Lawrence, Thomas Mann and Marcel Proust were in turn influenced by sexological conceptions. Focusing on the interdisciplinary exchanges between literature and sexology, Schaffner illuminates the pivotal role these modernists played in re-evaluating the perversions and paving the way for the transformation of the idea of sexual deviance into that of sexual difference

The second half of the nineteenth and the early years of the twentieth century saw a growing preoccupation with sexual perversion: in particular homosexuality, sadism, masochism, fetishism, voyeurism and exhibitionism. Charting the intellectual history of the construction of the perversions in German, French and English sexology in this period, Anna Schaffner explores the decisive role played by literary representations of deviant sexualities in the formation of sexological knowledge. Just as sexologists, including Richard von Krafft-Ebing, Alfred Binet, Havelock Ellis, Magnus Hirschfeld, Iwan Bloch and Sigmund Freud, relied upon the literary, so major modernist writers such as Georges Bataille, Franz Kafka, D.H. Lawrence, Thomas Mann and Marcel Proust were in turn influenced by sexological conceptions. Focusing on the interdisciplinary exchanges between literature and sexology, Schaffner illuminates the pivotal role these modernists played in re-evaluating the perversions and paving the way for the transformation of the idea of sexual deviance into that of sexual difference.

This volume explores the impact of sexological and early psychoanalytic conceptions of sexual perversion on the representation of the erotic in the work of a range of major European modernists (including Joyce, Kafka, Lawrence, Mann, Proust and Rilke) as well as in that of some less-well-known figures of the period such as Dujardin and Jahnn.