The aging orc shaman Ner'zhul has seized control of the Horde and reopened the Dark Portal. His brutal warriors once again encroach upon Azeroth, laying siege to the newly constructed stronghold of Nethergarde Keep. There, the archmage Khadgar and the Alliance commander, Turalyon, lead humanity and its elven and dwarven allies in fighting this new invasion. Even so, disturbing questions arise. Khadgar learns of orcish incursions farther abroad: small groups of orcs who seem to pursue a goal other than simple conquest. Worse yet, black dragons have been sighted as well, and they appear to be aiding the orcs. To counter Ner'zhul's dark schemes, the Alliance must now invade the orcs' ruined homeworld of Draenor. Can Khadgar and his companions stop the nefarious shaman in time to stave off the destruction of two worlds?

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate "natural" questions with sociopolitical ones; and underscore the category of form as a means for generating environmental-and therefore political-knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book's most pressing argument is that this past thought can be a resource for reimagining the present.

Ecological Form brings together leading voices in nineteenth-century ecocriticism to suture the lingering divide between postcolonial and ecocritical approaches. Together, these essays show how Victorian thinkers used aesthetic form to engage problems of system, interconnection, and dispossession that remain our own. The authors reconsider Victorian literary structures in light of environmental catastrophe; coordinate "natural" questions with sociopolitical ones; and underscore the category of form as a means for generating environmental-and therefore political-knowledge. Moving from the elegy and the industrial novel to the utopian romance, the scientific treatise, and beyond, Ecological Form demonstrates how nineteenth-century thinkers conceptualized the circuits of extraction and violence linking Britain to its global network. Yet the book's most pressing argument is that this past thought can be a resource for reimagining the present.

The aging orc shaman Ner'zhul has seized control of the Horde and reopened the Dark Portal. His brutal warriors once again encroach upon Azeroth, laying siege to the newly constructed stronghold of Nethergarde Keep. There, the archmage Khadgar and the Alliance commander, Turalyon, lead humanity and its elven and dwarven allies in fighting this new invasion. Even so, disturbing questions arise. Khadgar learns of orcish incursions farther abroad: small groups of orcs who seem to pursue a goal other than simple conquest. Worse yet, black dragons have been sighted as well, and they appear to be aiding the orcs. To counter Ner'zhul's dark schemes, the Alliance must now invade the orcs' ruined homeworld of Draenor. Can Khadgar and his companions stop the nefarious shaman in time to stave off the destruction of two worlds?

At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

The Second War is over, and Alliance forces have won. They have destroyed the mystic gate that linked Azeroth to the orcs' homeworld of Draenor. Many of the orcs trapped on Azeroth have been rounded up and placed in internment camps. But Small bands of orcs are spotted in the Eastern Kingdoms, intent on claiming certain artefacts for some unknown purpose. Worse, some of the orcs belong to clans never before seen on Azeroth. Somehow the Horde has managed to re-establish the Dark Portal on Azeroth. King Terenas orders the Alliance general Turalyon and the archmage Khadgar to end the orcish threat once and for all. Yet in order to do so, the pair must lead an expedition to Draenor itself. They and their allies must go beyond the Dark Portal before all of Azeroth falls beneath a new and more powerful Horde.

This book brings forth debates on the production and eradication of poverty from experiences in the global South. It collects a set of innovative articles concentrating on the way in which poverty, as a social process, has been tackled by popular movements and the governments of various states across the globe. Providing new insights into the limitations of traditional strategies to confront poverty, it highlights how social organizations are working to transform the livelihoods of people through bottom-up struggle and more participatory approaches rather than passively waiting for top-down solutions.

DuckBob Spinowitz has a problem. It isn't the fact that he has the head of a duck-the abduction was years ago and he's learned to live with it. But now those same aliens are back, and they claim they need his help Apparently creatures from another reality are invading the universe, and only DuckBob can reset the device that maintains the barrier between dimensions. He reluctantly agrees to help, but how can a man whose only talents are bird calls and bad jokes, and whose only work experience is punching random buttons on a computer in a standard cubicle, be expected to save the universe? No Small Bills is the hilarious new science fiction novel from award-winning, bestselling author Aaron Rosenberg, who has written books for Eureka, Star Trek, WarCraft, and many others, and is also the author of the rousing Dread Remora space-opera series for Crossroad Press.

Ronon Dex is a mystery. His past is a closed book and he likes it that way. But when the Atlantis team trigger a trap that leaves them stranded on a hostile world, only Ronon's past can save them - if it doesn't kill them first. As the gripping tale unfolds, we return to Ronon's earliest days as a Runner and meet the charismatic leader who transformed him into a hunter of Wraith. But grief and rage can change the best of men and it soon becomes clear that those Ronon once considered brothers-in-arms are now on the hunt - and that the Atlantis team are their prey. Unless Ronon can out hunt the hunters, Colonel Sheppard's team will fall victim to the vengeance of the V'rdai.

Extreme sports have become some of the most popular sports among young people and they have begun to create their own superstars. Dave Mirra is one such star. This biography gives readers an intimate look at the master of BMX's rise to fame.