PHOTOGRAPHING CORNWALL AND DEVON is a photography-location guidebook.Boasting much of the UK's most spectacular coastline, together with endless rolling hills of patchwork countryside and the high moorland of Exmoor and Dartmoor, the South West is renowned for its beautiful landscapes and is rich with photographic potential.Author and professional photographer Adam Burton describes 70 of the best locations in Cornwall, Devon and West Somerset for photography in this lavishly illustrated photography-location guidebook featuring 300 stunning photographs, including detailed advice on how to take great photographs.The book features seascapes and beaches, Cornish tin mines, headlands and cliffs, villages and harbours, taverns and inns, packhorse bridges and megalithic sites, churches, rolling patchwork countryside, waterfalls, streams and mystical woodlands, granite tors and moorland. There are detailed OS maps with directions and co-ordinates for each location, location accessibility notes, best time of day and year including seasonal highlights, sun compass, photographic tips and techniques, special advice on long exposures for seascape photography.

Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human. Contemporary humanity is shaped in neoliberal terms, where being human means being viable in a capitalist marketplace that favors whiteness, masculinity, heterosexuality, and fixed gender identities. But musicians from Nicki Minaj to Future to Rae Sremmurd deploy queerness and sonic blackness as they imagine different ways of being human. Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap turns an ear especially toward hip hop that is often read as apolitical in order to hear its posthuman possibilities, its construction of a humanity that is blacker, queerer, more feminine than the norm.

Posthuman Rap listens for the ways contemporary rap maps an existence outside the traditional boundaries of what it means to be human. Contemporary humanity is shaped in neoliberal terms, where being human means being viable in a capitalist marketplace that favors whiteness, masculinity, heterosexuality, and fixed gender identities. But musicians from Nicki Minaj to Future to Rae Sremmurd deploy queerness and sonic blackness as they imagine different ways of being human. Building on the work of Sylvia Wynter, Alexander Weheliye, Lester Spence, LH Stallings, and a broad swath of queer and critical race theory, Posthuman Rap turns an ear especially toward hip hop that is often read as apolitical in order to hear its posthuman possibilities, its construction of a humanity that is blacker, queerer, more feminine than the norm.