Presence is a thrilling immersion into the personal collection of photographer and humanitarian Judy Glickman Lauder. Nearly 160 images by some eighty photographers, selected from Judy Glickman Lauder's collection of over 650 prints, explore the idea of "presence" of the human spirit. This stunningly designed album showcases the imagery of beloved and influential photographers of the twentieth century, such as Berenice Abbott, Richard Avedon, Henri Cartier-Bresson, Imogen Cunningham, Nan Goldin, Susan Meiselas, Gordon Parks, Sebastiao Salgado, Weegee, and James Van Der Zee. Spanning Pictorialism, portraiture, and fashion, to documentary and photojournalism, and featuring iconic figures from the fields of art, politics, entertainment, and social justice, Presence: The Photography Collection of Judy Glickman Lauder celebrates photography's ability to capture the human experience. Essays by Anjuli Lebowitz and Adam D. Weinberg provide historical and artistic context, while an autobiographical essay by Glickman Lauder tells the story of her collection. This book accompanies an exhibition drawn from the Judy Glickman Lauder Collection at the Portland Museum of Art, to which the Collection has been gifted. Published by Aperture in partnership with the Portland Museum of Art, Maine

An in-depth look at a public art project by David Hammons with an overview of the enigmatic artist’s career   Published to commemorate David Hammons’s (b. 1943) public art project Day’s End, located in New York City, this book documents the sculpture and offers broader context into Hammons’s enigmatic work. In 2014, Hammons sent the Whitney Museum of American Art a sketch for a monument to Gordon Matta-Clark (1943–1978), paying homage to Matta-Clark’s legendary Day’s End (1975)—an industrial, cathedral-like space of altered architecture—once located near today’s Whitney in Manhattan’s Meatpacking District. Completed in 2021, Hammons’s work, also titled Day’s End, was realized by the Whitney in collaboration with Hudson River Park, and is on permanent view. One of the most important artists working in the United States, Hammons makes art across mediums, often outside traditional venues. In addition to photographic documentation, the book includes essays on the origins of Day’s End, Hammons’s career scope, and a contribution by poet Ben Okri. Distributed for the Whitney Museum of American Art