Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Wait a Minute, I Have to Take Off My Bra is an anthology celebrating the most female of body parts, the breasts. From light-hearted memories of the first buds of puberty to heart wrenching accounts of breast cancer, these stories and poems run the gamut of experiences and emotions. A portion of all profits will be donated to the Breast Cancer Society of Canada.

From astrophysicist Adam Frank, a little book on the biggest questions in our search for extraterrestrial life, questions we stand ready to answer. Everyone is curious about life in the Universe, UFOs and whether ET is out there. Over the course of his thirty-year career as an astrophysicist, Adam Frank has consistently been asked about the possibility of intelligent life in the universe. Are aliens real? Where are they? Why haven't we found them? What happens if we do? We've long been led to believe that astronomers spend every night searching the sky for extraterrestials, but the truth is we have barely started looking. Not until now have we even known where to look or how. In The Little Book of Aliens, Frank, a leading researcher in the field, takes us on a journey to all that we know about the possibility of life outside planet Earth and shows us the cutting-edge science that has brought us to this unique moment in human history: the one where we go find out for ourselves. In this small book with big stakes, Frank gives us a rundown of everything we need to know, from the scientific origins of the search for intelligent life, the Fermi Paradox, the Kardashev Scale, the James Webb Telescope, as well as UFOs and their conspiracy theories. Drawing from his own work and that of other scientists studying the possibility of alien life, he brings together the latest scientific thinking, data, ideas, and discoveries to equip us with the critical facts as we stand at what may be the last moment in human history where we still believe we are all alone. This book is about everything we do--and do not--know about life, intelligent or otherwise beyond Earth. In language that is engaging, entertaining and fun, The Little Book of Aliens provides a comprehensive first look at how close we are to finding out if others actually exist--and if they do, what they might be like. Humankind is on the precipice of finding its neighbors. What comes next? No person is better suited to answer that question--and lead the search--than Adam Frank.

From Stonehenge to beyond the Big Bang, an exhilarating scientific exploration of how we make time Time is the grandest conception of the universe that we humans have been able to imagine – and its most intimate, the very frame of human life. In About Time, astrophysicist and award-winning writer Adam Frank tells the scientific story of this wonderful and tyrannical invention. A Palaeolithic farmer moved through the sun-fuelled day and star-steered night in a radically different way than the Elizabethan merchants who set their pace to the clocks newly installed in their town squares. Since then, science has swept time into increasingly minute and standardized units – the industrial efficiency of ironworks’ punch clocks; the space-age precision of atomic fountains and GPS satellites; the fifteen-minute increments of Outlook’s digital revolution. And in the past decade, string-theory branes, multiverses, and “clockless” physics have begun to overturn our ideas about how the universe began – the Big Bang – in ways that will completely rewrite time and our experience of it. Weaving cosmology with day-to-day chronicles and a down-to-earth style, About Time is both dazzling and riveting as it confronts what comes next.

Scholars of politics are comfortable theorizing about the parliamentary process and individual political parties, but they are often guilty of ignoring the role of individual citizens except through opinion polls and voting statistics. Even at the local level, the main focus of political theorists has traditionally been on formal systems of government usually lauding representative democracy as the standard for Western government while the importance of participatory action at a local level has been vastly underestimated. Correcting this imbalance, the renowned political scholars who contribute to this volume outline both the theory and practice of so-called "extra-formal democracy," wherein societal governance is more accurately described as a "network activity" and citizens, politicians, public administrators and other professionals act together on issues or problems that are defined as public. This new and complex form of democracy explored here in three unique settings: the United States, the Netherlands, and Denmark is increasingly regarded as an achievable vision for a multi-faceted theory of government."

Transferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience- their transferential poetics. The book's historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction.

It’s tempting to think that science gives us a God’s-eye view of reality. But we neglect the place of human experience at our peril. In The Blind Spot, astrophysicist Adam Frank, theoretical physicist Marcelo Gleiser, and philosopher Evan Thompson call for a revolutionary scientific worldview, where science includes—rather than ignores or tries not to see—humanity’s lived experience as an inescapable part of our search for objective truth. The authors present science not as discovering an absolute reality but rather as a highly refined, constantly evolving form of human experience. They urge practitioners to reframe how science works for the sake of our future in the face of the planetary climate crisis and increasing science denialism.

Since the dawn of the Enlightenment, humanity has looked to science to tell us who we are, where we come from, and where we’re going, but we’ve gotten stuck thinking we can know the universe from outside our position in it. When we try to understand reality only through external physical things imagined from this outside position, we lose sight of the necessity of experience. This is the Blind Spot, which the authors show lies behind our scientific conundrums about time and the origin of the universe, quantum physics, life, AI and the mind, consciousness, and Earth as a planetary system. The authors propose an alternative vision: scientific knowledge is a self-correcting narrative made from the world and our experience of it evolving together. To finally “see” the Blind Spot is to awaken from a delusion of absolute knowledge and to see how reality and experience intertwine.

The Blind Spot goes where no science book goes, urging us to create a new scientific culture that views ourselves both as an expression of nature and as a source of nature’s self-understanding, so that humanity can flourish in the new millennium.

Light of the Stars tells a radically new story about what we are: one world in a universe awash in planets. Building on his widely discussed scientific papers and The New York Times op-eds, astrophysicist Adam Frank shows that not only is it likely that alien civilisations have existed many times before but that many of them have driven their own worlds into dangerous eras of change. He explains how dust storms on Mars, the greenhouse effect on Venus, Gaia Theory, the threat of nuclear winter, and efforts to prove or disprove the plurality of worlds from Aristotle to Copernicus to Carl Sagan have contributed to our understanding of our place in the universe and the growing challenge of climate change. And he explores what may be the largest question of all: if there has been life on other worlds, what its presence can tell us about our own fate.

Iconoclasm, Identity Politics and the Erasure of History surveys the origins, uses and manifestations of iconoclasm in history, art and public culture. It examines the various causes and uses of image/property defacement as a tool of political, national, religious and artistic process. This is one of the first books to examine the outbreak of iconoclasm in Europe and North America in the summer of 2020 in the context of previous outbreaks, and it examines the implications of iconoclasm as a form of control, censorship and expression.

The question of affect is central to critical theory, psychology, politics, and the entire range of the humanities; but no discipline, including psychoanalysis, has offered a theory of affect that would be rich enough to account for the delicacy and power, the evanescence and durability, the bodily rootedness and the cultural variability of human emotion.SilvanTomkins (1911-1991) was one of the most radical and imaginative psychologists of the twentieth century. In Affect, Imagery, Consciousness, a four-volume work published over the last thirty years of his life, Tomkins developed an ambitious theory of affect steeped in cybernetics and systems theory as well as in psychoanalysis, ethology, and neuroscience. The implications of his conceptually daring and phenomenologically suggestive theory are only now--in the context of postmodernism--beginning to be understood. With Shame and Its Sisters, editors Eve Kosofsky Sedgwick and Adam Frank make available for the first time an engaging and accessible selection of Tomkins's work.
Featuring intensive examination of several key affects, particularly shame and anger, this volume contains many of Tomkins's most haunting, diagnostically incisive, and theoretically challenging discussions. An introductory essay by the editors places Tomkins's work in the context of postwar information technologies and will prompt a reexamination of some of the underlying assumptions of recent critical work in cultural studies and other areas of the humanities. The text is also accompanied by a biographical sketch of Tomkins by noted psychologist Irving E. Alexander, Tomkins's longtime friend and collaborator.

Eloquent, urgent, and inspiring, "The Constant Fire" tackles the acrimonious debate between science and religion, taking us beyond its stagnant parameters into the wider domain of human spiritual experience. From a Neolithic archaeological site in Ireland to modern theories of star formation, Adam Frank traverses a wide terrain, broadening our sights and allowing us to imagine an alternative perspective. Drawing from his experience as a practicing astrophysicist and from the writings of the great scholars of religion, philosophy, and mythology, Frank locates the connective tissue linking science and religion - their commonality as sacred pursuits - and finds their shared aspiration in pursuit of 'the True and the Real'. Taking us from the burning of Giordano Bruno in 1600 to Einstein and on to today's pressing issues of global warming and resource depletion, "The Constant Fire" shows us how to move beyond this stale debate into a more profound experience of the world as sacred - a world that embraces science without renouncing human spirituality.

Recent scholarly trends and controversies in Gertrude Stein scholarship have focused on her politics and her friendships as well as on Stein the collector, the celebrity, the visual icon. Clearly, these recent examinations not only deepen our understanding of Stein but also attest to her staying power. Yet Stein's writing itself too often remains secondary. The central premise of Primary Stein is that an extraordinary amount of textual scholarship remains to be done on Stein's work, whether the well-known, the little-known, or yet unpublished. The essays in Primary Stein draw on recent interdisciplinary examinations, using cultural and historical contexts to enrich and complicate how we might read, understand, and teach Stein's writing. Following Stein's own efforts throughout her lifetime to shift the focus from her personality to her writing, these innovative essays turn the lens back to a wide range of her texts, including novels, plays, lectures and poetry. Each essay takes Stein's primary works as its core interpretive focus, returning scholarly conversations to the challenges and pleasures of working with Stein's texts.

Searching for the fabled Timberline People leads to the discovery of a whole new culture - the culture of the Treagle.

Our universe's "beginning" is at an end. What does this have to do with us, here on Earth? Everything. Our lives are about to be dramatically shaken--as altered as they were by the invention of the clock, the steam engine, the railroad, the radio and the Internet.
In "About Time, "astrophysicist Adam Frank allows us a peek into the cutting edge of cosmology, explaining how the texture of our lives changes along with our understanding of the universe's origin. Since we awoke to self-consciousness fifty thousand years ago, our lived experience of time, from hunting and gathering to the invention of cell phones and electronic calendars, has been transformed and rebuilt many times. But the latest theories in cosmology--time with no beginning, parallel universes, eternal inflation--are about to send us in a new direction.
Time is both our grandest and most intimate conception of the universe. Frank tells the story of humanity's deepest question--when and how did everything begin?--alongside the story of how human beings have experienced time, looking at the way our engagement with the world has allowed us to discover the nature of the universe and how those discoveries inform our daily experience. This astounding book will change the way we think about time and how it affects our lives.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!