Features writing that is, in one sense or another, a reflection or lingering effect of poets and artists who have gone before.

When this adaptation of C. S. Lewis’s classic children’s story opened at the RSC Stratford in November 1998, it received rave reviews and broke box office records. Four children are evacuated from London during the Blitz. While exploring the Professor’s house, they stumble across the gateway to another world, and the adventure begins. The land of Narnia is under the spell of the wicked White Witch, and the four very quickly find themselves caught up in a deadly struggle between good and evil.

Come On Everybody brings together poems from a dozen collections published by Adrian Mitchell over five decades, from Poems (1964) to his final collection, Tell Me Lies (2008). His poetry's simplicity, clarity, passion and humour show his allegiance to a vital, popular tradition embracing William Blake as well as the ballads and the blues. His most nakedly political poems - about war, Vietnam, prisons and racism - became part of the folklore of the Left, sung and recited at demonstrations and mass rallies. His childlike questioning was a constant reminder from the 60s onwards that poetry is first and foremost an assertion of the human spirit. A pacifist prophet who remained true to his heartfelt beliefs, Mitchell reported back for over half a century from a world blighted by war, compromise, double-talk and pragmatism without losing his innocence, integrity and impish sense of humour. Angela Carter described him as a 'joyous, acrid and demotic tumbling lyricist Pied Piper determinedly singing us away from catastrophe'.

Henry Colless, one of the old pioneers. In his mid-teens he set out as a carrier across the Blue Mountains and then further along the track to the northwest. He was still a teenager when he helped his father and his brother establish legendary Come-by-Chance. He was one of the early settlers in Bourke, and later became one of its leading lights; and he drove a great mob of cattle across the corner country to establish the first station at Innamincka. This is his story. 'The Collesses. Theirs is the story of Australia itself. Convicts, bushrangers, cattle thieves, pioneers, punters, graziers, ANZACs; floods and droughts, boom and bust, they lived right through it all. Their story is every bit as comprehensive as Dorothea Mackellar's "I love a sunburnt country". They were right in the thick of our founding cultural history; they helped to make it, helped make this land. From Bird's Eye Corner to the far corner country. Henry Colless's line - corner to corner, through the middle of everything. And it is not a line without trace. George, William, Henry, they each handed on their sterling character - a more telling legacy than money can buy.'

In this much longer sequel to his earlier collection of Scots-Irish Links, Parts 1 & 2, David Dobson sheds more light on a segment of the 100,000 Scotsmen who were re-settled by the British government in the Irish Plantation of Ulster during the 17th century. Drawing upon sources not consulted for the earlier volume, Mr. Dobson has come up with an additional 2,500 mostly Lowland Scots who re-settled in Ulster--in most instances prior to 1700. As with Scots-Irish Links, Parts 1 & 2, university students predominate among.

"The Mayor of Zalamea, Life's a Dream, The Great Theatre of the World In The Mayor of Zalamea, commissioned by the Royal National Theatre, peasants' honour clashes with military discipline. Life's a Dream is Calderon's most famous philosophical play. The Great Theatre of the World is an allegorical work that would originally have been performed in the street to the accompaniment of music and dancing."

Widely accepted to have been inspired by Shakespeare's Macbeth, Boris Godunov recounts the tragic conflict between Tsar Boris and the pretender Dimitri. Following the death of Ivan the Terrible, Boris Godunov became regent for the feeble-minded Tsar Fyodor, the heir to whose throne, the boy-prince Dimitri, died mysteriously in 1591. It was widely rumoured that Boris had murdered him, and when a renegade monk later appeared claiming to be Dimitri, he rapidly became a focus for revolt. This adaptation by acclaimed playwright & novelist Adrian Mitchell, was Mitchell's final project before his death in 2008 and forms part of the Royal Shakespeare Company's Winter 2012 season. This production opens at the Swan Theatre, Royal Shakespeare Co., Stratford-Upon-Avon, 15th November 2012 30th March 2013 and will be current RSC Artistic Director Michael Boyd s final RSC production.

Just Adrian is a patchwork tour of a legendary playwright, poet and activist’s life in the theatre. It is a fascinating first-hand account of groundbreaking productions featuring figures like Kenneth Tynan, Peter Brook and Peter Hall as well as adventures in alternative theatre. These writings explore Adrian’s many interests, from drama for children to musical theatre, in a voice that combines playful irreverence with compassion and insight. Taken together, they are a funny, moving testament to a great theatre lover.

Lavish, gift collection of children's poems by the late, eminent Adrian Mitchell.

Follow mischievous Peter Rabbit and his cousin Benjamin Bunny into Mr MacGregor's garden, disappear with Lucie into Mrs Tiggy-Winkle's house in the hill, and squeeze under the hedge to visit the grassy bank where Mrs Tittlemouse lives.Peter Rabbit & His Friends has been specially adapted by Adrian Mitchell, one of Britain's foremost poets and dramatists. This version was produced by the Unicorn Theatre in 2003 and toured the UK.

The Mammoth Sails Tonight is inspired by the ballad of Sir Patrick Spens. This thrilling musical takes the reader on a wild voyage of adventure blending timewarps and mystery. It tells the story of an unsinkable luxury ship's journey into the unknown world of Norwegian mythology in this unforgettable event.

Gerda and Kai are best friends, until one day Kai is snatched away by the Snow Queen and taken to her icy palace. Gerda sets out across the frozen wastes to find her friend and free him from the grasp of the wicked Queen. An outstanding adaptation of Hans Christian Andersen's enchanting classic story of loyalty by the popular British playwright Adrian Mitchell.