This book places childbirth in early-modern England within a wider network of social institutions and relationships. Starting with illegitimacy - the violation of the marital norm - it proceeds through marriage to the wider gender-order and so to the 'ceremony of childbirth', the popular ritual through which women collectively controlled this, the pivotal event in their lives. Focussing on the seventeenth century, but ranging from the sixteenth to the eighteenth century, this study offers a new viewpoint on such themes as the patriarchal family, the significance of illegitimacy, and the structuring of gender-relations in the period.

This book places childbirth in early-modern England within a wider network of social institutions and relationships. Starting with illegitimacy - the violation of the marital norm - it proceeds through marriage to the wider gender-order and so to the 'ceremony of childbirth', the popular ritual through which women collectively controlled this, the pivotal event in their lives. Focussing on the seventeenth century, but ranging from the sixteenth to the eighteenth century, this study offers a new viewpoint on such themes as the patriarchal family, the significance of illegitimacy, and the structuring of gender-relations in the period.

Although articles in this volume fall into three thematic clusters, each of those groups exemplifies three general themes: micro-social processes; innovations and the question of continuity versus discontinuity; and the relationship between ideas and practice. Most of these essays touch upon, and some of them are exclusively concerned with, small scale social processes: e.g. the routines of the all-female early-modern childbirth ritual, the different ways that male practitioners were summoned to such occasions, the functioning of voluntary hospitals, the protocols underlying patient records. Such social practices are well worth studying as both the sites and drivers of larger-scale historical change. Whenever there comes into being something new - whether an institution (a hospital), a social practice (the summoning of men as midwives) or a concept (a new approach to disease) - the question arises as to its relationship with what went before. This concept resonates throughout these essays, but is most to the fore in the chapters on early Hanoverian London (which asks explanatory questions) and on Porter versus Foucault (who represent the extremes of continuity and discontinuity respectively). A couple of generations ago, the 'history of ideas' was pursued largely without reference to practice; in recent times, the danger has appeared of the very reverse taking place. This book ranges across a broad spectrum in this respect, the emphasis being sometimes upon practice (Eleanor Willughby's work as a midwife) and sometimes upon ideas (concepts of pleurisy across the centuries); but in every case there is at least the potential for relating the two to one another. None of these themes is specific to medical history; on the contrary, they are the bread-and-butter of historical reconstruction in general.

Originally published 1995 The Making of Man-Midwifery looks at how the eighteenth century witnessed a revolution in childbirth practices. By the last quarter of the century increasing numbers of babies were being delivered by men - a dramatic shift from the women-only ritual that had been standard throughout Western history. This authoritative and challenging work explains this transformation in medical practice and remarkable shift in gender relations. By tracing the actual development and transmission of the new midwifery skills through the period, the book addresses both technological and feminist arguments of the period. The study is distinctive in treating childbirth as both a bodily and a social event and in explaining how the two were intimately connected. Practical obstetrics is shown to have been shaped by the social relations surrounding deliveries, and specific techniques were associated with distinctive places and political allegiances. The books studies how increasing numbers emergent male-midwives had overtaken women in the skill of delivering children and how as such expectant mothers chose to use these male-midwives, thus heralding the growth of male-midwives in the period.

Adrian Wilson provides a comprehensive introduction to the study of the family. The book opens with a chapter on family structure, looking at the family historically and in cross-cultural perspective. Following this is a review first of theoretical approaches to the family, including functionalist, feminist, Marxist and radical criticism, and second, how the family is studied sociologically. Chapters 4 and 5 look at the changing British family and British families today, and the concluding chapters examine family problems, for example, divorce, violence, one -parent families, and the family and the state.

Originally published 1995 The Making of Man-Midwifery looks at how the eighteenth century witnessed a revolution in childbirth practices. By the last quarter of the century increasing numbers of babies were being delivered by men - a dramatic shift from the women-only ritual that had been standard throughout Western history. This authoritative and challenging work explains this transformation in medical practice and remarkable shift in gender relations. By tracing the actual development and transmission of the new midwifery skills through the period, the book addresses both technological and feminist arguments of the period. The study is distinctive in treating childbirth as both a bodily and a social event and in explaining how the two were intimately connected. Practical obstetrics is shown to have been shaped by the social relations surrounding deliveries, and specific techniques were associated with distinctive places and political allegiances. The books studies how increasing numbers emergent male-midwives had overtaken women in the skill of delivering children and how as such expectant mothers chose to use these male-midwives, thus heralding the growth of male-midwives in the period.

Human preoccupations - love and hate, anger and betrayal, lust and longing - are played out against a panoramic backdrop that would have been inconceivable before now. Featuring stories by M.Y. Alam, Andy Campbell, Susan Everett, and Daithidh MacEochiadh amongst others. Edited by Adrian Wilson with an introduction by Alice Nutter of Chumbawamba.

Your first fumbled sex, remember that? Lips that go bump in the night. Fingertips on hot-cold rippled skin. Thumbs and hooks. The first exotic dish that made you aware of your tastebuds. Your first car, first job, first alcoholic haze, first marriage, first child, first murder. After the first it will always be necessary to regret what comes next.

Selected And Placed In Their Contemporary Settings.

The book investigates graph groupoids and the path spaces associated with their unit spaces. Three main questions are solved. For the first, a natural question that was asked by A.Kumjian in the case of the Cuntz graph was how the topological space X relates to an earlier topological space investigated by J. Renault (Orleans). I show that the two topological spaces are homeomorphic and so can be identified. I then discuss the graph groupoid in the general case. For this investigation, it is important to be able to use the axiomatic approach to groupoids, and I show that this is equivalent to the usual definition of a groupoid as a "small category with inverses." This proof of this equivalence answers the second main question. The last is to construct the graph groupoid and prove that it is a second countable, locally compact, Hausdorff groupoid.

In this complex, stylish and downright dirty novel. Daithidh MacEochaidh belts through the underclass, underachieving, postponed-modern sacrilege and the more pungent bodily orifaces. Somewhere between the intertext and the testosterone find Ron Smith, illiterate book lover, philosopher of non-thought and the head honcho's left arm man Like a Dog to Its Vomit is a must read for anyone who has ever poked his toe into the world of critical theory: many of the postmodern textual games and strategies are on offer, used, abused, open to derision, and yet strangely sanctioned in the end.

Although articles in this volume fall into three thematic clusters, each of those groups exemplifies three general themes: micro-social processes; innovations and the question of continuity versus discontinuity; and the relationship between ideas and practice. Most of these essays touch upon, and some of them are exclusively concerned with, small scale social processes: e.g. the routines of the all-female early-modern childbirth ritual, the different ways that male practitioners were summoned to such occasions, the functioning of voluntary hospitals, the protocols underlying patient records. Such social practices are well worth studying as both the sites and drivers of larger-scale historical change. Whenever there comes into being something new - whether an institution (a hospital), a social practice (the summoning of men as midwives) or a concept (a new approach to disease) - the question arises as to its relationship with what went before. This concept resonates throughout these essays, but is most to the fore in the chapters on early Hanoverian London (which asks explanatory questions) and on Porter versus Foucault (who represent the extremes of continuity and discontinuity respectively). A couple of generations ago, the 'history of ideas' was pursued largely without reference to practice; in recent times, the danger has appeared of the very reverse taking place. This book ranges across a broad spectrum in this respect, the emphasis being sometimes upon practice (Eleanor Willughby's work as a midwife) and sometimes upon ideas (concepts of pleurisy across the centuries); but in every case there is at least the potential for relating the two to one another. None of these themes is specific to medical history; on the contrary, they are the bread-and-butter of historical reconstruction in general.