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Unlike most other Palestinian cities, Ramallah is a relatively new town, a de facto capital of the West Bank allowed to thrive after the Oslo Peace Accords, but just as quickly hemmed in and suffocated by the Occupation as the Accords have failed. Perched along the top of a mountainous ridge, it plays host to many contradictions: traditional Palestinian architecture jostling against aspirational developments and cultural initiatives, a thriving nightlife in one district, with much more conservative, religious attitudes in the next. Most striking however - as these stories show - is the quiet dignity, resilience and humour of its people; citizens who take their lives into their hands every time they travel from one place to the next, who continue to live through countless sieges, and yet still find the time, and resourcefulness, to create. Translated by Basma Ghalayini, Alexander Hong, Thoraya El-Rayyes, Mohammed Ghalaieny, Raph Cormack, Adam Talib, Yasmine Seale, Andrew Leber, Emre Bennett & Raph Cohen.
Young love, meddling relatives, heart-to-hearts with friends real and imagined - Philistia's world is that of an ordinary university student, except that in occupied Palestine, and when your father is in indefinite detention, nothing is straightforward. Philistia is closest to her childhood, and to her late grandmother and her imprisoned father, when she's at her part-time job washing women's bodies at the ancient Ottoman hammam in Nablus, the West Bank. A midwife and corpse washer in her time, Grandma Zahia taught Philistia the ritual ablutions and the secrets of the body: the secrets of life and death. On the brink of adulthood, Philistia embarks on a journey through her country's history - a magical journey, and one of loss and centuries of occupation. As trees are uprooted around her, Philistia searches for a place of refuge, a place where she can plant a memory for the ones she's lost.
With irony and poignant teenage idealism, Butterfly draws us into her world of adult hypocrisy, sibling rivalries, girlfriends' power plays, unrequited love... not to mention the political tension of life under occupation. As she observes her fragile environment with all its conflicts, Butterfly is compelled to question everything around her. Is her father a collaborator for the occupiers? Will Nizar ever give her the sign she's waiting for? How will her friendship with the activist Mays and the airhead Haya survive the unpredictable storms ahead? And why is 'honour' such a dangerous word, anyway?
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