Writer/director Guy Ritchie continues in mockney gangster vein with this follow-up to his 1998 hit 'Lock, Stock and Two Smoking Barrels'. In London, en route to deliver a stolen diamond to his employer Avi (Dennis Farina), thief Franky Four Fingers (Benicio Del Toro) is ambushed by Russian mobster Boris the Blade (Rade Sherbedgia). At the same time, boxing promoters Turkish (Jason Statham) and Tommy (Stephen Graham) enter Irish gypsy fighter Mickey (Brad Pitt) in a fight run by local kingpin Brick Top (Alan Ford). Instead of throwing the fight as arranged, Mickey earns Brick Top's enmity by beating his opponent fair and square. Meanwhile, Avi travels to London and hires Bullet Tooth Tony (Vinnie Jones) to track down Franky and the diamond - which Brick Top has now found out about and decided to appropriate from Boris!

Gary Daniels stars in this action thriller written and directed by Ara Paiaya. When hitman Bradley (Daniels) informs his superiors that his next job will be his last, he realises that in his line of work you cannot simply resign. When he rescues young prostitute Anna (Dominique Swain) from her violent pimp, she tells him that her sister has gone missing and begs him to help her. Now considered a rogue agent, Bradley is forced to run when The Executive (Eric Roberts) sends agents after him. Can Bradley dodge the men long enough to locate Anna's sister?

Bank-robbers unwittingly let loose a zombie horde onto the streets of London, in this comedy horror from director Matthias Hoene. Andy (Harry Treadaway) and Terry (Rasmus Hardiker) are determined to save their grandad Ray (Alan Ford)'s care home by robbing a bank. But when they break into a 350-year-old underground vault, the gang of robbers realise they've bitten off more than they can chew when they unleash a zombie army. With the undead looking for their next meal, the gang, led by Katy (Michelle Ryan), must rescue the old folks, all the while battling their way to freedom with their hard-earned dosh.

Nick Love directs this big screen modern-day revamp of the classic British 1970s television series. Ray Winstone and pop star Plan B (aka Ben Drew) star as Regan and Carter, the iconic cop duo played by John Thaw and Dennis Waterman in the original version. When an armed robbery at a jewellery store causes Regan's investigations into a potential bank robbery to come to a standstill, he believes old enemy Francis Allen (Paul Anderson) is responsible.

However, having no evidence against him leaves the Flying Squad officer powerless to bring him in, but when Regan hears that Allen is now in business with a well known Serbian criminal, he becomes determined to catch the culprits whatever the cost.

All seven episodes plus the Christmas special of the 1980s BBC comedy drama series starring Robert Lindsay and Paul McGann. Created by Geoff McQueen, the show revolves around the relationship between Micky Noades (Lindsay) and his brother-in-law Mo (McGann). Though Micky and Mo do not warm to each other naturally, to say the least, there is a recognition from both men that, unfortunately, they need each other. Micky is a self-styled promoter, sure of his expertise in his field but, somewhat inconveniently, lacking an act to promote. Mo is a snooker player of great ability, but not a star yet. Will the two men help each other realise their dreams, or will they simply get on each other's nerves?

Bank-robbers unwittingly let loose a zombie horde onto the streets of London, in this comedy horror from director Matthias Hoene. Andy (Harry Treadaway) and Terry (Rasmus Hardiker) are determined to save their grandad Ray (Alan Ford)'s care home by robbing a bank. But when they break into a 350-year-old underground vault, the gang of robbers realise they've bitten off more than they can chew when they unleash a zombie army. With the undead looking for their next meal, the gang, led by Katy (Michelle Ryan), must rescue the old folks, all the while battling their way to freedom with their hard-earned dosh.

British comedy horror starring Steven Berkoff, Robert Englund and Martin Kemp. When werewolf chief Jack Ferris (Billy Murray) is accidentally killed by one of the dancers in a London strip joint, the girls who work there have until the next full moon before his bloodthirsty wolfpack descends to seek murderous retribution.

Based on the internationally best-selling novel by Jonas Jonasson, this is the wonderful and unlikely story of a 100-year-old man who decides it's not too late to start over.

After a long and eventful life, Allan Karlsson ends up in a nursing home. A big celebration for his 100th birthday is in the works, but Allan really isn't interested. Instead, he climbs out of a window and embarks on a hilarious and entirely unexpected journey - involving a gang of criminals murderers, a suitcase stuffed with cash, an elephant and an incompetent policeman.

(Academy Award nomination for: Best Makeup & Hairstyling)

Ireland is riven by sectarian hatred. This simple assumption provides a powerful explanation for the bitterness and violence which has so dominated Irish history. Most notably, the troubles in Northern Ireland have provided fertile ground for scholars from all disciplines to argue about and explore ways in which religious division fueled the descent into hostility and disorder. In much of this literature, however, sectarianism is seen as, somehow, a 'given' in Irish history, an inevitable product of the clash of the Reformation and Counter-Reformation, something which sprang fully formed into existence in the sixteenth century. In this book leading historians provide a detailed analysis of the ways in which rival confessions were developed in early modern Ireland, the extent to which the Irish people were indeed divided into two religious camps by the mid-seventeenth century, and also their surprising ability to transcend such stark divisions.

Though known today largely for dating the creation of the world to 400BC, James Ussher (1581-1656) was an important scholar and ecclesiastical leader in the seventeenth century. As Professor of Theology at Trinity College Dublin, and Archbishop of Armagh from 1625, he shaped the newly protestant Church of Ireland. Tracing its roots back to St. Patrick, he gave it a sense of Irish identity and provided a theology which was strongly Calvinist and fiercely anti-Catholic. In exile in England in the 1640s he advised both king and parliament, trying to heal the ever-widening rift by devising a compromise over church government. Forced finally to choose sides by the outbreak of civil was in 1642, Ussher opted for the royalists, but found it difficult to combine his loyalty to Charles with his detestation of Catholicism.
A meticulous scholar and an extensive researcher, Ussher had a breathtaking command of languages and disciplines--"learned to a miracle" according to one of his friends. He worked on a series of problems: the early history of bishops, the origins of Christianity in Ireland and Britain, and the implications of double predestination, making advances which were to prove of lasting significance. Tracing the interconnections between this scholarship and his wider ecclesiastical and political interests, Alan Ford throws new light on the character and attitudes of a seminal figure in the history of Irish Protestantism.

Ireland is riven by sectarian hatred. This simple assumption provides a powerful explanation for the bitterness and violence which has so dominated Irish history. Most notably, the troubles in Northern Ireland have provided fertile ground for scholars from all disciplines to argue about and explore ways in which religious division fueled the descent into hostility and disorder. In much of this literature, however, sectarianism is seen as, somehow, a 'given' in Irish history, an inevitable product of the clash of the Reformation and Counter-Reformation, something which sprang fully-formed into existence in the sixteenth century. In this book leading historians provide the first detailed analysis of the ways in which rival confessions were developed in early modern Ireland, the extent to which the Irish people were indeed divided into two religious camps by the mid-seventeenth century, and also their surprising ability to transcend such stark divisions.

Charles Harwood is an out-of-work actor, but fill-in jobs aren't for him. He doesn't want to drive a minicab, deal dope or have 'another string to his bow' - he's a purist. And without any acting to do, the main event of his day is an audition for an ice-cream commercial.

The next job, and getting through the day on the few quid in his pocket, are Charlie's main preoccupations. In one day, he wends his way through a traffic jam in his dilapidated car and meets old faces. An after-work drink turns into a big night out - an opening-night party, followed by a sexual encounter with a soignee star with an arthritic hip.

This is the world of Charles Harwood and most other actors in the business. It is a hand-to-mouth, event to event, lifetime spent in a state of controlled desperation.

Charles Harwood is an out-of-work actor, but fill-in jobs aren't for him. He doesn't want to drive a minicab, deal dope or have 'another string to his bow' - he's a purist. And without any acting to do, the main event of his day is an audition for an ice-cream commercial. But first he's got to get there...It means escaping the bed of a regrettable liaison, avoiding death-by-juggernaut and trial by Job Centre. And that's just the morning. But though a corpsing mate means another job lost, the evening starts to look more promising when a chance encounter leads to a big night out complete with paparazzi, cocaine and sex. This is Charlie's world, and that of most other actors in the business - a hand-to-mouth life spent in a state of controlled desperation.