Disney's animated tale of Lady, an aristocratic cocker spaniel, who runs away from home after falling foul of two siamese cats. She is befriended by Tramp, a down-at-heel but charming mutt. They set out for a night on the town together, and romance is soon in the air when they share a meal at a spaghetti restaurant. This was the first Disney cartoon film to be made in CinemaScope.

Disney's animated tale of Lady, an aristocratic cocker spaniel, who runs away from home after falling foul of two siamese cats. She is befriended by Tramp, a down-at-heel but charming mutt. They set out for a night on the town together, and romance is soon in the air when they share a meal at a spaghetti restaurant. This was the first Disney cartoon film to be made in CinemaScope.

Box set featuring two popular animated features. 'Lady and the Tramp' is Disney's animated tale of Lady (voice of Barbara Luddy), an aristocratic cocker spaniel, who runs away from home after falling foul of two siamese cats. She is befriended by Tramp (Larry Roberts), a down-at-heel but charming mutt. They set out for a night on the town together, and romance is soon in the air when they share a meal at a spaghetti restaurant. 'Lady and the Tramp 2' (2001) is the sequel to 'Lady and the Tramp'. The original duo's offspring, mischievous pup Scamp (voiced by Scott Wolf), is always getting into trouble. After running away from home he meets lovely stray Angel (Alyssa Milano) and the streetwise Buster (Chazz Palminteri), who enrolls Scamp in the Junkyard Dogs gang. However, how long will Scamp be happy in his new, collar-free surroundings?

From the moment they arrived on the scene, The Flintstone lived up to the words of their immortal theme song: a modern stone age family that is a page right out of history. The lovable temperament of Fred Flintstone... the delicious digs of wife Wilma... the hilarious jabs of neighbour Barney Rubble. They're all present and (pre)hystericalry accounted for in this 5-disc set of the 28 episodes of the entire prehistoric first season that will make fans shout" Yabba dabba doo!"

This volume presents a leading contribution to the substantive arena relating to homicide in the criminal law. In broad terms, the ambit of homicide standardisations in extant law is contestable and opaque. This book provides a logical template to focus the debate. The overall concept addresses three specific elements within this arena, embracing an overarching synergy between them. This edifice engages in an examination of UK provisions, and in contrasting these provisions against alternative domestic jurisdictions as well as comparative contributions addressing a particularised research grid for content. The comparative chapters provide a wider background of how other legal systems treat a variety of specialised issues relating to homicide in the context of the criminal law. The debate in relation to homicide continues apace for academics, practitioners and within the criminal justice system. Having expert descriptions of the wider issues surrounding the particular discussion and of other legal systems' approaches serves to stimulate and inform that debate. This collection will be a major source of reference for future discussion.

The classification of words in terms of parts of speech is frequently problematic. This book examines the classification of conjunctions and similar words of other classes. It reviews work done from the 19th century to the present on a wide range of languages, including English, German, French, Latin, Ancient Greek, Welsh, Persian, Chinese, Japanese, Ute, and Abun. Most chapters treat conjunctions as opposed to one of the other traditionally recognized parts of speech: nouns, verbs, adjectives, adverbs, adpositions, and interjections. The book's major focus is on the terminology used to describe words on or near the borders between conjunctions and other parts of speech, such as "deverbal conjunctions", "conjunctional adverbs", "prepositional conjunctions", and "so-called conjunctions".

This volume presents a leading contribution to the substantive arena relating to homicide in the criminal law. In broad terms, the ambit of homicide standardisations in extant law is contestable and opaque. This book provides a logical template to focus the debate. The overall concept addresses three specific elements within this arena, embracing an overarching synergy between them. This edifice engages in an examination of UK provisions, and in contrasting these provisions against alternative domestic jurisdictions as well as comparative contributions addressing a particularised research grid for content. The comparative chapters provide a wider background of how other legal systems treat a variety of specialised issues relating to homicide in the context of the criminal law. The debate in relation to homicide continues apace for academics, practitioners and within the criminal justice system. Having expert descriptions of the wider issues surrounding the particular discussion and of other legal systems' approaches serves to stimulate and inform that debate. This collection will be a major source of reference for future discussion.

If you're not old enough to remember Falstaff on The Fred Allen Show, perhaps you recall Fred Flintstone from The Flintstones, that modern stoneage family. Both boisterous voices - and more - came from the talented mouth of Alan Reed, one of the greatest actors ever to light up radio, television and films. This is his story, published for the first time, complete with rare photos and credit list.

Following on from the earlier edited collection, Loss of Control and Diminished Responbility, this book is the first volume in the Substantive Issues in Criminal Law series. It serves as a leading point of reference in the area relating to participation in crime and identifies the need for a consistent approach to the doctrinal and theoretical underpinnings of complicity liability. With a section on the UK analysing points of current interest, the book also has a large comparative section dealing with foreign jurisdictions and examines on the basis of a unified research grid how different legal systems treat core issues of participation in the context of criminal law. This book is a valuable reference resource for those in the criminal justice community in the UK and abroad and for academics, the judiciary and policy-makers.

The law relating to general defences is one of the most important areas in the criminal law, yet the current state of the law in the United Kingdom reveals significant problems in the adoption of a consistent approach to their doctrinal and theoretical underpinnings, as exemplified by a number of recent developments in legislation and case law. A coherent and joined-up approach is still missing. This volume provides an analysis of the main contentious areas in British law, and proposes ways forward for reform. The collection includes contributions from leading experts across various jurisdictions. Part I examines the law in the United Kingdom, with specialist contributions on Irish and Scottish law. Part II consists of contributions by authors from a number of foreign jurisdictions, all written to a common research grid for maximum comparability, which provide a wider background of how other legal systems treat problems relating to general defences in the context of the criminal law, and which may serve as points of reference for domestic law reform.

First published in 1998, European Business Litigation is a monograph produced as a follow-up step to European Business Law which contains a range of chapters, including a chapter on Business Litigation. Hence, as well as expanding on the issues raised in the chapter, this book provides an insight into the legal and policy problems involved in both the harmonisation process and the substantive EU laws adopted to ameliorate the situation in the field of Private International Law. More specifically, it examines the origin of EU laws in this area, considers the problems with their interpretation and implementation, and addresses the question of whether harmonisation has been achieved.

This is the story of Isobel and Emile. They wake up beside each other one morning, and they slowly get out of bed. It is the last time that they will sleep together. They know it. They do not want it to be the last time but they know that it is. They get out of bed and they go to a train station. Emile gets onto a train. Isobel does not. She stands on the platform and she watches him go. He is going to the city, where he will be an artist. He will make puppets, and films of puppets, that struggle to say something he does not have the words for. She will stay in the small town, in the small room where they lived. She will work at a small grocery store and write letters to Emile while she works up the courage to do something more. Told in a stark, minimalist voice, Isobel and Emile is the hypnotizing story of two lovers without each other. It is a story of struggling with loss and a loneliness that threatens to consume them. It is about staying true to what they hold dear, no matter that it is hopeless and that nothing will ever come of it, because sometimes that is all that is left. And sometimes, it is enough.

The law relating to general defences is one of the most important areas in the criminal law, yet the current state of the law in the United Kingdom reveals significant problems in the adoption of a consistent approach to their doctrinal and theoretical underpinnings, as exemplified by a number of recent developments in legislation and case law. A coherent and joined-up approach is still missing. This volume provides an analysis of the main contentious areas in British law, and proposes ways forward for reform. The collection includes contributions from leading experts across various jurisdictions. Part I examines the law in the United Kingdom, with specialist contributions on Irish and Scottish law. Part II consists of contributions by authors from a number of foreign jurisdictions, all written to a common research grid for maximum comparability, which provide a wider background of how other legal systems treat problems relating to general defences in the context of the criminal law, and which may serve as points of reference for domestic law reform.

This volume presents a leading contribution to the substantive arena relating to consent in the criminal law. In broad terms, the ambit of legally valid consent in extant law is contestable and opaque, and reveals significant problems in adoption of consistent approaches to doctrinal and theoretical underpinnings of consent. This book seeks to provide a logical template to focus the debate. The overall concept addresses three specific elements within this arena, embracing an overarching synergy between them. This edifice engages in an examination of UK provisions, with specialist contributions on Irish and Scottish law, and in contrasting these provisions against alternative domestic jurisdictions as well as comparative contributions addressing a particularised research grid for consent. The comparative chapters provide a wider background of how other legal systems' treat a variety of specialised issues relating to consent in the context of the criminal law. The debate in relation to consent principles continues for academics, practitioners and within the criminal justice system. Having expert descriptions of the wider issues surrounding the particular discussion and of other legal systems' approaches serves to stimulate and inform that debate. This collection will be a major source of reference for future discussion.

A colorful collection of verse and prose, Eyes Blue, or Random Meanderings of a Manic Depressive takes the reader on a heartfelt and introspective journey. The overriding message of these pieces is quite simple - acceptance is the way to inner peace. Author Alan Reed, who is afflicted with manic depressive syndrome, acknowledges and embraces his illness, not as a liability but as an opportunity to create something unique, poignant and beautiful. As a result, he has captured rare and wondrous ideas, thoughts and concepts in a manner never before associated with this particular mental illness. Alan Reed is a retired U.S. diplomat who grew-up in White Salmon, Washington. At the age of 15, he moved to Vancouver, Washington where he attended high school, was student body president, part of the National Honor Society, and an all-star baseball player. He attended the University of Washington in Seattle and lived there for ten years before entering the Peace Corps in 1978. He became a U.S. Foreign Service Officer in 1990 and served at U.S. embassies in Peru, Ecuador, Guatemala, Egypt, Bangladesh, Paraguay, and Brazil. Mr. Reed currently lives in Grand Prairie, Texas, and is working on another collection of short stories and poems, Eyes Blue 2. Publisher's website: http://sbpra.com/AlanReed

The issue of consent and criminal law commonly focuses on consent in sports, sexual activity, and medical treatment. The notion of consent and the influence of state control in this context, however, are pervasive throughout the criminal justice process from the pre-trial stage to rehabilitation. This edited collection charts an important and original pathway to understanding these important issues, pre-, during, and post-trial, from a range of perspectives, including doctrinal, socio-legal, intersectional, medico-legal, feminist, critical legal, and queer theoretical viewpoints. The collection addresses the complex inter-relationship between consent and state control in relation to private authorisation and public censure; sexual behaviour; the age of consent; queering consent; Pro-LGBTI Refugee cases; rape by fraud; male rape; undercover policing; prisons and consent; compulsory treatment for sex offenders; sex offenders with high functioning autism and the suitability of sex offender treatment programmes; and, the criminalisation of HIV transmission. This multi-disciplinary approach draws together a variety of experts from legal and medical academia and practice in order to confront the issues raised by these subjects, which are likely to remain controversial and in need of reform for years to come.

A tribute to the golden age of radio from veteran producer Joe Bevilacqua and comic strip artist Donnie Pitchford, "The 2nd New & Old Time Radio Collection" is a series of new stories and parodies featuring beloved radio characters and shows.

"A Joe Bev Audio Theater Sampler, Volume 1"

This half-hour anthology represents more than forty years of storytelling by Joe Bevilacqua, a.k.a Joe Bev, the award-winning actor, writer, producer, and director. Each half-hour is beautifully produced with original a cast of professional actors, sound effects, and music. Volume 1 includes numerous audio plays by Joe Bevilacqua, J. C. Del La Torre, Ralph Tyler, William Melillo, Alan Reed, Victor Gates, and many more

"A Joe Bev Audio Theater Sampler, Volume 2"

Another beautifully produced anthology by award-winning actor, writer, producer, and director Joe Bevilacqua. Volume 2 includes numerous audio plays by Joe Bevilacqua, Daws Butler, Mitchell Pearson, Bob Martin, Pedro Pablo Sacristan, Alan Reed, and many more

"The All New Lum & Abner Comic Strips"

"Lum & Abner," the classic American network radio comedy show, was created by Chester Lauck and Norris Goff and aired from 1931 to 1954. Now for the first time since 1954, veteran radio theater producer Joe Bevilacqua and comic strip artist Donnie Pitchford bring you one hundred new Lum & Abner audio comic strips

A tribute to the golden age of radio from veteran producer Joe Bevilacqua and comic strip artist Donnie Pitchford, "The 2nd New & Old Time Radio Collection" is a series of new stories and parodies featuring beloved radio characters and shows.

"A Joe Bev Audio Theater Sampler, Volume 1"

This half-hour anthology represents more than forty years of storytelling by Joe Bevilacqua, a.k.a Joe Bev, the award-winning actor, writer, producer, and director. Each half-hour is beautifully produced with original a cast of professional actors, sound effects, and music. Volume 1 includes numerous audio plays by Joe Bevilacqua, J. C. Del La Torre, Ralph Tyler, William Melillo, Alan Reed, Victor Gates, and many more

"A Joe Bev Audio Theater Sampler, Volume 2"

Another beautifully produced anthology by award-winning actor, writer, producer, and director Joe Bevilacqua. Volume 2 includes numerous audio plays by Joe Bevilacqua, Daws Butler, Mitchell Pearson, Bob Martin, Pedro Pablo Sacristan, Alan Reed, and many more

"The All New Lum & Abner Comic Strips"

"Lum & Abner," the classic American network radio comedy show, was created by Chester Lauck and Norris Goff and aired from 1931 to 1954. Now for the first time since 1954, veteran radio theater producer Joe Bevilacqua and comic strip artist Donnie Pitchford bring you one hundred new Lum & Abner audio comic strips

A tribute to the golden age of radio from veteran producer Joe Bevilacqua and comic strip artist Donnie Pitchford, "The 2nd New & Old Time Radio Collection" is a series of new stories and parodies featuring beloved radio characters and shows.

"A Joe Bev Audio Theater Sampler, Volume 1"

This half-hour anthology represents more than forty years of storytelling by Joe Bevilacqua, a.k.a Joe Bev, the award-winning actor, writer, producer, and director. Each half-hour is beautifully produced with original a cast of professional actors, sound effects, and music. Volume 1 includes numerous audio plays by Joe Bevilacqua, J. C. Del La Torre, Ralph Tyler, William Melillo, Alan Reed, Victor Gates, and many more

"A Joe Bev Audio Theater Sampler, Volume 2"

Another beautifully produced anthology by award-winning actor, writer, producer, and director Joe Bevilacqua. Volume 2 includes numerous audio plays by Joe Bevilacqua, Daws Butler, Mitchell Pearson, Bob Martin, Pedro Pablo Sacristan, Alan Reed, and many more

"The All New Lum & Abner Comic Strips"

"Lum & Abner," the classic American network radio comedy show, was created by Chester Lauck and Norris Goff and aired from 1931 to 1954. Now for the first time since 1954, veteran radio theater producer Joe Bevilacqua and comic strip artist Donnie Pitchford bring you one hundred new Lum & Abner audio comic strips