Made-for-TV BBC adaptation of Lewis Carroll's classic children's book from film-maker Jonathan Miller. Young girl Alice (Anne-Marie Mallik) falls down the White Rabbit (Wilfrid Brambell)'s hole into a bizarre world full of eccentric characters such as the Caterpillar (Michael Redgrave), the Mock Turtle (John Gielgud) and the Mad Hatter (Peter Cook). Peter Sellers also stars as the King of Hearts. The film features music by Ravi Shankar.

THE SUNDAY TIMES BESTSELLER AND WATERSTONES BEST BOOK OF 2022 'Sparklingly sardonic ... There really is no one like Bennett' Independent 'Filled with elegiac memories and literary gossip ... a major National Treasure' Lynn Barber 4 March. HMQ pictured in the paper at an investiture wearing gloves, presumably as a precaution against Coronavirus. But not just gloves; these are almost gauntlets. I hope they're not the thin end of a precautionary wedge lest Her Majesty end up swathed in protective get-up such as is worn at the average crime scene. 20 March. With Rupert now working from home my life is much easier, as I get regular cups of tea and a lovely hot lunch. A year in and out of lockdown as experienced by Alan Bennett. The diary takes us from the filming of Talking Heads to thoughts on Boris Johnson, from his father's short-lived craze for family fishing trips, to stair lifts, junk shops of old, having a haircut, and encounters on the local park bench. A lyrical afterword describes the journey home to Yorkshire from King's Cross station via fish and chips on Quebec Street, past childhood landmarks of Leeds, through Coniston Cold, over the infant River Aire, and on.

What would happen if the Queen became a reader of taste and discernment rather than of Dick Francis? The answer is a perfect story. The Uncommon Reader is none other than HM the Queen who drifts accidentally into reading when her corgis stray into a mobile library parked at Buckingham Palace. She reads widely ( JR Ackerley, Jean Genet, Ivy Compton Burnett and the classics) and intelligently. Her reading naturally changes her world view and her relationship with people like the oleaginous prime minister and his repellent advisers. She comes to question the prescribed order of the world and loses patience with much that she has to do. In short, her reading is subversive. The consequence is, of course, surprising, mildly shocking and very funny.

***Available for pre-order now*** The gorgeous, pocket-sized edition of the two brand-new Talking Heads ***As seen on BBC1 and iPlayer*** 'Given the opportunity to revisit the characters from Talking Heads I've added a couple more, both of them ordinary women whom life takes by surprise. They just about end up on top and go on, but without quite knowing how. Still, they're in good company, and at least they've made it into print.' Alan Bennett's twelve Talking Heads are acknowledged masterworks by one of our most highly acclaimed writers. Some thirty years after the original six, Bennett has written Two Besides, a pair of monologues. Each, in its way, is a devastating portrait of grief. In An Ordinary Woman, a mother suffers the inevitable consequences when she makes life intolerable for herself and her family by falling for her own flesh and blood; while The Shrine tells the story behind a makeshift roadside shrine, introducing us to Lorna, bearing witness in her high-vis jacket, the bereft partner of a dedicated biker with a surprising private life. The two new Talking Heads were recorded for the BBC during the exceptional circumstances of coronavirus lockdown in the spring of 2020, directed by Nicholas Hytner and performed by Sarah Lancashire and Monica Dolan. The book contains a substantial preface by Nicholas Hytner and an introduction to each, by Alan Bennett.

'I seem to have banged on this year rather more than usual. I make no apology for that, nor am I nervous that it will it make a jot of difference. I shall still be thought to be kindly, cosy and essentially harmless. I am in the pigeon-hole marked 'no threat' and did I stab Judi Dench with a pitchfork I should still be a teddy bear.'

Alan Bennett's third collection of prose Keeping On Keeping On follows in the footsteps of the phenomenally successful Writing Home and Untold Stories, each published ten years apart. This latest collection contains Bennett's peerless diaries 2005 to 2015, reflecting on a decade that saw four premieres at the National Theatre (The Habit of Art, People, Hymn and Cocktail Sticks), a West End double-bill transfer, and the films of The History Boys and The Lady in the Van.

There's a provocative sermon on private education given before the University at King's College Chapel, Cambridge, and 'Baffled at a Bookcase' offers a passionate defence of the public library. This is an engaging, humane, sharp, funny and unforgettable record of life according to the inimitable Alan Bennett.

As Allied air force bombers mercilessly pound Nazi Germany every night in late 1943, the decision is made to send a number of journalists on a mission to Berlin. One of them was a young American journalist Lowell Bennett, who had made his name reporting on the Allied invasion of Tunisia. When their Avro Lancaster is hit by Luftwaffe fighters, everyone is forced to bail out. Bennett was taken prisoner upon landing in Germany. Before delivering him to a prison camp for the duration of the war, Bennett’s captor, a German officer, decides to take him on a tour of various German cities, a submarine base, and the Ruhr in order to let the journalist see for himself the terrible suffering of the civilian population, the prime target of Allied bombing. In this vivid first-hand account of his experiences, Bennett expresses his indignation at this selective bombing and vehemently criticises the Allies' strategic bombing policies. Controversial at the time of its publication in 1945, Bennett's account remains the only first-hand report by an Allied journalist of the RAF and USAAF bombing raids seen from ground level.

Alan Bennett is the author of Writing Home, The Madness of George III, Talking Heads, The Clothes They Stood Up In and much else besides. Miss Shepherd lived in a Robin Reliant opposite Bennett's house in Camden Town. After a series of attacks on her van, he suggested she move, with her van, to his front drive. Initially reluctant, she agreed - and Bennett landed himself a tenancy that went on for fifteen years. The Lady in the Van is probably Alan Bennett's best-known work of non-fiction, and follows his other little blockbuster The Clothes They Stood Up In.

At work Peggy has carved herself a comfortable niche. Once in hospital, she loses no time in establishing herself as Queen Bee, taking on several responsibilities. Persistently cheerful, blind to the feelings of others and, at heart, terribly lonely, Peggy is at once a richly comic and desperately moving creation, providing a rewarding challenge for a mature actress.

The Shielding of Mrs Forbes Graham Forbes is a disappointment to his mother, who thinks that if he must have a wife, he should have done better. Though her own husband isn't all that satisfactory either. Still, this is Alan Bennett, so what is happening in the bedroom (and in lots of other places too) is altogether more startling, perhaps shocking, and ultimately more true to people's predilections. The Greening of Mrs Donaldson Mrs Donaldson is a conventional middle-class woman beached on the shores of widowhood after a marriage that had been much like many others: happy to begin with, then satisfactory and finally dull. But when she decides to take in two lodgers, her mundane life becomes much more stimulating...

This hilarious and unusual play satirizes the ridiculous propensity we often have to show less interest in an artist's work than in meaningless details of his private life, such as his sex life. It begins with Kafka near the end of his life making his famous request to his friend Max Brod that his works be burned at his death. We then flash forward to the present, where Kafka fanatic Sydney, an insurance salesman, is laboring away at an article on Kafka for 'Small Print; The Journal of Insurance Studies'. Who should miraculously appear but Kafka himself, followed closely by Brod and finally by Kafka's father, who wants to vindicate himself to posterity. The penultimate scene takes place in Heaven, where Kafka observes: "I'll tell you something. Heaven is going to be hell."

The social services department of the council is preparing a register of the elderly in the area and eager but green June Potter (recently transfered from transport) is despatched to gather information while obtaining some hands-on-experience. Mam and Dad are in their 60s and therefore must be in need of registering - but Mam and Dad, perfectly alert, able-bodied and streetwise have no intention of being registered. Thrown by Mam's no-nonsense approach, the increasingly desperate June resorts to Mr Farquarson's detailed notes on "Conducts of Interviews", while Mam sorts her out. This comic, ironic look at patronizing bureaucracy was first televised in 1982.

Meet Lesley, an actress. She has just completed a video ('targeted chiefly on West Germany') in which she plays Travis, a career girl who enjoys life, spends a remarkable amount of time topless and shoots a man with a harpoon gun. She tells all, blind to the sinister undertones of her story as well as to her own self-delusions and gullibility.

In 1974, the homeless Miss Shepherd moved her broken down van into Alan Bennett's garden. Deeply eccentric and stubborn to her bones, Miss Shepherd was not an easy tenant. And Bennett, despite inviting her in the first place, was a reluctant landlord. And yet she lived there for fifteen years. This account of those years was first published in 1989 in the London Review of Books. The play premiered in 1999, directed by Nicholas Hytner and starring Dame Maggie Smith, who reprise their roles in this new film adaptation. Shot on location at Bennett's house, Alex Jennings plays the author, alongside household names including Frances de la Tour, Jim Broadbent and Dominic Cooper.

The tales of Ratty, Mole, Badger and Toad. When Mole goes boating with the Water Rat instead of spring-cleaning, he discovers a new world. As well as the river and the Wild Wood, there is Toad's craze for fast travel which leads him and his friends on a whirl of trains, barges, gipsy caravans and motor cars and even into battle.

Dad thinks everything will be better when the family moves. The social worker who calls to observe their lives turns out to be absent son Terry, idolized by Mam, in drag. Secretary daughter Linda, in reality a prostitute, breezes in, shattering Dad's illusions. The house is dismantled around them to be rebuilt in a park preserving the ideals of family life. Mam will be in a showcase whilst Dad is carted off to the geriatric ward.

A British Labour M.P., ten years into his second marriage, feels tethered in a time of change. He is distrustful on the one hand of the "mawkish mentality" of the young and, on the other, of the encroaching motorway life of the middle aged who can look forward to nothing more than the fairly imminent end of a not so very interesting road. "The play is a small jewel of bewilderment and regret." - London Sunday Times

Susan is a vicar's wife suffocated by the expectations forced on her by her position and her husband's over-zealous parishioners. She is also an alcoholic who travels into Leeds to go to the off-licence because of her debts with the local shopkeeper. In frustration, she embarks on an affair with the off-licence owner, Ramesh, discovering something about herself and God in the process.

Green Forms Doris and Doreen are comfortably installed in an obscure department of a large organization. On a normal day they keep busy by flirting with nice Mr Tidmarsh in Appointments or pursuing their feud over a plug with Mr Cunliffe in Personnel. This is not a normal day. Someone has an eye on them and a shadow is falling across their tranquil lives. Are they about to be fired? A Visit From Miss Prothero Mr Dodsworth has recently retired. Sitting at home, he is contemplating his life and achievements with quiet satisfaction. There is a sharp ring at the door. His former secretary has come to ruin it all. Ironic wit and compassion mark this touchingly real story.

The antics at the Wicksteed home are a satirical merry-go-round. Family, friends and the sexual satisfaction of the "corpus" (body) are the ruling passions in this farcical comedy of ill-manners. Through a dance of mistaken identities and carnal encounters, one motto holds fast: "He whose lust lasts, lasts longest." "A parade of wit." - The New York Times "A marvelous freaky farce...rowdy and ribald." - NBC

Graham, a middle-aged bachelor, emotionally retarded and chronically dependent on his mother, finds life difficult enough at the best of times. When Mother meets an old flame and seems set to marry him, however, Graham's old insecurities rear their ugly heads again. Fate, eventually, rescues Graham and he resumes his normal life of banal muddle under his mother's amnesiac tyranny.

Muriel's husband Ralph has just died, leaving her rather well off - until that is, her son Giles gets his hands on the money. Unused to thinking about financial matters, Muriel submits to Giles' plans and comes out the loser as he has invested unwisely. Eventually, neglected by Giles and no longer needed by her disturbed daughter Margaret, Muriel ends the play alone and poor. Brisk, bright and eternally optimistic, she is determined to "soldier on", her persistent cheerfulness striking an icy note in this cool and merciless monologue of self-deception and moral blindness from the stage version of "Talking Heads".