Elfride Swancourt is the daughter of the Rector of Endelstow, a remote sea-swept parish in Corwall based on St Juliot, where Hardy began A Pair of Blue Eyes during the beginning of his courtship of his first wife, Emma. Blue-eyed and high-spirited, Elfride has little experience of the world beyond, and becomes entangled with two men: the boyish architect, Stephen Smith, and the older literary man, Henry Knight. The former friends become rivals, and Elfride faces an agonizing choice.
Written at a crucial time in Hardy's life, A Pair of Blue Eyes expresses more directly than any of his novels the events and social forces that made him the writer he was. Elfride's dilemma mirrors the difficult decision Hardy himself had to make with this novel: to pursue the profession of architecture, where he was established, or literature, where he had yet to make his name. This updated edition contains a new introduction, bibliography, and chronology.
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Life's Little Ironies (a phrase coined by Hardy) was Thomas Hardy's third collection of short stories. The volume's eight stories and one sequence of shorter tales (presented in a Canterbury Tales-type framework) had all appeared first in magazines before being gathered together in 1894. Not only do they reflect the strengths and themes of his great novels – they are also themselves powerful works, encompassing tragedy and humour. Part of the Cambridge Edition of the Novels and Short Stories of Thomas Hardy, this volume presents an authoritative text which aims to reflect Hardy's original artistic intentions. A full scholarly apparatus includes every authorial revision, from manuscript (where extant) onwards, enabling readers to trace Hardy's creative process. An introductory essay gives details of the stories' composition, publishing history and critical reception; there are comprehensive explanatory notes and a glossary, and the illustrations that accompanied the stories' magazine publication also provide valuable context.

The Woodlanders (1887) was Thomas Hardy's elventh published novel and the one he claimed to like 'as a story, the best of all'. It is a story of wide appeal, having much to say on themes such as marriage and social class, and with a background revealing its author's profound knowledge and appreciation of many matters, particularly nature and country life. As part of The Cambridge Edition of the Novels and Stories of Thomas Hardy, this edition of the novel provides an authoritative and accurate text which aims to reflect Hardy's original artistic intention and represent the novel as it would have been read by his Victorian readers. The novel is supported by a comprehensive introduction, chronology and accompanying textual apparatus which allows the modern reader to trace the novel's evolution from composition to first publication and through several stages of revision in succeeding editions in the quarter of a century following its first publication.