S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated.
"The Parable and Its Lesson" is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time--the Holocaust.
James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

Mintz has discovered a new sub-genre of fiction: the novel of vocation. In the nineteenth century, he maintains, work ceased to be merely what one did for a living or out of a sense of duty and became a vehicle for self-definition and self-realization. The change was prepared for by the growth of professions and the increase in middle-class career opportunities, He shows how George Eliot, in particular, linked these new social possibilities to the older Puritan doctrine of calling or vocation, achieving in her late novels a fictional structure that could encompass the conflicting energies of the age. In the idea of vocation she found a way to explore how far it is possible to be ambitious both for oneself and for a large cause, and a way to probe the contradictions between ambitious, self-defining work and the older institutions; of family, community, and religion.

The book is solidly grounded in cultural and historical reality. Although Mintz concentrate on George Eliot and especially "Middlemarch," he also examines the conceptions of self and work in Victorian biographies and autobiographies and the emergence in late-nineteenth-century fiction of the idea of the vocation of art.

The Holocaust took place far from the United States and involved few Americans, yet rather than receding, this event has assumed a greater significance in the American consciousness with the passage of time. As a window into the process whereby the Holocaust has been appropriated in American culture, Hollywood movies are particularly luminous. "Popular Culture and the Shaping of Holocaust Memory in America" examines reactions to three films: "Judgment at Nuremberg" (1961), "The Pawnbroker" (1965), and "Schindler's List" (1992), and considers what those reactions reveal about the place of the Holocaust in the American mind, and how those films have shaped the popular perception of the Holocaust. It also considers the difference in the reception of the two earlier films when they first appeared in the 1960s and retrospective evaluations of them from closer to our own times.

Alan Mintz also addresses the question of how Americans will shape the memory of the Holocaust in the future, concluding with observations on the possibilities and limitations of what is emerging as the major resource for the shaping of Holocaust memory--videotaped survivor testimony. "Popular Culture and the Shaping of Holocaust Memory in America" examines some of the influences behind the broad and deep changes in American consciousness and the social forces that permitted the Holocaust to move from the margins to the center of American discourse.

"Mintz's insights give pause for thought on matters of great interest to educators, parents, and the Jewish community as a whole, in addition to scholars in a range of fields, including literary studies, American studies, film studies, and popular culture as well as Holocaust studies."--Naomi Sokoloff, University of Washington

"The questions and issues Mintz raises throughout his book take the study of these texts to a sophisticated yet sensible new level. Mintz challenges the assumption that there are automatic lessons to be learned from such memory, or that there can be any redemption in such memory. These are crucial insights which deserve the widest possible audience."--James E. Young, University of Massachusetts at Amherst (author of "The Texture of Memory and At Memory's Edge.")

S.Y. Agnon was the greatest Hebrew writer of the twentieth century, and the only Hebrew writer to receive the Nobel Prize for literature. He devoted the last years of his life to writing a massive cycle of stories about Buczacz, the Galician town (now in Ukraine) in which he grew up. Yet when these stories were collected and published three years after Agnon's death, few took notice. Years passed before the brilliance and audacity of Agnon's late project could be appreciated.
"The Parable and Its Lesson" is one of the major stories from this work. Set shortly after the massacres of hundreds of Jewish communities in the Ukraine in 1648, it tells the tale of a journey into the Netherworld taken by a rabbi and his young assistant. What the rabbi finds in his infernal journey is a series of troubling theological contradictions that bear on divine justice. Agnon's story gives us a fascinating window onto a community in the throes of mourning its losses and reconstituting its spiritual, communal, and economic life in the aftermath of catastrophe. There is no question that Agnon wrote of the 1648 massacres out of an awareness of the singular catastrophic massacre of his own time--the Holocaust.
James S. Diamond has provides an extensive set of notes to make it possible for today's reader to grasp the rich cultural world of the text. The introduction and interpretive essay by Alan Mintz illuminate Agnon's grand project for recreating the life of Polish Jewry, and steer the reader through the knots and twists of the plot.

The effort to create a serious Hebrew literature in the United States in the years around World War I is one of the best kept secrets of American Jewish history. Hebrew had been revived as a modern literary language in nineteenth-century Russia and then taken to Palestine as part of the Zionist revolution. But the overwhelming majority of Jewish emigrants from Eastern Europe settled in America, and a passionate kernel among them believed that Hebrew provided the vehicle for modernizing the Jewish people while maintaining their connection to Zion. These American Hebraists created schools, journals, newspapers, and, most of all, a high literary culture focused on producing poetry. "Sanctuary in the Wilderness" is a critical introduction to American Hebrew poetry, focusing on a dozen key poets. This secular poetry began with a preoccupation with the situation of the individual in a disenchanted world and then moved outward to engage American vistas and Jewish fate and hope in midcentury. American Hebrew poets hoped to be read in both Palestine and America, but were disappointed on both scores. Several moved to Israel and connected with the vital literary scene there, but most stayed and persisted in the cause of American Hebraism.

Written in pieces over the last fifteen years of his life and published posthumously, S. Y. Agnon's A City in Its Fullness is an ambitious, historically rich sequence of stories memorializing Buczacz, the city of his birth. This town in present-day Ukraine was once home to a vibrant Jewish population that was destroyed twice over—in the First World War and again in the Holocaust. Agnon's epic story cycle, however, focuses not on the particulars of destruction, but instead reimagines the daily lives of Buczacz's Jewish citizens, vividly preserving the vanished world of early modern Jewry. Ancestral Tales shows how this collection marks a critical juncture within the Agnon canon. Through close readings of the stories against a shifting historical backdrop, Alan Mintz presents a multilayered history of the town, along with insight into Agnon's fictional transformations. Mintz relates these narrative strategies to catastrophe literature from earlier periods of Jewish history, showing how Agnon's Buczacz is a literary achievement at once innovative in its form of remembrance and deeply rooted in Jewish tradition.

When Adolph Eichmann stood trial in Jerusalem in 1961, Israel and the rest of the world experienced a reaction unlike any other produced by proceedings against a Nazi war criminal. Although some details about the Holocaust were generally known by the early sixties, the painful topic had slipped from public discussion as countries touched by World War II moved on to other pressing matters. Among Israeli Jews fighting for a new homeland, the near-extermination of European Jewry was misunderstood as an embarrassment -- an instance of Jewish impotence in the face of victimization by the Nazis. However, as the head of Hitler's Race and Resettlement Office stood trial on Israeli soil under the eye of the international media and Israeli survivors told their powerful stories to the world, the Holocaust became a defining experience for Zionism and human history.

Facing the Glass Cage, being published in English for the first time, is a detailed account of Eichmann's trial by the poet and journalist Haim Gouri, who was assigned to cover the event by the Israeli daily newspaper Lamerhav. The trial changed attitudes toward the Holocaust, and Gouri's reporting was the literary catalyst of this change. Packed with tension, Gouri's riveting descriptions of the testimony reveal a marked shift in attitudes toward Holocaust survivors in Israeli society. He admits to his initial skepticism toward these witnesses, and yet he learns much from them. Gouri's account is both a fascinating historical document and a chronicle of an extraordinary poet's encounter with one of the most terrible events of our times.

Alan Mintz (1947–2017) was a singular figure in the American Jewish literary landscape. In addition to publishing six authoritative books and numerous journal articles on modern and contemporary Jewish culture, Mintz contributed countless reviews and essays to literary journals, including the New Republic, the New York Times Book Review, and the Jewish Review of Books. Scattered in miscellaneous volumes and publications, these writings reveal aspects of Mintz’s scholarly personality that are not evident in his monographs. American Hebraist collects fifteen of Mintz’s most insightful articles and essays. The topics range from the life and work of Nobel Prize winner S. Y. Agnon—including a chapter from Mintz’s unfinished literary biography of that author—to Jewish and Israeli literature, the Holocaust, and a rare autobiographical essay. The chapters are introduced and contextualized by Mintz’s longtime colleague and friend David Stern, who opens the book by tracing the arc of Mintz’s intellectual career; the volume concludes with a personal essay and remembrance written by Beverly Bailis, the last student to complete a doctorate under Mintz’s direction. Brimming with erudition and intriguing biographical notes, American Hebraist provides new insights into the life and work of one of the twentieth century’s most important scholars of modern Hebrew literature. Students and scholars alike will benefit from this essential companion to Mintz’s scholarship.

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In this work of literary history and criticism, Alan Mintz details the development of a new mode in Hebrew prose narrative the autobiography. Against the historical background of the Haskalah (Enlightenment), Mintz explores the work of three key writers: M. Z. Feierberg, M. Y. Berdichevsky, and Y. H. Brenner. At the turn of the century, these Hebrew writers found in autobiography a way of telling the truth about the realities of the self, its inner life, and its fate in a world void of God. Through careful examination of the Hebrew autobiographical tradition, Mintz provides not only new understanding of a literary genre but also access to a unique perspective on modern Jewish history."

The Holocaust took place far from the United States and involved few Americans, yet rather than receding, this event has assumed a greater significance in the American consciousness with the passage of time. As a window into the process whereby the Holocaust has been appropriated in American culture, Hollywood movies are particularly luminous. Popular Culture and the Shaping of Holocaust Memory in America examines reactions to three films: Judgment at Nuremberg (1961), The Pawnbroker (1965), and Schindler's List (1992), and considers what those reactions reveal about the place of the Holocaust in the American mind, and how those films have shaped the popular perception of the Holocaust. It also considers the difference in the reception of the two earlier films when they first appeared in the 1960s and retrospective evaluations of them from closer to our own times. Alan Mintz also addresses the question of how Americans will shape the memory of the Holocaust in the future, concluding with observations on the possibilities and limitations of what is emerging as the major resource for the shaping of Holocaust memory-videotaped survivor testimony. Popular Culture and the Shaping of Holocaust Memory in America examines some of the influences behind the broad and deep changes in American consciousness and the social forces that permitted the Holocaust to move from the margins to the center of American discourse.