Millennium transcends boundaries - between epochs and regions, and between disciplines. Like the Millennium-Jahrbuch, the journal Millennium-Studien pursues an international, interdisciplinary approach that cuts across historical eras. Composed of scholars from various disciplines, the editorial and advisory boards welcome submissions from a range of fields, including history, literary studies, art history, theology, and philosophy. Millennium-Studien also accepts manuscripts on Latin, Greek, and Oriental cultures. In addition to offering a forum for monographs and edited collections on diverse topics, Millennium-Studien publishes commentaries and editions. The journal primary accepts publications in German and English, but also considers submissions in French, Italian, and Spanish. If you want to submit a manuscript please send it to the editor from the most relevant discipline: Wolfram Brandes, Frankfurt (Byzantine Studies and Early Middle Ages): [email protected] Peter von Moellendorff, Giessen (Greek language and literature): [email protected] Dennis Pausch, Dresden (Latin language and literature): [email protected] Rene Pfeilschifter, Wurzburg (Ancient History): [email protected] Karla Pollmann, Bristol (Early Christianity and Patristics): [email protected] All manuscript submissions will be reviewed by the editor and one outside specialist (single-blind peer review).

This Element discusses the ancient statues once set up in Byzantine Constantinople, with a special focus on their popular reception. From its foundation by Constantine the Great in 324, Constantinople housed a great number of statues which stood in the city on streets and public places, or were kept in several collections and in the Hippodrome. Almost all of them, except a number of newly made statues of reigning emperors, were ancient objects which had been brought to the city from other places. Many of these statues were later identified with persons other than those they actually represented, or received an allegorical (sometimes even an apocalyptical) interpretation. When the Crusaders of the Fourth Crusade conquered the city in 1204, almost all of the statues of Constantinople were destroyed or looted.

The Patria is a fascinating four-book collection of short historical notes, stories, and legends about the buildings and monuments of Constantinople, compiled in the late tenth century by an anonymous author who made ample use of older sources. It also describes the foundation and early (pre-Byzantine) history of the city, and includes the Narrative on the Construction of Hagia Sophia, a semi-legendary account of Emperor Justinian I's patronage of this extraordinary church (built between 532 and 537). The Patria constitutes a unique record of popular traditions about the city, especially its pagan statues, held by its medieval inhabitants. At the same time it is the only Medieval Greek text to present a panorama of the city as it existed in the middle Byzantine period. Despite its problems of historical reliability, the Patria is still one of our main guides for the urban history of medieval Constantinople. This translation makes the entire text of the Patria accessible in English for the first time.