Doctor Who is one of television's most enduring and ubiquitously popular series. This study contends that the success of the show lies in its ability, over more than half a century, to develop its core concepts and perspectives: alienation, scientific rationalism and moral idealism. The most extraordinary aspect of this eccentric series rests in its capacity to regenerate its central character and, with him, the generic, dramatic and emotional parameters of the programme. Out of Time explores the ways in which the series' immortal alien addresses the nature of human mortality in his ambiguous relationships with time and death. It asks how the status of this protagonist - that lonely god, uncanny trickster, cyber-sceptic and techno-nerd - might call into question the beguiling fantasies of immortality, apotheosis and utopia which his nemeses tend to pursue. Finally, it investigates how this paragon of transgenerational television reflects the ways in which contemporary culture addresses the traumas of change, loss and death.

The EU is in a constant state of flux: its constitution, its institutions and especially its political, economic and regulatory borders. Media in the Enlarged Europe deals with the complexity and instability of the European Union and its relationship with the mass media, looking beyond national and cultural boundaries. This compilation also views the mass media not only in its more traditional senses, but looks at newer media technologies and their applications.The recurring theme that binds the diverse papers in this collection is the relationship between European media industries and their social, political, economic and legislative contexts. The first part of the collection offers a snapshot of media politics, policies, industries and cultures in the European Union as a whole; the second part presents comprehensive case studies of the history and current state of the mass media in specific European nations, making Media in the Enlarged Europe an essential resource for media academics and students.

What takes place when we examine texts close-up? The art of close reading, once the closely guarded province of professional literary critics, now underpins the everyday processes of forensic scrutiny conducted by those brigades of citizen commentators who patrol the realms of social media. This study examines at close quarters a series of key English texts from the last hundred years: the novels of Virginia Woolf and James Joyce, the plays of Samuel Beckett, the poetry of Sylvia Plath and Philip Larkin, the films of Alfred Hitchcock and the tweets of Donald Trump. It digs beneath their surface meanings to discover microcosmic ambiguities, allusions, ironies and contradictions which reveal tensions and conflicts at the heart of the paradox of patriarchal history. It suggests that acts of close reading may offer radical perspectives upon the bigger picture, as well as the means by which to deconstruct it. In doing so, it suggests an alternative to a classical vision of cultural progress characterised by irreconcilable conflicts between genders, genres and generations.