Noting a marked lack of comprehensiveness and/or contemporaneity among typical reference works on chemical etymology, as well as a somewhat spotty coverage of chemical terms and their etymology in comprehensive dictionaries and textbooks the author decided to write an up-to-date desk reference on chemical etymology which would satisfy the needs of casual readers as well as those of more demanding users of etymological lore. Characteristic user-friendly features of the present work include avoidance of cumbersome abbreviations, avoidance of entries in foreign alphabets, and a broad coverage of all chemical disciplines including mineralogy. Biological, medical, geological, physical and mathematical terms are only considered where they appear of interest to mainstream chemists.
This book does not provide definitions of terms (unless required in the etymological context) nor guidance as to the timeliness of different nomenclature systems. The typical user will from the outset be well aware of the exact meaning of the terms he or she focuses on and only require the etymological background to be used. Examples of sources which have been drawn upon in the preparation of this book, apart from the extremely useful Internet resource Google, are listed, but an exhausting enumeration would be tiresome and impractical..
* an up-to-date desk reference on chemical etymology
* characteristic user-friendly features
* broad coverage of all chemical disciplines

This volume comprises a series of studies focusing on the Latin poetry of the first and second centuries BCE, its relationship to earlier models both Greek and Latin, and its reception by later writers. A point of particular focus is the influence of Greek poetry, including not only Hellenistic writers like Callimachus, Theocritus, and Lycophron, but also archaic poets like Pindar and Bacchylides. The volume also includes studies of style, as well as treatments of the influence of Latin poetry on writers like Marvell and Dylan. Contributers include J. N. Adams, Barbara Weiden Boyd, Brian Breed, Sergio Casali, Julia Hejduk, Peter Knox, Leah Kronenburg, Charles Martindale, Charles McNelis, James O'Hara, Thomas Palaima, Hayden Pelliccia, David Petrain, David Ross, and Alexander Sens.

This is the first commentary in English devoted exclusively to the surviving epigrams and fragments of Asclepiades of Samos, a Hellenistic poet who exerted great influence on the work of his contemporaries and helped shape the genre of literary epigram for many generations. The volume contains an extensive introduction, a new critical text and translation, and a full literary and philological commentary. Alexander Sens's main focus is on the way in which Asclepiades engages with the Greek literary tradition, but attention is also paid to his influence on later writers.

Archestratos of Gela's Life of Luxury is a fundamental source for our understanding not only of fourth-century literature but also of the significance of food and dining, and the reception of epic poetry in the late classical period. This edition is based on a fresh examination of the manuscripts and is the first to combine a critical text of the poem with a translation, a detailed commentary, and an extensive introduction situating the work in its literary, social, and cultural context.

Greek 'literary' epigrams constitute one of the most versatile and dynamic poetic forms in the Hellenistic period. Originally modeled on the anonymous epitaphs and dedications inscribed on monuments throughout antiquity, these short poems came to include a variety of subtypes and served as a vehicle for Hellenistic poets to experiment with themes and motifs from other genres. This edition introduces students to a wide selection of epigrams from the third and second centuries BCE. It provides substantial help in construing the Greek and will be appropriate for those approaching the genre for the first time, whilst also containing material of interest to scholars. It includes work by the most important epigrammatists of this period, with substantial attention paid to the way these poets engage with the epigraphic and literary traditions. The Introduction provides an overview of the history of the genre and of its formal features, including dialect and meter.

Greek 'literary' epigrams constitute one of the most versatile and dynamic poetic forms in the Hellenistic period. Originally modeled on the anonymous epitaphs and dedications inscribed on monuments throughout antiquity, these short poems came to include a variety of subtypes and served as a vehicle for Hellenistic poets to experiment with themes and motifs from other genres. This edition introduces students to a wide selection of epigrams from the third and second centuries BCE. It provides substantial help in construing the Greek and will be appropriate for those approaching the genre for the first time, whilst also containing material of interest to scholars. It includes work by the most important epigrammatists of this period, with substantial attention paid to the way these poets engage with the epigraphic and literary traditions. The Introduction provides an overview of the history of the genre and of its formal features, including dialect and meter.

This monograph is a literary study of Lycophron's Alexandra, whose obscurity, a quality notorious already in antiquity, has long hampered holistic approaches. Through a series of distinct but closely integrated literary studies of major aspects of the poem, including its style, its engagement with the traditions of epic and tragedy, and it's treatment of heroism and of the gods, the book explores the way the Alexandra reconfigures Greek mythology. In particular, as it is presented in Homeric epic and Athenian tragedy, in order to cast the Romans and their restoration of Trojan glory as the ultimate telos of history. In this sense, the poem emerges as an important intermediary between Homeric epic and Latin poetry, particularly Vergil's Aeneid. By rewriting specific features of the epic and tragic traditions, the Alexandra denies to Greek heroes the glory that was the traditional compensation for their suffering, while at the same time attributing to Cassandra's Trojan family honours framed in the traditional language of Greek heroism. In this sense, the figure of Cassandra, a prophetess traditionally gifted with the power of foresight but denied credibility, self-reflexively serves as a vehicle for exploring the potentials and limitations of poetry.