The new Museum of Contemporary Art of Castilla and Le*n, opened in Spain in 2005 with an exhibition of Alfredo Jaar's Emergency, a dark pool from which a fiberglass model of the African continent is constantly, slowly rising and resubmerging. This revised and expanded black book of essays--whose back cover leads to black endpapers and black title pages--extends Jaar's piece with reflections on the continent from such brilliant African writers as Ama Ata Aidoo (of Ghana, via Stanford University's creative writing program), Buchi Emecheta (of Nigeria and London), Nawal el Saadawi (Egypt's onetime Director of Public Health, the only woman ever to achieve such a position), and Nuruddin Farah (a novelist exiled from Somalia).

Alfredo Jaar's immersive site-specific installation in the Chilean pavilion at the 55th Venice Biennale, Venezia Venezia is a call to examine how today's culture, composed of increasingly complex global networks, can be adequately represented on a world stage.This publication features essays by 18 prominent, international authors from different fields of work and thought, including political and philosophical thinkers, critics, theorists, art historians and curators. Their contributions consider Venezia Venezia in its critical context, as well d recent global developments and the volatile conditions of contemporary art practice.

A re-encounter with Chilean audiences after an absence of twenty-five years, this is an anthology of works better known to the rest of the world than to Jaar's native country. It is a frank, demanding dialogue with a new public and a new generation of intellectuals. Jaar's work evolves from project to project, as he continually shapes and renews his poetic thinking on such themes as: the contemporary status of images, the role of artists and intellectuals in society, and an ethical imperative expressed in an aesthetics of resistance.