The past two decades have witnessed a proliferation of scholarship on dress in the ancient world. These recent studies have established the extent to which Greece and Rome were vestimentary cultures, and they have demonstrated the critical role dress played in communicating individuals' identities, status, and authority. Despite this emerging interest in ancient dress, little work has been done to understand religious aspects and uses of dress. This volume aims to fill this gap by examining a diverse range of religious sources, including literature, art, performance, coinage, economic markets, and memories. Employing theoretical frames from a range of disciplines, contributors to the volume demonstrate how dress developed as a topos within Judean and Christian rhetoric, symbolism, and performance from the first century BCE to the fifth century CE. Specifically, they demonstrate how religious meanings were entangled with other social logics, revealing the many layers of meaning attached to ancient dress, as well as the extent to which dress was implicated in numerous domains of ancient religious life.

This book studies comparisons and possible trajectories between three 'catholic' epistles, and traditions associated with Jesus. Part A analyzes why James would recall the teachings of Jesus, how he alters these teachings, and what such adaptation suggests about his audience. Part B turns to the Jesus tradition and 1 and 2 Peter. What can 1 Peter's use of Isaiah 53 tell us about the historical Jesus? How has 1 Peter conflated early Jesus traditions with those of ancient Judaism in order to develop certain ideas? How does 2 Peter allude to Gospel traditions? Moreover, how does the author of 2 Peter use early Jesus traditions as a sort of testimony? The book is an important contribution to scholarship on source criticism, ancient rhetoric, and the influence of Hellenistic, Judean and Roman traditions on early Christianity.

This book studies comparisons and possible trajectories between three 'catholic' epistles: James, 1 and 2 Peter, and traditions associated with Jesus. It covers a range of approaches, exploring the extent to which these letters 'allude' to Jesus' teachings, how they share similar themes, and how and why the letters recall specific memories of the figure of Jesus as found in the Gospels or in Pauline traditions. Studies have argued that James has alluded to some of the sayings attributed to Jesus, but there is no consensus as to what extent or why. Part A analyzes why James would 'allude' to the teachings of Jesus, how he alters these teachings, and what such adaptations suggests about his audience. Part B turns to the Jesus tradition and 1 and 2 Peter. What can 1 Peter's use of Isaiah 53 tell us about the historical Jesus? How has 1 Peter conflated early Jesus traditions with those of ancient Judaism in order to develop certain ideas? How does 2 Peter allude to Gospel traditions? Moreover, how does the author of 2 Peter use early Jesus traditions as a sort of testimony? The book is important in assisting scholarly thought about source criticism, ancient rhetoric, the influence of Hellenistic, Judean and Roman traditions on early Christianity, and its social history in general.

This book surveys some of the scholarship on the letter of James from the past 30 years, covering questions of authorship and audience, structure and rhetoric, themes, and relationship to some of the sayings attributed to Jesus.

The past two decades have witnessed a proliferation of scholarship on dress in the ancient world. These recent studies have established the extent to which Greece and Rome were vestimentary cultures, and they have demonstrated the critical role dress played in communicating individuals' identities, status, and authority. Despite this emerging interest in ancient dress, little work has been done to understand religious aspects and uses of dress. This volume aims to fill this gap by examining a diverse range of religious sources, including literature, art, performance, coinage, economic markets, and memories. Employing theoretical frames from a range of disciplines, contributors to the volume demonstrate how dress developed as a topos within Judean and Christian rhetoric, symbolism, and performance from the first century BCE to the fifth century CE. Specifically, they demonstrate how religious meanings were entangled with other social logics, revealing the many layers of meaning attached to ancient dress, as well as the extent to which dress was implicated in numerous domains of ancient religious life.