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The Power of Pastiche - Musical Miscellany and  Cultural Identity in Early Eighteenth-Century England (Hardcover): Alison... The Power of Pastiche - Musical Miscellany and Cultural Identity in Early Eighteenth-Century England (Hardcover)
Alison Desimone
R3,618 Discovery Miles 36 180 Ships in 12 - 17 working days
Music and the Benefit Performance in Eighteenth-Century Britain (Paperback): Matthew Gardner, Alison Desimone Music and the Benefit Performance in Eighteenth-Century Britain (Paperback)
Matthew Gardner, Alison Desimone
R744 Discovery Miles 7 440 Ships in 12 - 17 working days

In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.

Music and the Benefit Performance in Eighteenth-Century Britain (Hardcover): Matthew Gardner, Alison Desimone Music and the Benefit Performance in Eighteenth-Century Britain (Hardcover)
Matthew Gardner, Alison Desimone
R2,526 Discovery Miles 25 260 Ships in 12 - 17 working days

In the early eighteenth century, the benefit performance became an essential component of commercial music-making in Britain. Benefits, adapted from the spoken theatre, provided a new model from which instrumentalists, singers, and composers could reap financial and professional rewards. Benefits could be given as theatre pieces, concerts, or opera performances for the benefit of individual performers; or in aid of specific organizations. The benefit changed Britain's musico-theatrical landscape during this time and these special performances became a prototype for similar types of events in other European and American cities. Indeed, the charity benefit became a musical phenomenon in its own right, leading, for example, to the lasting success of Handel's Messiah. By examining benefits from a musical perspective - including performers, audiences, and institutions - the twelve chapters in this collection present the first study of the various ways in which music became associated with the benefit system in eighteenth-century Britain.

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