Fashion Design for Living explores the positive contribution that the contemporary fashion designer can make within society. The book seeks to reveal new ways of designing and making fashion garments, which can lead towards the creation of fashion products that enhance and enrich our lives. This book sets out to question and challenge the dominant, conventional process of fashion design, which as a practice has been under-researched. While the fashion designer in industry is primarily concerned with the creation of the new seasonal collection, which is designed, produced and measured by economically driven factors, society now expects the designer to make a positive contribution to our social, environmental and cultural life. Consequently an emergent set of designers and research-based practitioners are beginning to uncover new ways to think about fashion designing. The contributors within the book argue that fashion designing should move beyond developing garments that are chiefly aesthetically pleasing but instead should consider wearers, experiences, movement, problems, desires, contexts, situations, engagement, scenarios and use.The practitioners and researchers who have contributed to this book each share different perspectives on how fashion design can positively contribute to our social, environmental and cultural existence. These accounts reveal an approach to fashion design that can focus on users, lived experiences, actual and everyday problems or scenarios, which often remain unfamiliar or aside from the fashion design process applied in industry or in the educational fashion design studio. Therefore Fashion Design for Living proposes to champion new approaches to fashion practice, through a rich and diverse set of views and reflective experiences, which aim to inspire fresh, innovative and creative responses to the world around us.

The production, use and eventual disposal of most clothing is environmentally damaging, and many fashion and textile designers are becoming keen to employ more sustainable strategies in their work. This book provides a practical guide to the ways in which designers are creating fashion with less waste and greater durability. Based on the results of extensive research into lifecycle approaches to sustainable fashion, the book is divided into four sections: - Source explores the motivations for the selection of materials for fashion garments and suggests that garments can be made from materials that also assist in the management of textile waste. - Make discusses the differing approaches to the design and manufacture of sustainable fashion garments that can also provide the opportunity for waste control and minimization. - Use explores schemes that encourage the consumer to engage in slow fashion consumption. - Last examines alternative solutions to the predictable fate of most garments - landfill. Illustrated throughout with case studies of best practice from international designers and fashion labels and written in a practical, accessible style, this is a must-have guide for fashion and textile designers and students in their areas.

Packed with examples from groundbreaking designers such as Vivienne Westwood, Stella McCartney, Edun and People Tree, A Practical Guide to Sustainable Fashion is a much-needed overview of current models of fashion design and production. Alison Gwilt introduces the key issues associated with the production, use and disposal of fashion clothing and gives step-by-step guidance on how to identify and evaluate the potential impacts of a garment during the design process. With innovative examples of best practice from international designers and brands, the chapters follow each key stage in the life cycle of a fashion garment and explores approaches such as low-impact textiles techniques, mono-materiality, zero waste techniques, upcycling, repair and maintenance techniques and closed-loop design systems. New to this edition: More in-depth coverage of design thinking, materials manufacture, practical techniques for creating 'faster' recyclable fashion and new ways forward for fashion, such as including the circular economy and the Sustainable Development Goals.

The production, use and eventual disposal of most clothing is environmentally damaging, and many fashion and textile designers are becoming keen to employ more sustainable strategies in their work. This book provides a practical guide to the ways in which designers are creating fashion with less waste and greater durability. Based on the results of extensive research into lifecycle approaches to sustainable fashion, the book is divided into four sections: - Source explores the motivations for the selection of materials for fashion garments and suggests that garments can be made from materials that also assist in the management of textile waste. - Make discusses the differing approaches to the design and manufacture of sustainable fashion garments that can also provide the opportunity for waste control and minimization. - Use explores schemes that encourage the consumer to engage in slow fashion consumption. - Last examines alternative solutions to the predictable fate of most garments - landfill. Illustrated throughout with case studies of best practice from international designers and fashion labels and written in a practical, accessible style, this is a must-have guide for fashion and textile designers and students in their areas.

Fashion Design for Living explores the positive contribution that the contemporary fashion designer can make within society. The book seeks to reveal new ways of designing and making fashion garments, which can lead towards the creation of fashion products that enhance and enrich our lives. This book sets out to question and challenge the dominant, conventional process of fashion design, which as a practice has been under-researched. While the fashion designer in industry is primarily concerned with the creation of the new seasonal collection, which is designed, produced and measured by economically driven factors, society now expects the designer to make a positive contribution to our social, environmental and cultural life. Consequently an emergent set of designers and research-based practitioners are beginning to uncover new ways to think about fashion designing. The contributors within the book argue that fashion designing should move beyond developing garments that are chiefly aesthetically pleasing but instead should consider wearers, experiences, movement, problems, desires, contexts, situations, engagement, scenarios and use.The practitioners and researchers who have contributed to this book each share different perspectives on how fashion design can positively contribute to our social, environmental and cultural existence. These accounts reveal an approach to fashion design that can focus on users, lived experiences, actual and everyday problems or scenarios, which often remain unfamiliar or aside from the fashion design process applied in industry or in the educational fashion design studio. Therefore Fashion Design for Living proposes to champion new approaches to fashion practice, through a rich and diverse set of views and reflective experiences, which aim to inspire fresh, innovative and creative responses to the world around us.

Global Perspectives on Sustainable Fashion showcases the global fashion industry's efforts to reduce the negative impacts associated with fashion production and consumption. Illustrated throughout with infographics, photographs and diagrams of creative works, eighteen essays focus on six regions, examining sustainable fashion in the context of local, cultural and environmental concerns. Also included are 18 regional 'Spotlight' sections highlighting the differences and similarities across regions by concentrating on examples of best practice, design innovation and impact on the community.

Global Perspectives on Sustainable Fashion showcases the global fashion industry's efforts to reduce the negative impacts associated with fashion production and consumption. Illustrated throughout with infographics, photographs and diagrams of creative works, eighteen essays focus on six regions, examining sustainable fashion in the context of local, cultural and environmental concerns. Also included are 18 regional 'Spotlight' sections highlighting the differences and similarities across regions by concentrating on examples of best practice, design innovation and impact on the community.