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As readers and critics around the country agree, any new book by
the renowned garden writer Elizabeth Lawrence is like finding a
buried treasure. "A Rock Garden in the South" will not disappoint.
Released posthumously, this book is not only a welcome addition to
the Lawrence canon, but fills an important gap in the garden
literature on the middle South.
This engaging collection of letters follows the course of a year in the gardens of two passionate gardeners, Nancy Goodwin and Allen Lacy. They share a climate zone (7A), but their gardens differ enormously. Lacy gardens on a 100-by-155-foot plot of former farmland in southern New Jersey, on soil so sandy that he must water frequently if he is to garden at all. Goodwin gardens on rich clay loam at her historic piedmont North Carolina home--which comprises more than sixty acres of woodland, meadow, and established plantings--and she refuses to irrigate, because she believes in growing only those plants that are naturally adapted to the conditions of her land. Through their letters, Lacy and Goodwin provide a charming and revealing chronicle of their lives and the lives of their gardens. They exchange stories of their horticultural successes and failures; trade information about a great many plants; discuss their hopes, fears, and inspirations; and muse on the connections between gardening and music, family, and friendship.
Allen Lacy has gathered together a colorful sampler of American gardening writing from Thomas Jefferson to our own day. Among the fifty-two writers represented are such national treasures as Celia Thaxter, Neltje Blanchan, Elizabeth Lawrence, and Katherine S. White.
In this splendid collection of short essays, gardener, writer, and
professor Allen Lacy takes readers on a series of garden
excursions, beginning at home. Lacy writes of his experiences with
a variety of plants--evening primrose, prairie gentian, sumac,
coreopsis, fuchsias, gloriosa lilies--in his own garden in New
Jersey. Then he charts his travels to other gardens, in the United
States, Spain, Switzerland, the Netherlands. Final essays in
"Farther Afield "include a discussion of garden writing, profiles
of other horticulturists, and humorous pieces on cats and
houseplants, and, of course, flamingoes.
Elizabeth Lawrence occupies a secure place in the pantheon of twentieth-century gardening writers that includes Gertrude Jekyll and Vita Sackville-West of Great Britain and Katherine S. White of the United States. Her books, such as A Southern Garden (1942) and The Little Bulbs (1957), remain in print, continuing to win praise from criticis and to delight an ever-widening circle of readers. In Gardening for Love, Lawrence reveals another world of garden writing, the world of the rural women of the South with whom she corresponded extensively from the late 1950s into the mid-1970s in responce to their advertisements for herbs and ornamental perennials in several market bulletins (published by state departments of agriculture for the benefit of farmers). It was Eudora Welty who awakened Elizabeth Lawrence's interest in this fascinating topic by putting her name on the mailing list of The Mississippi Market Bulletin, a twice-monthly collection of classified advertisements founded in 1928 and still published today. Lawrence soon discovered market bulletins from the Carolinas and other Southern states, as well as similar bulletins published privately in the North. She began ordering plants from the bulletins, and there ensued a lively exchange of letters wit the women who sold them. Gardening for Love is Lawrence's exploration of this little-known side of American horticulture and her affectionate tribute to country people who shared her passion for plants. Drawing on the letters she received, sometimes a great many of them from the same persons over many years, she delves into traditional plant lore, herbal remedies, odd and often highly poetic vernacular plant names peculiar to particular regions of the South, and the herb collectors of the mountains of the Carolinas and Georgia. She focuses primarily on the Southeast and the Deep South, but her wide knowledge of both literature and botany gives Gardening for Love a dimension that transcends the category of regional writing.
A classic in the literature of the garden, Green Thoughts is a beautifully written and highly original collection of seventy-two essays, alphabetically arranged, on topics ranging from “Annuals” and “Artichokes” to “Weeds” and “Wildflowers.” An amateur gardener for over thirty years, Eleanor Perényi draws upon her wide-ranging knowledge of gardening lore to create a delightful, witty blend of how-to advice, informed opinion, historical insight, and philosophical musing. There are entries in praise of earthworms and in protest of rock gardens, a treatise on the sexual politics of tending plants, and a paean to the salubrious effect of gardening (see “Longevity”). Twenty years after its initial publication, Green Thoughts remains as much a joy to read as ever.
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