Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Just 284 days after July 20, 1944, the earthly lives of the Third Reich and Adolf Hitler both came to an abrupt end. If Stalingrad was the military turning point in the war for Germany, then July 20 was surely the societal. Hitler had promised a classless military and civilian Fatherland even before he became chancellor and he was about to complete the fulfillment of that promise. He had been covertly destroying the historic officer class in Germany long before Stalingrad, but the assassination attempt gave him the opportunity to accelerate the purge and include the nobility and civilian leaders who opposed him. Specific information about the coup attempt was a closely guarded secret at the time and its investigation was the Gestapo's number one priority even as the Russians approached Berlin. It is possible today to reliably reconstruct and connect important events and related biographies of the principle characters, coherently piecing together the post-July 20 history. It's the story of the disappearance of Germany's officer class, and for a time, its nobility and civilian leadership; all of which has become part of Hitler's other legacy.

Published in 1929, and almost instantly censored by the Toronto City Police, They Have Bodies has been completely overlooked by generations of scholars and writers interested in the Canadian avant-garde. It is not just the novel's extreme formal innovation that is immediately startling about They Have Bodies. There is also its close attention to the depraved, licentious behaviour of Toronto's elite, its revelation of moral hypocrisy, and its exposure of the means by which aristocratic and church power provides succour to egregious duplicity. Its social criticism and dark humour were too much for Canadian readers at the time. It is, however, exactly the kind of book contemporary Canadian readers, writers, and scholars hope lies buried in the archives waiting to be recovered. A gem of insight, innovation, and novelty: finally, here is a new edition of one of the rarest, wildest books of the twentieth century. This book is published in English - Publie en 1929 et presque instantanement censure par les services de police de la ville de Toronto, cet ouvrage, intitule They Have Bodies, a ete completement neglige par des generations d'ecrivains et de chercheurs, par ailleurs habituellement sensibles aux creations de l'avant-garde canadienne. En fait, ce n'est pas seulement l'extreme innovation formelle de ce roman qui surprend et saisit de prime abord, mais aussi l'attention particuliere que l'auteur prete au comportement deprave et licencieux de l'elite torontoise. Dans cet ouvrage, Barney Allen revele l'hypocrisie morale de cette elite aristocratique et religieuse ainsi que les moyens auxquels elle recourt pour masquer sa monstrueuse duplicite. Cette violente critique sociale, alliee a un humour noir des plus decapants, etait sans doute trop corrosive pour les lecteurs canadiens de cette epoque. Cependant, ce roman correspond exactement au type d'ouvrages, profondement enfouis dans les archives, que des lecteurs, des ecrivains et des chercheurs canadiens contemporains esperent ardemment exhumer et redecouvrir. En fait, ce texte avant-gardiste constitue un veritable joyau de perspicacite, d'innovation et de hardiesse. Cette nouvelle edition vous permettra de decouvrir un des romans les plus singuliers et les plus audacieux du XXe siecle. Ce livre est publie en anglais.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

Also,, The History Of The Bible Classes Of St. Paul's Church.

Also,, The History Of The Bible Classes Of St. Paul's Church.

Also,, The History Of The Bible Classes Of St. Paul's Church.

This scarce antiquarian book is included in our special Legacy Reprint Series. In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

CONTENTS Introduction - On the Economic Interpretation of Literature Backgrounds A Representative Revolutionist Revolutionary Philosophers Some Opponents of the Revolutionary Philosophers Revolutionists and Radicals of Various Degrees Some Typical Lady Novelists of the Revolution The French Revolution and the Rights of Woman Some Other Forms of Literature Affected by the French Revolution Conclusions Appendix - Lists of Plays Showing Tendencies Influenced by the French Revolution Bibliography Index

Eleanor Cameron (1912-1996) was an innovative and genre-defying author of children's fiction and children's literature criticism. From her beginnings as a librarian, Cameron went on to become a prominent and respected voice in children's literature, writing one of the most beloved children's science fiction novels of all time, The Wonderful Flight to the Mushroom Planet, and later winning the National Book Award for her time fantasy The Court of the Stone Children. In addition, Eleanor Cameron played an often vocal role in critical debates about children's literature. She was one of the first authors to take up literary criticism of children's novels and published two influential books of criticism, including The Green and Burning Tree. One of Cameron's most notable acts of criticism came in 1973, when she wrote a scathing critique of Roald Dahl's Charlie and the Chocolate Factory. Dahl responded in kind, and the result was a fiery imbroglio within the pages of the Horn Book Magazine. Yet despite her many accomplishments, most of Cameron's books went out of print by the end of her life, and her star faded. This biography aims to reinsert Cameron into the conversation by taking an in-depth look at her tumultuous early life in Ohio and California, her unforgettably forceful personality and criticism, and her graceful, heartfelt novels. The biography includes detailed analysis of the creative process behind each of her published works and how Cameron's feminism, environmentalism, and strong sense of ethics are reflected in and represented by her writings. Drawn from over twenty interviews, thousands of letters, and several unpublished manuscripts in her personal papers, Eleanor Cameron is a tour of the most exciting and creative periods of American children's literature through the experience of one of its valiant purveyors and champions.

Eleanor Cameron (1912-1996) was an innovative and genre-defying author of children's fiction and children's literature criticism. From her beginnings as a librarian, Cameron went on to become a prominent and respected voice in children's literature, writing one of the most beloved children's science fiction novels of all time, The Wonderful Flight to the Mushroom Planet, and later winning the National Book Award for her time fantasy The Court of the Stone Children. In addition, Eleanor Cameron played an often vocal role in critical debates about children's literature. She was one of the first authors to take up literary criticism of children's novels and published two influential books of criticism, including The Green and Burning Tree. One of Cameron's most notable acts of criticism came in 1973, when she wrote a scathing critique of Roald Dahl's Charlie and the Chocolate Factory. Dahl responded in kind, and the result was a fiery imbroglio within the pages of the Horn Book Magazine. Yet despite her many accomplishments, most of Cameron's books went out of print by the end of her life, and her star faded. This biography aims to reinsert Cameron into the conversation by taking an in-depth look at her tumultuous early life in Ohio and California, her unforgettably forceful personality and criticism, and her graceful, heartfelt novels. The biography includes detailed analysis of the creative process behind each of her published works and how Cameron's feminism, environmentalism, and strong sense of ethics are reflected in and represented by her writings. Drawn from over twenty interviews, thousands of letters, and several unpublished manuscripts in her personal papers, Eleanor Cameron is a tour of the most exciting and creative periods of American children's literature through the experience of one of its valiant purveyors and champions.