A year after his divorce, Jayojit Chatterjee, an economics professor in the American Midwest, travels home to Calcutta with his young son, Bonny, to spend the summer holidays with his parents. Jayojit is no more accustomed to spending time alone with Bonny - who lives with his mother in California - than he is with the Admiral and his wife, whose daily rhythms have become so synchronized as to become completely foreign to their son. Together, the unlikely foursome struggles to pass the protracted hours of summer, each in his or her own way mourning Jayojit's failed marriage. Written with depth and tenderness, A New World goes right to the heart of a family, making vividly alive their hopes, desires and regrets.

By turns essay, memoir and cultural study, Finding the Raga is Amit Chaudhuri's singular account of his discovery of, and enduring passion for, North Indian music: an ancient, evolving tradition whose principles and practices will alter the reader's notion of what music might - and can - be.

Tracing the music's development, Finding the Raga dwells on its most distinctive and mysterious characteristics: its extraordinary approach to time, language and silence; its embrace of confoundment, and its ethos of evocation over representation. The result is a strange gift of a book, for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration.

Abhi, a Bengali boy, spends his school holidays at his uncle's home in Calcutta, trying to make sense of the often confusing world of adults around him. Heatwaves, thunderstorms, mealtimes, prayer-sessions, shopping expeditions and family visits create the shifting tectonic plates that will eventually shape the family's life. Delicate, nuanced, full of exquisite detail, A Strange and Sublime Address is also a paean to the city, with nine short stories that illustrate the world of Amit Chaudhuri's imagination. With a foreword by Colm Toibin

**Includes a new foreword by Pankaj Mishra** Bombay in the 1980s: Shyam Lal is a highly regarded voice teacher, trained in the classical idiom but happily teaching more popular songs to well-to-do women, whose modern way of life he covets. Sixteen-year-old Nirmalya Sengupta is the rebellious scion of an affluent family who wants only to study Indian classical music. With a little push from her mother, Shyam agrees to accept Nirmalya as his student, entering into a relationship that will have unexpected and lasting consequences. With quiet humor and unsentimental poignancy, The Immortals is a luminous portrait of the spiritual and emotional force of a revered Indian tradition, of two fundamentally different but intricately intertwined families, and of a society choosing between the old and the new.

**WINNER OF THE JAMES TAIT BLACK PRIZE** 'A splendid book.' Literary Review 'A modern masterpiece.' New York Journal of Books Finding the Raga is Amit Chaudhuri's revelatory exploration of North Indian classical music: an ancient, evolving tradition whose principles and practises will alter the reader's notion of what music might - and can - be. Through essay, memoir and cultural study, Chaudhuri dwells on the music's most distinctive and mysterious characteristics, resulting in a gift of a book for musicians and music lovers, and for any creative mind in search of diverse and transforming inspiration. 'Supple, intricate and uncompromising, full of delicate observation and insight.' Geoff Dyer '[A] compelling meditation on Indian and Western art-making.' The New Yorker

Winner of the Encore Award and the Los Angeles Times Book Prize for Fiction A beguiling, short and yet sweeping prose-poem, Afternoon Raag is the account of a young Bengali man studying at Oxford University and caught in complicated love triangle. His loneliness and melancholy sharpen his memories of home, which come back to haunt him in vivid, sensory detail. Intensely moving, superbly written, Afternoon Raag is a testimony to the clash of the old and the new; arrivals and departures. With an introduction by James Wood

'A mysterious, subtle, haunting novel.' Chris Power An unnamed man arrives in Berlin as a visiting professor. It is a place fused with Western history and cultural fracture lines. He moves along its streets and pavements; through its department stores, museums and restaurants. He befriends Faqrul, an enigmatic exiled poet, and Birgit, a woman with whom he shares the vagaries of attraction. He tries to understand his white-haired cleaner. Berlin is a riddle-he becomes lost not only in the city but in its legacy. Sealed off in his own solitude, and as his visiting professorship passes, the narrator awaits transformation and meaning. Ultimately, he starts to understand that the less sure he becomes of his place in the moment, the more he knows his way. 'Chaudhuri has already proved that he can write better than just about anybody of his generation.' Jonathan Coe

'Delightfully witty . . . Luminously intelligent . . . Odysseus Abroad has placed itself, with erudition and playfulness, on the map of modernism.' Guardian 1985: twenty-two year old Ananda is a student adrift in Thatcher's Britain, homesick and isolated. His eccentric uncle, Radhesh, is a magnificent failure and an eccentric virgin who has lived in genteel impoverishment in Hampstead for nearly three decades. Over the course of one day, Odysseus Abroad follows the two isolated men on one of their weekly forays, gradually revealing the background to the two men's lives with deft precision and humour as they traverse London together, circling around their respective pasts and futures, and finding in one another an unspoken solace.

Set across Bombay and Calcutta, Amit Chaudhuri's stories range from a divorcee about to enter into an arranged marriage to a teengaed poet who develops a relationship with a lonely widower, from a singing teacher struggling to make a living out of the boredom of his students to gauche teenager desperate to hurdle past his adolescence. Rich with subtlety, elegance and deep feeling, Real Time is classic Chaudhuri.

Khuku, a housewife, is irritated with the Muslims because their call to prayer wakes her up early every morning; her husband, a retired businessman, has been hired to cure a 'sick' sweet factory that doesn't particularly want to be cured. Across town, Khuku's brother worries about his son's affiliations with the Communist Party, but only because they may affect his ever-so-gradually coalescing marriage prospects. Freedom Song is a work of fiction that plays with big ideas while evoking the smallest aspects of everyday life with acute tenderness and extraordinary beauty.

In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today's brightest talents in the company of their distinguished forbearers and likely heirs.
The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali." "Here, too, are selections from Nirad C. Chaudhuri's Autobiography of an Unknown Indian, R. K. Narayan's The English Teacher," "and Salman Rushdie's Midnight's Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay "policier" as gripping as anything by Ed McBain. Never before has so much of the subcontinent's writing been made available in a single volume.

In Friend of My Youth, a novelist named Amit Chaudhuri visits his childhood home of Bombay. The city, reeling from the impact of the 2008 terrorist attacks, weighs heavily on Amit's mind, as does the unexpected absence of his childhood friend Ramu, a drifting, opaque figure who is Amit's last remaining connection to the city he once called home.

"The Essential Tagore "showcases the genius of India s Rabindranath Tagore, the first Asian Nobel Laureate and possibly the most prolific and diverse serious writer the world has ever known.

Marking the 150th anniversary of Tagore s birth, this ambitious collection the largest single volume of his work available in English attempts to represent his extraordinary achievements in ten genres: poetry, songs, autobiographical works, letters, travel writings, prose, novels, short stories, humorous pieces, and plays. In addition to the newest translations in the modern idiom, it includes a sampling of works originally composed in English, his translations of his own works, three poems omitted from the published version of the English "Gitanjali," and examples of his artwork.

Tagore s writings are notable for their variety and innovation. His "Sonar Tari" signaled a distinctive turn toward the symbolic in Bengali poetry. The Lord of Life, from his collection "Chitra," created controversy around his very personal concept of religion. "Chokher Bali" marked a decisive moment in the history of the Bengali novel because of the way it delved into the minds of men and women. The skits in "Vyangakautuk" mocked upper-class pretensions. Prose pieces such as The Problem and the Cure were lauded by nationalists, who also sang Tagore s patriotic songs.

Translations for this volume were contributed by Tagore specialists and writers of international stature, including Amitav Ghosh, Amit Chaudhuri, and Sunetra Gupta.

Widely regarded as D. H. Lawrence's greatest novel, Women in Love is both a lucid account of English society before the First World War, and a brilliant evocation of the inexorable power of human desire. Women in Love continues where The Rainbow left off, with the third generation of Brangwens: Ursula Brangwen, now a teacher at Beldover, a mining town in the Midlands, and her sister Gudrun, who has returned from art school in London. The focus of the novel is primarily on their relationships, Ursula's with Rupert Birkin, a school inspector, and Gudrun's with industrialist Gerald Crich, and later with a sculptor, Loerke. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works. In his introduction Amit Chaudhuri discusses Lawrence's style and imagery. This introduction also includes a chronology of Lawrence's life and work, further reading, notes and appendices containing the original foreword to Women in Love, a fragment of 'The Sisters', 'Prologue' and 'Wedding' chapters from an earlier draft, a map and discussion of the setting and people involved. With an introduction by Amit Chaudhuri. 'His genius was for instant perception and vivid, passionate expression' The Times 'His masterpiece ... Lawrence compels us to admit that we live less finely than we should' New York Review of Books

Walter Benjamin - philosopher, essayist, literary and cultural theorist - was one of the most original writers and thinkers of the twentieth century. This new selection brings together Benjamin's major works, including 'One-Way Street', his dreamlike, aphoristic observations of urban life in Weimar Germany; 'Unpacking My Library', a delightful meditation on book-collecting; the confessional 'Hashish in Marseille'; and 'The Work of Art in the Age of Mechanical Reproduction', his seminal essay on how technology changes the way we appreciate art. Also including writings on subjects ranging from Proust to Kafka, violence to surrealism, this is the essential volume on one of the most prescient critical voices of the modern age. Contains: 'Unpacking My Library'; 'One-Way Street'; 'The Work of Art in the Age of Mechanical Reproduction'; 'Brief History of Photography'; 'Hashish in Marseille'; 'On the Critique of Violence'; 'The Job of the Translator'; 'Surrealism'; 'Franz Kafka' and 'Picturing Proust'.

'Where most of us can barely trace our own footprints in the mass of moments that are the stuff of experience, numerous and storyless as grains of sand on a beach, Chaudhuri delves in masterfully to lift out arcs, moods, treasures.' James Meek 'A mysterious, subtle, haunting novel.' Chris Power An unnamed man arrives in Berlin as a visiting professor. It is a place fused with Western history and cultural fracture lines. He moves along its streets and pavements; through its department stores, museums and restaurants. He befriends Faqrul, an enigmatic exiled poet, and Birgit, a woman with whom he shares the vagaries of attraction. He tries to understand his white-haired cleaner. Berlin is a riddle-he becomes lost not only in the city but in its legacy. Sealed off in his own solitude, and as his visiting professorship passes, the narrator awaits transformation and meaning. Ultimately, he starts to understand that the less sure he becomes of his place in the moment, the more he knows his way. 'Chaudhuri has already proved that he can write better than just about anybody of his generation.' Jonathan Coe

Ranging over place, memory and history, Amit Chaudhuri's new collection of poems makes a fresh, spiritual accommodation with the world. The poems often take their themes from sweets named and eaten, meals remembered, and matches these with meditations on culture, people, time and identity that slowly unfold as much in the mouth as in the mind. And what we discover are the hesitations, assessments and uncertainties that finally make us fully human. Those quiet moments of revelation and rediscovery that create our lives as much as reflect their circumstances, locating and healing us in their intimate pleasures.