From the turn-of-the-century S-bend silhouette to celebrity couture of the new millennium and the evolution of streetwear, this comprehensive survey explores significant developments in fashion from 1900 to the present day. Fashion historians Amy de la Haye and Valerie Mendes focus on key movements and innovations in style, and explore trends through the work of some of the world's most original and influential designers and couturiers. Chapters are organized around crucial shifts in tastes and major world events, and exciting advances in fashion are placed within their socioeconomic, political and cultural contexts. International in scope with colour illustrations throughout, this edition includes updated text as well as a new chapter that discusses some of the defining features of fashion in our time: the industry's proactive embrace of age, gender and race diversity, and its ongoing efforts to combat labour exploitation and encourage global sustainability. With 315 illustrations in colour

For over a century, the name of Chanel has been inextricably linked to elegance, modernity and fashion innovation. It was Chanel who single-handedly made striped jerseys and loose trousers chic, costume jewellery desirable, the little black dress the height of sophistication, and tweed suits a staple of every stylish woman's wardrobe. In this revised and updated book, dress historian Amy de la Haye celebrates Gabrielle 'Coco' Chanel as the couturiere who changed the way stylish women everywhere dress, then and now. She examines the creative output of this most famous of fashion houses, from its infancy in the 1920s through Karl Lagerfeld's incredibly successful tenure, and to the present day as it continues to prosper under Virginie Viard.

From the momentus invention of the needle some 40,000 years ago to the development of blue denim, from Neolithic weavers to the biggest names in the fashion industry today - this classic guide covers the landmarks of costume history, the forms and materials used through the ages, the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. This sixth edition features a new foreword and concluding chapter by Amy de la Haye. The book is brought right up to date with a discussion about the major political shifts within the fashion industry, highlighting how it has responded to issues surrounding racism and sexism; LGBTQI rights; mental health awareness; body and age diversity and global sustainability.

Clara Button loves hats, and when her older brother Ollie breaks her favourite, Mum takes them on a special hat day out. While visiting the Victoria and Albert Museum, Clara gets lost and embarks on an exciting journey of discovery. Meanwhile, Ollie is having adventures of his own, with swords and tigers! This lovely paperback edition includes a free set of Clara Button stickers.

London Couture is the first book to examine, in detail, the luxurious garments produced by the rarefied London couture industry - from lavish ballgowns to sharply tailored suits, by way of spectacular royal dress - as well as the designers who conceived them, their clients and the prestigious publications that disseminated and promoted the `London Look' to the world. Expert authors from around the world have delved into the archives of prestigious designers, textile suppliers and fashionable journals, to bring together this pioneering study of the London Fashion houses of the early to mid-twentieth century, renowned for their superb craftsmanship and attention to detail. The full breadth of London's offering is examined, from royal favourite Norman Hartnell to pioneer Charles James, and prestigious houses such as Worth, Hardy Amies and Lucile. The ancillary dressmaking trades in London are also considered, as are the international market for London couture, and the impact of royal dress on high-end fashion. A wealth of visual material supports the extensive, original research - from beautiful features by celebrated photographer Norman Parkinson to the elegant illustrations of Francis Marshall. Previously unseen garments are illustrated throughout the book, alongside historical photography that documents the houses of the great designers, their favoured fabrics and their most glamorous clients, including Queen Elizabeth, Margot Fonteyn, Rose Kennedy and countless stars of stage and screen.

The new fifth edition of this classic guide to clothing throughout history now extends into the second decade of the 21st century. James Laver's classic study of clothing, from the invention of the needle to the dawn of denim, neolithic weavers to catwalk creations, has been updated once again to cover the latest trends, from vintage to high street chic and the spectacular reinvention of haute couture. Featuring designers such as Alexander McQueen and Marc Jacobs, and style leaders Kate Moss and the Duchess of Cambridge, a new final chapter explains the forces shaping fashion today, including Internet technology, celebrity influence, 'fast fashion', the recession and global markets. With eight new pages, six new illustrations and an entirely new final chapter, this book reclaims its position as the definitive concise history of the subject, and remains essential reading for all students of art, costume and fashion.

From the momentous invention of the needle some 40,000 years ago to the development of blue denim; from Neolithic weavers to the biggest names in the fashion industry today--this classic guide covers the landmarks of costume history, the forms and materials used through the ages, as well as the underlying motives of fashion and the ways in which clothes have been used to protect, to express identity, and to attract or to influence others. The concluding chapter by Amy de la Haye, covering the second half of the twentieth century, has now been updated by Andrew Tucker. He discusses the reinvention in the 1990s of the luxury label Gucci, the rise of houses such as Prada and Tommy Hilfiger, and the appointments of relatively avant-garde British, American, and European designers to head classic French houses. All the late-twentieth-century and turn-of-the-century style innovations are included, such as the appropriation of utility clothing by designers like Helmut Lang--who spearheaded the predominantly unisex urban sportswear look--and the impact of workplace dressing down on masculine fashion. The phenomenon of the must-have accessory--the pashmina shawl and the Fendi baguette, for example--is also considered.

From the turn-of-the-century S-bend silhouette to the green fashion and celebrity couture of the new millennium, this comprehensive survey explores all the significant developments in fashion in a period that has seen a growing preoccupation with personal appearance and clothes. It focuses on key movements and innovations in style for both men and women, and explores these through the work of the most original and influential designers. Chapters are organized around crucial shifts in style and major world events, and exciting advances in fashion are placed within their socioeconomic, political, and cultural contexts. International in scope, this new edition includes updates on the most important new designers and the reinvention of brands. The reference section includes an extensive bibliography."

An exploration of how the rose-the most ravishingly beautiful and symbolic of flowers-has inspired fashion over hundreds of years The Rose in Fashion: Ravishing is a fascinating exploration of how the rose has inspired the way we look, dress, feel, and fantasize. It foregrounds innovative, refined, and challenging fashion design from elite 18th-century woven silks to the latest gender-neutral catwalk trends and Alexander McQueen rose dresses. Drawing upon fashion clothing, everyday dress, millinery, fine jewelry, perfume, and artificial and fresh roses, multiple expert contributors make reference to love, beauty, sex, sin, gendered identities, rites of passage, transgression, degradation, and death. This sumptuously illustrated book also includes a contribution and stunning images of roses by visionary photographer Nick Knight. Wild yet cultivated, savage yet delicate, this flower has remained an enduring symbol perhaps due to its versatility and the dichotomies it represents.

The Handbook of Fashion Studies identifies an innovative spectrum of thematic approaches, key strands and interdisciplinary concepts that continue to push forward the boundaries of fashion studies. The book is divided into seven sections: Fashion, Identity and Difference; Spaces of Fashion; Fashion and Materiality; Fashion, Agency and Policy; Science, Technology and New fashion; Fashion and Time and, Sustainable Fashion in a Globalised world. Each section consists of approximately four essays authored by established researchers in the field from the UK, USA, Netherlands, Sweden, Canada and Australia. The essays are written by international subject specialists who each engage with their section's theme in the light of their own discipline and provide clear case-studies to further knowledge on fashion. This consistency provides clarity and permits comparative analysis. The handbook will be essential reading for students of fashion as well as professionals in the industry.