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Why Art Criticism? A Reader (Paperback)
Beate Sontgen; Julia Voss; Designed by Neil Holt; Text written by Ananda Kentish Coomaraswamy
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R754
R701
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How is art criticism to be understood within an expanding artistic
field? A look at its history and its manifestations within
globalized conditions shows the variety of the genre, of the
criteria and of the styles of writing. This reader is an attempt to
bring a diverse range of art-critical voices and perspectives into
conversation with each other, with texts from the 18th century to
the present. The editors Beate Soentgen and Julia Voss have invited
colleagues from various geographical and intellectual backgrounds
to present and discuss the art critics of their choice, choosing
one example from their respective bodies of work to comment upon.
How have these writers approached art criticism? Which styles do
they employ? What makes them extraordinary? What can we learn from
their writings today, and why is it important in its contemporary
context? Texts by: Ananda Kentish Coomaraswamy, Denis Diderot,
Takashi Kashima, Patrick Mudekereza, Annemarie Sauzeau-Boetti,
Bertha Zuckerkandl and many more Comments by: Juli Carson, Yuriko
Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja,
Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu,
Sarah Wilson and many more
Additional Editor Is George A. Kennedy. American Oriental Series,
V22.
This scarce antiquarian book is a selection from Kessinger
Publishing's Legacy Reprint Series. Due to its age, it may contain
imperfections such as marks, notations, marginalia and flawed
pages. Because we believe this work is culturally important, we
have made it available as part of our commitment to protecting,
preserving, and promoting the world's literature. Kessinger
Publishing is the place to find hundreds of thousands of rare and
hard-to-find books with something of interest for everyone
This scarce antiquarian book is a selection from Kessinger
PublishingA AcentsAcentsa A-Acentsa Acentss Legacy Reprint Series.
Due to its age, it may contain imperfections such as marks,
notations, marginalia and flawed pages. Because we believe this
work is culturally important, we have made it available as part of
our commitment to protecting, preserving, and promoting the world's
literature. Kessinger Publishing is the place to find hundreds of
thousands of rare and hard-to-find books with something of intere
Reprinted From The Open Court, March, 1932.
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