The Research Handbook on Visual Politics focuses on key theories and methodologies for better understanding visual political communication. It also concentrates on the depictions of power within politics, taking a historical and longitudinal approach to the topic of placing visuals within a wider framework of political understanding. The Handbook provides an introduction to the theoretical underpinning of the study of visual politics as well as an overview of the current thinking and research traditions in the field of visual politics. The impressive selection of contributors explore all types of media, including studies of the tools utilised for visual politics such as social media, art and photography, featuring the latest platforms such as TikTok and Instagram. The editors also include discussions of visual politics covering a range of nations and political systems while placing current practices in visual politics within their historical context. Offering a rich range of studies exploring differing practices within their contexts to highlight current studies and support the development of future research, this Research Handbook is designed for researchers and students interested in the broad field of politics and the subfields of political communication, persuasion, propaganda and rhetoric.

The role of the visual in politics is gaining momentum in scholarly work concerned with the current social media landscape. It is widely acknowledged that the production, dissemination and consumption of visual products in the Global South is powerfully shaped by geo-politics and a power dynamics in which the Global North dominates the South (the cultural imperialism argument). However, scant attention has been paid to theoretical, methodological, and empirically grounded approaches to visual politics produced by scholars working in the Global South. Little is known about the ways in which scholarship in the Global South might challenge and resist western approaches to the study of the visual. Against this background, this project aims to examine visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics (e.g., social movements, activism, grassroots politics, civil society initiatives). This volume examines visual politics in the Global South through theoretically driven, and empirically grounded case studies, which focus on the role of the visual in formal politics (e.g., political campaigns, the relation between state and citizens) and public and everyday politics. It will be of interest to both researchers and students interested in the study of visual politics from various disciplinary lens (media and communication, anthropology, politics, and sociology).

This book focuses on small-scale mobilisation and everyday social movements that take the form of grassroots resistance and solidarity initiatives. Through a series of case studies drawn from the UK, Europe, India, and Latin America, it examines the dynamics and role of micro-acts of resistance, with attention to a range of themes including organisational issues, the construction of collective identity, strategies, tactics and participation, and media representations and public perception of small-scale social movements. As such, it will appeal to scholars and students of sociology, media and communication and politics with interests in social movements, political mobilisation and activism.

The Emerald Handbook of Digital Media in Greece: Journalism and Political Communication in Times of Crisis addresses the impact of new technologies and the socio-economic crisis on journalism and presents the empirical applications of digital media in political communication and in a number of social settings including the environment, homelessness, migration and social movements. From 2008 Greek political communication and journalism were hit by two major forces. Firstly, the financial crisis, which progressed to an economic, then a political, and eventually a social and cultural crisis in Greece. Secondly, the disruptive transformation and acceleration of everyday networked technologies, which impacted news media in Greece throughout the same period. This book offers a comprehensive overview of the changing environment in Greece since the beginning of the global (and consequently local) financial crisis of 2008, and a contemporary discussion around the developments brought forward by digital media and communication technologies, specifically addressing political communication and journalism.

This book offers a theoretically driven, empirically grounded survey of the role visual communication plays in political culture, enabling a better understanding of the significance and impact visuals can have as tools of political communication. The advent of new media technologies have created new ways of producing, disseminating and consuming visual communication, the book hence explores the theoretical and methodological underpinnings of visual political communication in the digital age, and how visual communication is employed in a number of key settings. The book is intended as a specialist reading and teaching resource for courses on media, politics, citizenship, activism, social movements, public policy, and communication.