Born into a devoutly Maoist family in 1950s Shanghai and forced to work on a communal farm from the age of seventeen, Anchee Min found herself in an alienating and hostile political climate, where her only friendships were perilous and intense. Both candid and touching, this compelling memoir documents her isolation and illicit love against the backdrop of China's Cultural Revolution. From her coming of age in the Red Guard to her recruitment into Madame Mao's burgeoning industry of propaganda movies, Red Azalea explores the secret sensuality of a repressive society with elegance and honesty.

To rescue her family from poverty and avoid marrying her slope-shouldered cousin, seventeen-year-old Orchid competes to be one of the Emperor's wives. When she is chosen as a lower-ranking concubine she enters the erotically charged and ritualised Forbidden City. But beneath its immaculate facade lie whispers of murders and ghosts, and the thousands of concubines will stoop to any lengths to bear the Emperor's son. Orchid trains herself in the art of pleasuring a man, bribes her way into the royal bed, and seduces the monarch, drawing the attention of dangerous foes. Little does she know that China will collapse around her, and that she will be its last Empress.

With his smooth, warm, ruddy face which radiated light in all directions, Chairman Mao Zedong was a fixture in Chinese propaganda posters produced between the birth of the People's Republic in 1949 and the early 1980s. Chairman Mao, portrayed as a stoic superhero (aka the Great Teacher, the Great Leader, the Great Helmsman, the Supreme Commander), appeared in all kinds of situations (inspecting factories, smoking a cigarette with peasant workers, standing by the Yangzi River in a bathrobe, presiding over the bow of a ship, or floating over a sea of red flags), flanked by strong, healthy, ageless men and "masculinized" women and children wearing baggy, sexless, drab clothing. The goal of each poster was to show the Chinese people what sort of behavior was considered morally correct and how great the future of Communist China would be if everyone followed the same path toward utopia by uniting together. This book brings together a selection of colorful propaganda artworks and cultural artifacts from Max Gottschalk's vast collection of Chinese propaganda posters, many of which are now extremely rare.

The last decades of the nineteenth century were a violent period in China's history, marked by humiliating foreign incursions and domestic rebellions and ending in the demise of the Ch'ing Dynasty. The only constant during this tumultuous time was the power wielded by one woman, the resilient, ever-resourceful Tsu Hsi -- or Empress Orchid, as readers came to know her in Anchee Min's critically acclaimed, best-selling novel covering her rise to power.
The Last Empress is the story of Orchid's dramatic transition from a strong-willed, instinctive young woman to a wise and politically savvy leader who ruled China for more than four decades. In this concluding volume Min gives us a compelling, very human leader who assumed power reluctantly and sacrificed all to protect those she loved and an empire that was doomed to die.

With Wild Ginger, Anchee Min has created a "poetic . . . captivating, and tragic" (Ft. Lauderdale Sun-Sentinel) love story set against the backdrop of the horrors of Maoism. Returning to the devastating experience of the Cultural Revolution that defined her youth, as she did in her previous books, Min opens the fictional door to "a world that is at once terrible and compelling" (Kirkus Reviews). Wild Ginger is only in elementary school when she is singled out by the Red Guards for her "foreign-colored eyes." Her classmate Maple is also a target of persecution. The novel chronicles these two girls' maturing in Shanghai in the late 1960s and early 1970s, when Chairman Mao ruled absolutely and his followers took up arms in his name. Wild Ginger grows up to become a model Maoist, but her romantic love for a man soon places her in an untenable position -- and ultimately in one of mortal danger. "Potent . . . chilling . . . [and written] with restraint and clarity" (Los Angeles Times), Wild Ginger offers "a vivid picture of young people in the grip of ideology [and serves as] a reminder that the passion of youth . . . can be channeled into tragic courses" (San Jose Mercury News).

This novel, described by the San Francisco Chronicle Book Review as "nothing short of miraculous," is the story of Zebra Wong, a Chinese girl whose pragmatic mind conflicts with her passionate heart; Lion Head, her classmate, whose penchant for romantic intrigue belies his political ambitions, and Katherine, the seductive American with the red lipstick and the wild laugh who teaches them English and other foreign concepts: individualism, sensuality, the Beatles. In Katherine's classroom, repression and rebellion meet head-on-and the consequences are both tragic and liberating.

From a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China's last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of a country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together.
In this "absorbing companion piece to her novel Becoming Madame Mao" (New York Times), readers and reading groups will once again be transported by Min's lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world.