Valentin Carron's sculptures mark a three-dimensional renewal of appropriationism, through the re-employment of vernacular forms that are neither authentic nor kitsch. His objects play with the ambiguities of fake wood, concrete and bronze, and with the iconography of power and authority in public sculptures or commemorative monuments. This volume offers an overview.

Piero Gilardi (born 1942) looms large in the annals of the European postwar avant-garde. A pioneer of Arte Povera and a promoter of Richard Long and Jan Dibbets, who also introduced American artists such as Bruce Nauman or Eva Hesse to a European audience, Gilardi is also a political activist. This retrospective monograph surveys his many activities.

Since the early 1970s, Luigi Ontani (born 1943) has been building a corpus of works exploring ideas of the sacred and the profane, Occidental and Oriental, kitsch and high art. This volume provides an overview of his diverse activities, including his photographic portraits in which he impersonates Leonardo, Dante, Pinocchio or San Sebastian, ceramic and papier-mache sculptures, paintings and video works.