Armed with three decades of feminism, men and women are coming to college with different ideas and expectations about sexual freedom and violence than did their parents. Since the early 1980's, a student movement has emerged from the belief that sexual violence is neither inherent nor inevitable. Just Sex: Students Rewrite the Rules on Sex, Violence, Equality and Activism chronicles the move to end to all forms of sexual violence and to mold a new sexual paradigm where explicitly consensual sex and sexual autonomy are the norm. Based on ten years of collaborative research and national organizing, Gold and Villari have compiled the writings of leading student activists and young scholars wrestling with complex issues of power inequities, free speech, and societal constructions of gender and sexuality in accessible and mainstream dialogues. Authors also examine the generationally specific style of student activism which emphasizes peer education and institutional collaboration. Just Sex the first ever gathering of primary documents including university policies, personal testimonies, position papers and scholarly essays offers a glimpse of the "working papers" of a student movement which has altered the sexual landscape of our campuses and communities forever. This valuable volume will be of interest to student activists, administrators, and anyone interested in ending violence on and off of campus.

Andrea Dworkin, once called Feminism's Malcolm X," has been worshipped, reviled, criticized, and analyzed-but never ignored. The power of her writing, the passion of her ideals, and the ferocity of her intellect have spurred the arguments and activism of two generations of feminists. Now the book that she's best known for-in which she provoked the argument that ultimately split apart the feminist movement-is being reissued for the young women and men of the twenty-first century. Intercourse enraged as many readers as it inspired when it was first published in 1987. In it, Dworkin argues that in a male supremacist society, sex between men and women constitutes a central part of women's subordination to men. (This argument was quickly-and falsely-simplified to all sex is rape" in the public arena, adding fire to Dworkin's already radical persona.) In her introduction to this twentieth-anniversary edition of Intercourse , Ariel Levy, the author of Female Chauvinist Pigs , discusses the circumstances of Dworkin's untimely death in the spring of 2005, and the enormous impact of her life and work. Dworkin's argument, she points out, is the stickiest question of feminism: Can a woman fight the power when he shares her bed?

‘This book is an action, a political action where revolution is the goal’

Andrea Dworkin’s blazing, prophetic debut argued that a deep-rooted hatred of women has been ingrained in society for centuries – and still governs us today. From fairy tales to erotic novels to witch-burnings, she uncovers the ways in which male violence and oppression have been normalized throughout history, and points the way to liberation.

‘Pornography is the orchestrated destruction of women’s bodies and souls … it is war on women’

Pornography, Andrea Dworkin argued in this landmark work, is about power: the power of owning, of money, of sex. It is not merely violence against women, but the essential DNA of male dominance. As images of women’s bodies continue to be manipulated and consumed, her searing, fearless critique of pornographic media is more urgent and discomfiting than ever.

‘Feminism is hated because women are hated’

Why do some women support Right-wing movements, even though they curtail their freedoms? Andrea Dworkin’s timeless, visionary analysis goes to the heart of this contradiction, exploring the Right’s positions on abortion, sexuality, racism and antifeminism, and showing how it attempts both to exploit and to quiet women’s deepest fears of male violence. The Right-wing woman, Dworkin contends, acquiesces to male authority for protection and some semblance of power: because ‘survival depends on it’.

Selections from the work of radical feminist author Andrea Dworkin, famous for her antipornography stance and role in the feminist sex wars of the 1980s. Radical feminist author Andrea Dworkin was a caricature of misandrist extremism in the popular imagination and a polarizing figure within the women's movement, infamous for her antipornography stance and her role in the feminist sex wars of the 1980s. She still looms large in feminist demands for sexual freedom, evoked as a censorial demagogue, more than a decade after her death. Among the very first writers to use her own experiences of rape and battery in a revolutionary analysis of male supremacy, Dworkin was a philosopher outside and against the academy who wrote with a singular, apocalyptic urgency. Last Days at Hot Slit brings together selections from Dworkin's work, both fiction and nonfiction, with the aim of putting the contentious positions she's best known for in dialogue with her literary oeuvre. The collection charts her path from the militant primer Woman Hating (1974), to the formally complex polemics of Pornography (1979) and Intercourse (1987) and the raw experimentalism of her final novel Mercy (1990). It also includes "Goodbye to All This" (1983), a scathing chapter from an unpublished manuscript that calls out her feminist adversaries, and "My Suicide" (1999), a despairing long-form essay found on her hard drive after her death in 2005.

Always innovative, often provocative, and frequently polarizing, Andrea Dworkin has carved out a unique position as one of the women's movement's most influential figures, from the early days of consciousness-raising to the "post-feminist" present. Heartbreak reveals for the first time the personal side of Dworkin's lifelong journey as an activist and a writer. By turns wry, spirited, and poignant, Dworkin tells the story of how she evolved from a childhood lover of music and books into a college activist, embraced her role as an international advocate for women, and emerged as a maverick thinker at odds with both the liberal left and the mainstream women's movement. Throughout, Dworkin displays a writer's genius for expressing emotional truth and an intellectual's gift for conveying the excitement of ideas and words. Beautifully written and surprisingly intimate, Heartbreak is a portrait of a soul, and a mind, in the making.

'This final, short book, is the unfolding development of a life and a mind. It reminds us that she was never primarily a political activist, but a writer and, to herself, a scholar ...Since she died last year, a victim of her enormous size, I have come to think that Andrea Dworkin was more important than I thought at the time.' - Linda Grant, "The Jewish Quarterly". '"Heartbreak" confirms that every bolshy, out-spoken freedom fighter who is the anti-type of standard Western glamour, fast becomes a scapegoat for the hatred of unpopular and hard-to-sell ideas; such as feminism.' - "The Crack Magazine". '...explosive ...uncompromising courage ...you could not get a voice more intensely alive - in its analysis of inequities which bind and divide women across race and class, its incisive accounts of oppression and the costs of resistance, its eloquent love of creativity, and its take-no-prisoners truth-telling.' - "Times Literary Supplement". '"Heartbreak" is not the memoir of a victim. Dworkin's tone is dry and humorous. Her personality is warm and likeable and, shockingly, she has a wicked sense of humour. If Dworkin had not come into prominence, first as a victim of rape and later as a campaigner against it, she might even be taking her place alongside Fay Weldon and Margaret Atwood'. - "The Times". 'pleasingly bathetic - her persecutors are finally reduced to their proper size.' - Charlotte Raven, "New Statesman". Always innovative, often provocative, and frequently polarizing, Andrea Dworkin carved out a unique position as one of the women's movement's most influential figures, from the early days of consciousness-raising to the "post-feminist" present. She wrote thirteen books, ranging across feminist theory, fiction and poetry. Andrea Dworkin died in April 2005.

This book contains the oral testimony of victims of pornography, spoken on the record for the first time in history.

Speaking at hearings on a groundbreaking antipornography civil rights law, women offer eloquent witness to the devastation pornography has caused in their lives. Supported by social science experts and authorities on rape, battery, and prostitution, discounted and opposed by free speech advocates and absolutists, their riveting testimony articulates the centrality of pornography to sexual abuse and inequity today.

At issue in these hearings is a law conceived and drafted by Andrea Dworkin and Catharine A. MacKinnon that defines harm done through pornography as a legal injury of sex discrimination warranting civil redress. From the first set of hearings in Minneapolis in 1983 through those before the Massachusetts state legislature in 1992, the witnesses heard here expose the commonplace reality of denigration and sexual subordination due to pornography and refute the widespread notion that pornography is harmless expression that must be protected by the state.

Introduced with powerful essays by MacKinnon and Dworkin, these hearings--unabridged and with each word scrupulously verified--constitute a unique record of a conflict over the meaning of democracy itself--a major civil rights struggle for our time and a fundamental crisis in United States constitutional law: Can we sacrifice the lives of women and children to a pornographer's right to free "speech"? Can we allow the First Amendment to shield sexual exploitation and predatory sexual violence? These pages contain all the arguments for protecting pornography--and dramatically document its human cost.