Peter Sloterdijk is an internationally renowned philosopher and thinker whose work is now seen as increasingly relevant to our contemporary world situation and the multiple crises that punctuate it, including those within ethical, political, economic, technological, and ecological realms. This volume focuses upon one of his central ideas, anthropotechnics. Broadly speaking, anthropotechnics refers to the technological constitution of the human as its fundamental mode of existence, which is characterized by the ability to create dwelling places that 'immunize' human beings from exterior threats while at the same time instituting practices and exercises that call on humanity to transcend itself 'ascetically'. The essays included in this volume enter a critical dialogue with Sloterdijk and his many philosophical interlocutors in order to interrogate the many implications of anthropotechnics in relation to some of the most pressing issues of our time, including and especially the question of the future of humanity in relation to globalism and modernization, climate change, the post-secular, neoliberalism, and artificial intelligence. The chapters in this book were originally published as a special issue of Angelaki.

Representations of masculinity in Chaucer's works examined through modern critical theory. How does Chaucer portray the various male pilgrims in the Canterbury Tales? How manly is Troilus? To what extent can the spirit and terminology of recent feminist criticism inform the study of Chaucer's men? Is there such athing as a distinct `Chaucerian masculinity', or does it appear in a multitude of different forms? These are some of the questions that the contributors to this ground-breaking and provocative volume attempt to answer, using a diversity of critical methods and theories. Some look at the behaviour of noble or knightly men; some at clerics, or businessmen, or churls; others examine the so-called "masculine" qualities of female characters, and the "feminine"qualities of male characters. Topics include the Host's bourgeois masculinity; the erotic triangles operating in the Miller's Tale; why Chaucer `diminished' the sexuality of Sir Thopas; and whether Troilus is effeminate, impotent or an example of true manhood. PETER G. BEIDLER is the Lucy G.Moses Distinguished Professor of English at Lehigh University. Contributors: MARK ALLEN, PATRICIA CLARE INGHAM, MARTIN BLUM, DANIEL F. PIGG, ELIZABETH M. BIEBEL, JEAN E. JOST, CAROL EVEREST, ANDREA ROSSI-REDER, GLENN BURGER, PETER G. BEIDLER, JEFFREY JEROME COHEN, DANIEL RUBEY, MICHAEL D. SHARP, PAUL R. THOMAS, STEPHANIE DIETRICH, MAUD BURNETT MCINERNEY, DEREK BREWER

Allison Marisa Burbank is a hilarious but naughty nine-year-old girl, who imagines everything her way and her way only. In Allison's wonderful but yet busy life, she get to do so much that she has always wanted to do. She starts third grade, turns ten, and she gets to be a flower girl. Everything sure sounds great, but can Allison make sure nothing will go wrong? And just as everything was going great, Allison's mother brings unexpected news to the family. Will Allison try to do everything in her strength to prevent this unexpected news? Get ready to hold on tight, because it's a roller coaster full of fun with Allison Marisa Burbank.

Michel Foucault defined critique as an exercise in de-subjectivation. To what extent did this claim shape his philosophical practice? What are its theoretical and ethical justifications? Why did Foucault come to view the production of subjectivity as a key site of political and intellectual emancipation in the present? Andrea Rossi pursues these questions in The Labour of Subjectivity. The book re-examines the genealogy of the politics of subjectivity that Foucault began to outline in his lectures at the College de France in the late 1970s and early 1980s. He explores Christian confession, raison d'etat, biopolitics and bioeconomy as the different technologies by which Western politics has attempted to produce, regulate and give form to the subjectivity of its subjects. Ultimately Rossi argues that Foucault's critical project can only be comprehended within the context of this historico-political trajectory, as an attempt to give the extant politics of the self a new horizon.

Michel Foucault defined critique as an exercise in de-subjectivation. To what extent did this claim shape his philosophical practice? What are its theoretical and ethical justifications? Why did Foucault come to view the production of subjectivity as a key site of political and intellectual emancipation in the present? Andrea Rossi pursues these questions in The Labour of Subjectivity. The book re-examines the genealogy of the politics of subjectivity that Foucault began to outline in his lectures at the College de France in the late 1970s and early 1980s. He explores Christian confession, raison d'etat, biopolitics and bioeconomy as the different technologies by which Western politics has attempted to produce, regulate and give form to the subjectivity of its subjects. Ultimately Rossi argues that Foucault's critical project can only be comprehended within the context of this historico-political trajectory, as an attempt to give the extant politics of the self a new horizon.