Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed.

Despite a rich history of ethnographic research in Middle Eastern societies, the region is frequently portrayed as marginal to anthropology. The contributors to this volume reject this view and show how the Middle East is in fact vital to the discipline and how Middle Eastern anthropologists have developed theoretical and methodological tools that address and challenge the region's political, ethical, and intellectual concerns. The contributors to this volume are students of Paul Dresch, an anthropologist known for his incisive work on Yemeni tribalism and customary law. As they expand upon his ideas and insights, these essays ask questions that have long preoccupied anthropologists, such as how do place, point of view, and style combine to create viable bodies of knowledge; how is scholarship shaped by the historical context in which it is located; and why have duration and form become so problematic in the study of Middle Eastern societies? Special attention is given to understanding local terms, contested knowledge claims, what remains unseen and unsaid in social life, and to cultural patterns and practices that persist over long stretches of time, seeming to predate and outlast events. Ranging from Morocco to India, these essays offer critical but sensitive approaches to cultural difference and the distinctiveness of the anthropological project in the Middle East.

"Islamophobia" is a term that has been widely applied to anti-Muslim ideas and actions, especially since 9/11. The contributors to this provocative volume explore and critique the usefulness of the concept for understanding contexts ranging from the Middle Ages to the modern day. Moving beyond familiar explanations such as good Muslim/bad Muslim stereotypes or the "clash of civilizations," they describe Islamophobia's counterpart, Islamophilia, which deploys similar oppositions in the interest of fostering public acceptance of Islam. Contributors address topics such as conflicts over Islam outside and within Muslim communities in North America, Europe, the Middle East, and South Asia; the cultural politics of literature, humor, and urban renewal; and religious conversion to Islam.

Despite a rich history of ethnographic research in Middle Eastern societies, the region is frequently portrayed as marginal to anthropology. The contributors to this volume reject this view and show how the Middle East is in fact vital to the discipline and how Middle Eastern anthropologists have developed theoretical and methodological tools that address and challenge the region's political, ethical, and intellectual concerns. The contributors to this volume are students of Paul Dresch, an anthropologist known for his incisive work on Yemeni tribalism and customary law. As they expand upon his ideas and insights, these essays ask questions that have long preoccupied anthropologists, such as how do place, point of view, and style combine to create viable bodies of knowledge; how is scholarship shaped by the historical context in which it is located; and why have duration and form become so problematic in the study of Middle Eastern societies? Special attention is given to understanding local terms, contested knowledge claims, what remains unseen and unsaid in social life, and to cultural patterns and practices that persist over long stretches of time, seeming to predate and outlast events. Ranging from Morocco to India, these essays offer critical but sensitive approaches to cultural difference and the distinctiveness of the anthropological project in the Middle East.

Why are public identities so predictably, and often so radically, different from identities that flourish in realms of collective intimacy? Why does belonging to a group, knowing about it, or displaying its qualities to others require that certain aspects of identification be denied-not because they are false or stereotypical, but because they are thought to be accurate and indispensable signs of membership? In Off Stage/On Display, ten scholars with diverse geographical, theoretical, and topical interests take a close, critical look at the vexed relationship between public identities and the intimate spheres in which they are made. They ask how scholars and activists can engage more creatively with problems encountered on this awkward terrain, which is now global both in location and political significance. Their answers, careful and suggestive, point to more effective strategies for representing aspects of identification that cannot be easily shown or, in an age of mass mediation, easily concealed.

Humans have always been interested in their origins, but historians have been reluctant to write about the long stretches of time before the invention of writing. In fact, the deep past was left out of most historical writing almost as soon as it was discovered. This breakthrough book, as important for readers interested in the present as in the past, brings science into history to offer a dazzling new vision of humanity across time. Team-written by leading experts in a variety of fields, it maps events, cultures, and eras across millions of years to present a new scale for understanding the human body, energy and ecosystems, language, food, kinship, migration, and more. Combining cutting-edge social and evolutionary theory with the latest discoveries about human genes, brains, and material culture, "Deep History" invites scholars and general readers alike to explore the dynamic of connectedness that spans all of human history. With Timothy Earle, Gillian Feeley-Harnik, Felipe Fernandez-Armesto, Clive Gamble, April McMahon, John C. Mitani, Hendrik Poinar, Mary C. Stiner, and Thomas R. Trautmann.

This book explores the transition from oral to written history now taking place in tribal Jordan, a transition that reveals the many ways in which modernity, literate historicity, and national identity are developing in the contemporary Middle East. As traditional Bedouin storytellers and literate historians lead him through a world of hidden documents, contested photographs, and meticulously reconstructed pedigrees, Andrew Shryock describes how he becomes enmeshed in historical debates, ranging from the local to the national level. The world the Bedouin inhabit is rich in oral tradition and historical argument, in subtle reflections on the nature of truth and its relationship to poetics, textuality, and power. Skillfully blending anthropology and history, Shryock discusses the substance of tribal history through the eyes of its creators - those who sustain an older tradition of authoritative oral history and those who have experimented with the first written accounts. His focus throughout is on the development of a 'genealogical nationalism' as well as on the tensions that arise between tribe and state. Rich in both personal revelation and cultural implications, this book poses a provocative challenge to traditional assumptions about the way history is written.

Since the terrorist attacks of September 11, 2001, Detroit's large and nationally prominent Arab and Muslim communities have faced heightened prejudice, government surveillance, and political scapegoating, yet they have also enjoyed unexpected gains in economic, political, and cultural influence. Museums, festivals, and cultural events flourish alongside the construction of new mosques and churches, and more Arabs are being elected and appointed to public office. Detroit's Arab population is growing even as the city's non-Arab sectors, and the state of Michigan as a whole, have steadily lost population. In Arab Detroit 9/11: Life in the Terror Decade, a follow-up to their volume Arab Detroit: From Margin to Mainstream (Wayne State University Press, 2000), editors Nabeel Abraham, Sally Howell, and Andrew Shryock present accounts of how life in post-9/11 Detroit has changed over the last ten years.

Metropolitan Detroit is home to one of the largest, most diverse Arab communities outside the Middle East, yet the complex world Arabic-speaking immigrants have created there is barely visible on the landscape of ethnic America. In this volume, Nabeel Abraham and Andrew Shryock bring together the work of twenty-five contributors to create a richly detailed portrait of Arab Detroit. The book goes behind the bulletproof glass in Iraqi Chaldean liquor stores. It explores the role of women in a Sunni mosque and the place of nationalist politics in a Coptic church. It follows the careers of wedding singers, Arabic calligraphers, restaurant owners, and pastry chefs. It examines the agendas of Shia Muslim activists and Washington-based lobbyists and looks at the intimate politics of marriage, family honor, and adolescent rebellion. Memoirs and poems by Lebanese, Chaldean, Yemeni, and Palestinian writers anchor the book in personal experience, while over fifty photographs provide a backdrop of vivid, often unexpected, images. In their efforts to represent an ethnic/immigrant community that is flourishing on the margins of pluralist discourse, the contributors to this book break new ground in the study of identity politics, transnationalism, and diaspora cultures.

The Pitt-Rivers Omnibus brings together the definitive essays and lectures of the influential social anthropologist Julian A. Pitt-Rivers, a corpus of work that has, until now, remained scattered, untranslated, and unedited. Illuminating the themes and topics that he engaged throughout his life-including hospitality, grace, the symbolic economy of reciprocity, kinship, the paradoxes of friendship, ritual logics, the anthropology of dress, and more-this omnibus brings his reflections to new life. Holding Pitt-Rivers's diversity of subjects and ethnographic foci in the same gaze, this book reveals a theoretical unity that ran through his work and highlights his iconic wit and brilliance. Striking at the heart of anthropological theory, the pieces here explore the relationship between the mental and the material, between what is thought and what is done. Classic, definitive, and yet still extraordinarily relevant for contemporary anthropology, Pitt-Rivers's lifetime contribution will provide a new generation of anthropologists with an invaluable resource for reflection on both ethnographic and theoretical issues.

Humans have always been interested in their origins, but historians have been reluctant to write about the long stretches of time before the invention of writing. In fact, the deep past was left out of most historical writing almost as soon as it was discovered. This breakthrough book, as important for readers interested in the present as in the past, brings science into history to offer a dazzling new vision of humanity across time. Team-written by leading experts in a variety of fields, it maps events, cultures, and eras across millions of years to present a new scale for understanding the human body, energy and ecosystems, language, food, kinship, migration, and more. Combining cutting-edge social and evolutionary theory with the latest discoveries about human genes, brains, and material culture, "Deep History" invites scholars and general readers alike to explore the dynamic of connectedness that spans all of human history.
With Timothy Earle, Gillian Feeley-Harnik, Felipe Fernandez-Armesto, Clive Gamble, April McMahon, John C. Mitani, Hendrik Poinar, Mary C. Stiner, and Thomas R. Trautmann