Characteristics of Women (1832) by Anna Jameson was the first attempt by a woman to analyse the characteristics of twenty-three heroines of Shakespeare's plays. In this book, Jameson, an English writer, feminist, and art historian, addresses problems of women's education and participation in public life while providing insightful and original readings of Shakespeare's women. Jameson classifies the heroines into four categories, two of which - characters of affection and historical characters - are presented in Volume 2. Hermione, Desdemona, Imogen, and Cordelia are the characters in whom moral sentiments and affections predominate, while Cleopatra, Octavia, Volumnia, Constance of Bretagne, Elinor of Guienne, Blanche of Castile, Margaret of Anjou, Katherine of Arragon, and Lady Macbeth are examples of historical characters. Illustrated with fifty attractive etchings made by the author herself, this eloquent book is a must-have for Shakespeare collectors, students of women's studies and others interested in nineteenth-century literary criticism.

Characteristics of Women (1832) by Anna Jameson was the first attempt by a woman to analyse the characteristics of twenty-three heroines of Shakespeare's plays. In this book, Jameson, an English writer, feminist, and art historian, addresses problems of women's education and participation in public life while providing insightful and original readings of Shakespeare's women. She divides the heroines into four classes, two of which - characters of intellect and characters of passion and imagination - are discussed in Volume 1. Portia, Isabella, Beatrice, and Rosalind - the characters of intellect - are sufficiently connected by that common tie and are distinct from Juliet, Helena, Perdita, Viola, Ophelia, and Miranda, who are categorised as characters of passion and imagination. Illustrated with fifty attractive etchings made by the author herself, this eloquent book is a must-have for Shakespeare collectors, students of women's studies and others interested in nineteenth-century literary criticism.

A professional author of art and literary criticism as well as travel writing, Anna Jameson (1794 1860) journeyed widely in Europe and North America, and moved in the literary circles which included the Brownings and Harriet Martineau. Many of her other works are also reissued in the Cambridge Library Collection. In 1844, she published this book on the great private art collections of London. She begins with an essay on the formation of the collections, from the seventeenth-century earl of Arundel onwards, and then describes in turn the Queen's Gallery, the Bridgewater, Sutherland, Grosvenor and Lansdowne galleries, and the collections of Sir Robert Peel and of the poet Samuel Rogers. For each collection there is an introductory essay, a catalogue raisonnee and a note of the most important items in the collection. This work is a fascinating and valuable guide to mid-nineteenth-century taste and fashion in art."

Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794 1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 1, which is richly illustrated, covers the literary origins of the legends and surveys the representation of angels and archangels, the Four Evangelists, the Twelve Apostles, the Doctors of the Church, and a number of significant saints, including Mary Magdalene.

Published in 1848, this two-volume work was received with great praise. During a celebrated career, Anna Brownell Jameson (1794 1860) produced Shakespeare criticism, travel writing, biography, and art history, and was admired by contemporaries such as Mary Shelley and Thomas Carlyle. Taking an aesthetic rather than religious approach, the work is a study of the legends represented in Western art of the Middle Ages, ordered taxonomically. Though Jameson is considered the first professional female art critic, this is a reductive label; she was, rather, one of the great art critics of her age and her work is still of importance to art historians. Volume 2, which is richly illustrated, examines the Patron Saints of Christendom, the Virgin Patronesses, the early martyrs, the Greek and Latin martyrs, the early bishops, the hermits, and the warrior saints.

Anna Jameson (1794 1860) was an inspirational figure to a generation of young women writers and artists including Barbara Bodichon and Bessie Rayner Parkes. Her work was reviewed by leading figures such as Mary Shelley and Charles Kingsley, and even Thomas Carlyle, though less complimentary, referred to her as the 'celebrated Mrs Jamieson'. This book, first published in 1838, secured her growing reputation as a writer of history, literary criticism and travel literature, and has been popular ever since. Inspired by a journey made to support the career of her estranged husband, one of its key themes is the condition of women, which recurs regularly in Jameson's writing. In Volume 1, Jameson describes her difficulty adapting to the winter cold, her impressions of Ontario's landscape, peoples, and political system, and her reflections on literature, especially Goethe. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=jamean

Anna Jameson (1794 1860) was an inspirational figure to a generation of young women writers and artists including Barbara Bodichon and Bessie Rayner Parkes. Her work was reviewed by leading figures such as Mary Shelley and Charles Kingsley, and even Carlyle, though less complimentary, referred to her as the 'celebrated Mrs Jamieson'. This book, first published in 1838, secured her growing reputation as a writer of history, literary criticism and travel literature, and has been popular ever since. Inspired by a journey made to support the career of her estranged husband, one of its key themes is the condition of women, which recurs regularly in Jameson's writing. Volume 2 describes the arrival of summer, and Jameson's experiences of landscapes, towns and people from Niagara to Detroit. It includes reflections on Schiller, emigration, and the Canadian infrastructure. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=jamean

Anna Jameson (1794 1860) was an inspirational figure to a generation of young women writers and artists including Barbara Bodichon and Bessie Rayner Parkes. Her work was reviewed by leading figures such as Mary Shelley and Charles Kingsley, and even Thomas Carlyle, though less complimentary, referred to her as the 'celebrated Mrs Jamieson'. This book, first published in 1838, secured her already growing reputation as a writer of history, literary criticism and travel literature, and has been popular ever since. Inspired by a journey made to support the career of her estranged husband, one of its key themes is the condition of women, which recurs regularly in Jameson's writing. Volume 3 centres on a journey up Lake Huron and describes Native American settlements, languages, customs, and beliefs, revealing her ambivalent feelings of both curiosity and revulsion. For more information on this author, see http: //orlando.cambridge.org/public/svPeople?person_id=jamean