The fourth and final volume of The New Press Postwar French Thought series provides a fresh map and analysis for understanding the history of ideas since 1945. This anthology collects the writings of celebrated philosophers along with work by thinkers highly regarded in France for the first time. It contextualises the material within a larger intellectual and political history and chronology, identifying antecedents and distinguishing four main phases or moments. Indispensable for understanding the development of postwar French philosophy as a whole.

Earth Moves, Bernard Cache's first major work, conceptualizes a series of architectural images as vehicles for two important developments. First, he offers a new understanding of the architectural image itself. Following Gilles Deleuze and Henri Bergson, he develops an account of the image that is nonrepresentational and constructive - images as constituents of a primary, image world, of which subjectivity itself is a special kind of image. Second, Cache redefines architecture as the art of the frame, extending architecture beyond building proper to include cinematic, pictorial, and other framings. Complementary to this classification, Cache offers what is to date the only Deleuzean architectural development of the "fold", a form and concept that has become important over the last few years. For Cache, as for Deleuze, what is significant about the fold is that it provides a way to rethink the relationship between interior and exterior, between past and present, and between architecture and the urban.