This volume is about the commemoration of the Irish Civil War. Working from the perspective of the winners of a war no one wished to fight, it examines how the memory of the victor's dead is treated in public and private spheres. This is achieved through examination of the methods and rituals of commemoration. The book's importance, and its main difference from other books, lies in its close examination of the legacy of civil war bitterness in Ireland, a legacy which has, until now, been largely assumed and misunderstood.

After civil war, can the winners commemorate their victory, hailing their conquering heroes with the blood of their former comrades still fresh on their boots? Or should they cover themselves in shame and hope that the nation soon forgets? In this book, Anne Dolan explores the tensions between memory and forgetting in twentieth-century Ireland. By examining the memory of winning the Irish Civil War, she discusses the extent to which it has been used to serve party political ends, where private grief finds consolation when the dead have fallen from political favour, and how the dead are remembered when no one wanted to fight the war. The book addresses the Irish Civil War at its most public point: at the statues and crosses, and in the ritual and rhetoric of commemoration. It will be of central interest to all students and scholars of European history and politics.

`It was the most providential escape yet. It will probably have the effect of making them think that I am even more mysterious than they believe me to be, and that is saying a good deal.' Michael Collins knew the power of his persona, and capitalised on what people wanted to believe. The image we have of him comes filtered through a sensational lens, exaggerated out of all proportion. We see what we have come to expect: `the man who won the war', the centre of a web of intelligence that `brought the British Empire to its knees'. He comes to us as a mixture of truth and lies, propaganda and misunderstanding. The willingness to see him as the sum of the Irish revolution, and in turn reduce him to a caricature of his many parts, clouds our view of both the man and the revolution. Drawing on archives in Ireland, Britain and the United States, the authors question our traditional assumptions about Collins. Was he the man of his age, or was he just luckier, more brazen, more written about and more photographed than the rest? Despite the pictures of him in uniform during the last weeks of his life, Collins saw very little of the actual fight. He was chiefly an organiser and a strategist. Should we remember him as a master of the mundane rather than the romantic figure of the blockbuster film? The eight thematic, highly illustrated chapters scrutinise different aspects of Collins' life: origins, work, war, politics, celebrity, beliefs, death and afterlives. Approaching him through the eyes of contemporaries and historians, friends and enemies, this provocative book reveals new insights, challenging what we think we know about him and, in turn, what we think we know about the Irish revolution.

From 1918 to 1922 Michael Collins kept working diaries of his busy revolutionary life. They are a collection of hurried notes, necessary lists, names and appointments, things to do, and things not done. They are a record of his long working days, and they got him to where he needed to be on time. Though these diaries do not contain conventional lengthy entries in which Collins finally reveals his innermost thoughts, they still tell us much about this extraordinary man. In this book, Michael Collins's biographers, Anne Dolan and William Murphy, capture the nature of this new Collins source. They reflect on how the diaries change what we know about him, and challenge us to think differently about his life. The diaries begin with Collins a revolutionary among many; they end in 1922 with Collins as the most powerful figure in Ireland. They begin with Collins a single man; they end with him about to be married. The authors present thematic reflections on what the diaries reveal of his transformed life. As they are also the diaries of his everyday life, the book examines very particular episodes, the curious and ordinary entries, which allow us to see Collins from new angles. Rather than offering the final piece that will solve the Collins puzzle, the diaries pose new questions to be asked. Michael Collins (1890-1922), was born in Co. Cork, he was a staff captain in the GPO in 1916, and emerged as a leading figure during his internment in Frongoch camp. As the Director of Organisation with the Irish Volunteers, he masterminded their campaign in the Anglo-Irish war (1919-21). Having signed the Anglo-Irish Treaty, in 1922 he became chairman of the Provisional Government and commander-in-chief of the National Army. He was killed in an ambush in Co. Cork on 22 August 1922.

Government in Action is the first-stop resource for information on how government processes work. Each classroom-tested simulation collects documentary material on the legislative process, Congress, the Supreme Court, and the White House media. Library patrons will find an accessible overview of government processes in a format that is not currently available. The series encourages analytical thinking and identification of appropriate sources and content during library research. The simulations not only benefit students but also instructors, who will find the simulations a rich source of classroom-tested tools.

This new series allows patrons to engage in research on government by:
-- Identifying with key government roles, such as Speaker of the House
-- Conducting research on these roles, such as how to introduce legislation
-- Following and learning government processes, such as how legislation is passed.

Following a bill from its assigned committee through its debate on the floor of the House of Representatives, this simulation provides a choice of three bills with background material. Information on how committees learn about the legislation, conduct a markup session, and debate a bill are all included.