A young assistant editor living with her guardian uncle has a great job for a publishing company in New York City and a wonderful relationship with her fiance, Mark. Suddenly, her world is turned upside down, and when her uncle dies she inherits property in Sunset Cover, Georgia. Now very much alone in the world, she struggles to find answers too many questions. Why hadn't Uncle Charlie ever mentioned the house in Georgia? Why does she feel like the people in Sunset Cover don't want her to stay? Even with ongoing danger and puzzling circumstances she finds love again, and the facts that arise from a cardboard box only triggers her faith in God as she attempts to uncover the mysteries that surround her.

A young assistant editor living with her guardian uncle has a great job for a publishing company in New York City and a wonderful relationship with her fiance, Mark. Suddenly, her world is turned upside down, and when her uncle dies she inherits property in Sunset Cover, Georgia. Now very much alone in the world, she struggles to find answers too many questions. Why hadn't Uncle Charlie ever mentioned the house in Georgia? Why does she feel like the people in Sunset Cover don't want her to stay? Even with ongoing danger and puzzling circumstances she finds love again, and the facts that arise from a cardboard box only triggers her faith in God as she attempts to uncover the mysteries that surround her.

Music and Lewis and Clark are not words that generally go in the same sentence. But the journals of Meriwether Lewis and William Clark show that music was an integral part of their famous journey. Music brought welcome entertainment to the men, far from home. It also served as a diplomatic bridge to the American Indians they met on their way. Although Lewis and Clark themselves did not play, they had two fiddlersPierre Cruzatte and George Gibsonamong the 30 or so men who went with them. Other members of the expedition sang and danced. The journals do not mention specific tunes the men played, but we can say with certainty that the music here dates from the period. We have rigorously documented all but the Native American pieces, which were handed down through oral tradition.

The rush to war, the loss of loved ones, the deep wounds of a five-year conflictthe intense emotions of the American Civil War are brought to life through the songs and instrumental music of the day. Now, 150 years after the start of the war, Anne Enslow and Ridley Enslow have produced a music CD that features both familiar Civil War songs such as The Battle Hymn of the Republic and lesser known but haunting melodies like The Vacant Chair. The musicians include pianist Jacqueline Schwab, whose distinctive playing was heard on Ken Burnss highly-acclaimed Civil War documentary, celebrated fiddler John Kirk, and noted balladeer Linda Russell. Includes 32-page liner notes. A free educator's guide is available at enslow.com.