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Op haar agtiende verjaarsdag loop Marné weg van die huis af. Weg van Die Sending waar sy grootgemaak is tussen groen valleie. Weg van die kultus met hulle tienduisend reëls wat haar hele lewe beheer.
Sy begin ’n nuwe lewe by haar tannie in Klerksdorp en probeer leer hoe om ’n doodnormale meisie te wees tussendeur die uitdagings van matriek in ’n nuwe skool. Sy maak nuwe vriende, en dan is daar die kitaarspeler met die mooi groen oë …
Maar na jare van breinspoeling en manipulasie is dit nie so maklik om weg te breek van die sendingdogtertjie wat sy eens was nie. En haar ouers en Die Sending sal nie ophou om haar te probeer opspoor nie. ’n Aangrypende grootwordverhaal oor die soeke na self, die soeke na God en die soeke na waarheid.
Hierdie treffende debuut is gebaseer op ware gebeure by die KwaSizabantu Sendingstasie in KwaZulu-Natal, waarvan die skrywer deel was.
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Duress (Hardcover)
Karen An-hwei Lee
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R645
Discovery Miles 6 450
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Ships in 12 - 17 working days
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England (Paperback)
A.N. Wilson
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R212
R156
Discovery Miles 1 560
Save R56 (26%)
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Ships in 12 - 17 working days
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This is the patriot's song book, which includes such rollicking
word-smiths as Hilaire Belloc, G K Chesterton, Rudyard Kipling and
the lyrics of Gilbert and Sullivan. England, as every fan of
Flanders and Swan will know, hasn't really got a national song.
This collection more than fills the gap. Despite the worldwide
spread of the English language in the wake of the Empire, the poets
of England were always more interested in personal freedom than
political conformity. Those rallying cries from the pens of Blake,
Byron and Brook are as relevant as ever. Armed with the clarion
calls of Milton and Shakespeare, "England" still calls upon us to
do our duty: to cleanse our land of a media monoculture linked by a
spreading cancer of motorways, hypermarkets and a rootless,
heartless international capitalism that rots the spirit.
"Elzandri, ’n holderstebolder plaaskind uit ’n groot, hegte familie,
het een jaar om aan haar pa te bewys sy kan haar eie toekomsbesluite
neem voor hy haar dwing om ná matriek universiteit toe te gaan.
Wanneer haar oudste niggie verloof raak en Elzandri vra om die
troufoto’s te neem, is dit die perfekte geleentheid om haar geliefde
stokperdjie in ’n besigheid te omskep. Daar’s net een probleem: sy moet
die knorrige buurseun vra om haar te help."
Author and illustrator SiobhĂĄn Gallagherâs humorous and
heartfelt graphic memoir about her journey from being the anxious
and unhappy âfunny fat friendâ to learning to love herself
along with all her imperfections. Iâm proud of the person Iâve
become because I fought to become her. At the age of 30, SiobhĂĄn
Gallagher looks back on her teenage self: struggling with anxiety
and eating disorders, desperate to become a beautiful, savvy, and
slim adult. As an actual adult, she realizes she hasnât turned
out the way sheâd imagined, but through the hard work of
self-reflectionâcut with plenty of humorâGallagher brings
readers along on her journey to self-acceptance and self-love.
Through witty comics and striking illustrations, Full of Myself is
a highly relatable story of the awkward, imperfect, and hilariously
honest teenage best friend readers will wish they had hadâand the
awkward, imperfect, and hilariously honest woman she becomes.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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