This publication is the fourth volume of an important catalogue raisonne of the work of Francis Picabia This publication, the fourth volume of an important catalogue raisonne of the work of Francis Picabia (1879-1953), includes paintings and selected drawings dating from 1940 into 1952. During the war years, while still residing in the south of France, Picabia was primarily occupied by figural subjects -multi-figure allegories, female nudes, and glamorous female "portraits" -painted in bold illusionistic relief. Notorious even in his lifetime, most of these works are now known to have adapted photographic illustrations in older "girly" magazines and other popular media. Upon his return to Paris in the post-war period, Picabia renewed his earlier interests in abstract and sometimes non-objective art, still often drawing upon published sources ranging from prehistoric art to Nietzsche, and pursued frequent exhibition of his distinctive, constantly mutating responses to critical currents of the day. These included a series of severely reductive, subtly effective "point" or dot paintings beginning in 1949-three years before ill-health effectively ended Picabia's half-century of artistic provocation. Distributed for Mercatorfonds

Hungarian-born French artist Nicolas Schoeffer (1912-1992), though relatively unknown today, was during his lifetime a significant presence in the art world. His 1956 piece CYSP 1 is considered the first cybernetic sculpture, making use of motors, microphones, and photo-electric cells to create a work based on feedback loops and responsiveness to its environment. For Schoeffer, cybernetics enabled a crucial artistic exploration of the boundary between the living and the technological. This important reevaluation of Schoeffer's work features sculptures, paintings, and drawings, including unpublished pieces from the artist's studio and archive, as well as documentation of his interdisciplinary and experimental collaborations with architects, musicians, choreographers, scientists, and industrialists. Particular attention is paid to the innovative work he created between 1945 and 1975, which takes on particular resonance in our current, digitally saturated world. Distributed for Mercatorfonds Exhibition Schedule: Lille Metropole Museum of Modern, Contemporary and Outsider Art (02/23/18-05/20/18)

Antoine Arnauld and Pierre Nicole were philosophers and theologians associated with Port-Royal Abbey, a center of the Catholic Jansenist movement in seventeenth-century France. Their enormously influential Logic or the Art of Thinking, which went through five editions in their lifetimes, treats topics in logic, language, theory of knowledge and metaphysics, and also articulates the response of "heretical" Jansenist Catholicism to orthodox Catholic and Protestant views on grace, free will and the sacraments. This edition presents a new translation of the text, together with a historical introduction and suggestions for further reading.

This monograph reviews Xavier Veilhan's monumental sculptures of the past ten years, works that include a buggy distorted as if seen through a rippling pool and a Cubist-style stainless-steel shark. Drawing on references ranging from classical statuary to Futurism and Op art, Veilhan has been compared to artists such as Damien Hirst and Jeff Koons.

The second of an important multi-volume catalogue project, this publication features work by Francis Picabia (1879-1953) that dates from 1915 into mid-1927. Beginning with Picabia's elaboration of a personal machinist aesthetic, the book continues by looking at the artist's central role in the formulation of the Paris Dada movement. That irreverent movement included Picabia's increasingly provocative mechanomorphic compositions, complemented by his unorthodox writings and graphic designs as well as socially powerful performances. In the 1920s, Picabia turned to striking geometrical abstractions, subversive figurative art, and a collaboration in 1924 with the Swedish Ballet. The volume finishes with a look at Picabia's creations of the mid-1920s, which included memorable collages and flamboyant figurative compositions known as the "monsters." Distributed for Mercatorfonds

Antoine Arnauld and Pierre Nicole were philosophers and theologians associated with Port-Royal Abbey, a center of the Catholic Jansenist movement in seventeenth-century France. Their enormously influential Logic or the Art of Thinking, which went through five editions in their lifetimes, treats topics in logic, language, theory of knowledge and metaphysics, and also articulates the response of "heretical" Jansenist Catholicism to orthodox Catholic and Protestant views on grace, free will and the sacraments. This edition presents a new translation of the text, together with a historical introduction and suggestions for further reading.

This is a reproduction of a book published before 1923. This book may have occasional imperfectionssuch as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed worksworldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ A New Method Of Learning With Facility The Latin Tongue: Containing The Rules Of Genders, Declensions, Preterites, Syntax, Quantity, And The Latin Accents, Digested In The Clearest And Concisest Order, Volume 2; A New Method Of Learning With Facility The Latin Tongue: Containing The Rules Of Genders, Declensions, Preterites, Syntax, Quantity, And The Latin Accents, Digested In The Clearest And Concisest Order; Pierre Nicole Claude Lancelot, Antoine Arnauld, Pierre Nicole, Thomas Nugent Printed for F. Wingrave, 1803 Foreign Language Study; Latin; Foreign Language Study / Latin; Latin language