This is an abbreviated version of Tracks in a Mountain Range, and is published in dual format in English and isiZulu. The uKhahlamba mountains have been the home of many different groups of people for a very long time. Small groups of hunter-gatherers began living in rock shelters there at least 27 000 years ago. Their descendants were San people who still lived there as recently as a hundred years ago. About 600 years ago, groups of African farmers began building their villages near the foothills, and grazing their cattle into the mountains. From the 1840s, European settlers in the colony of Natal began laying out farms for sheep and cattle in the foothills of the mountains. They drove out the San, and brought the African farmers under their domination. In the twentieth century the settlers and their descendants began to use the land for purposes besides farming, especially for developing tourism and leisure activities, and supplying water for industry. Africans became labourers on the farms and in South Africa's towns and cities. Exploring the History of the uKhahlamba Mountains tells about the coming of these different peoples to the mountains, and describes the different ways of life that they established, sometimes peacefully, sometimes violently. It is copiously illustrated with photographs in full colour.

Considerations of the effect of trauma on heritage sites. The essays in this volume address the displacement of natural and cultural heritage caused by disasters, whether they be dramatic natural impacts or terrible events unleashed by humankind, including holocaust and genocide. Disasters can be natural or human-made, rapid or slow, great or small, yet the impact is effectively the same; nature, people and cultural heritage are displaced or lost. Yet while heritage and place are at risk from disasters, in time,sites of suffering are sometimes reframed as sites of memory; through this different lens these "difficult" places become heritage sites that attract tourists. Ranging widely chronologically and geographically, the contributors explore the impact of disasters, trauma and suffering on heritage and sense of place, in both theory and practice. Contributors: Kai Erikson, Catherine Roberts, Philip R. Stone, Stephen Miles, Susannah Eckersley, Gerard Corsane, Graeme Were, Jo Besley, Tim Padley, Chia-Li Chen, Jonathan Skinner, Diana Walters, Shalini Sharma, Ellie Land, Rob Morley, Ian Convery, John Welshman, Aron Mazel, Andrew Law, Bryony Onciul, Sarah Elliott, Rebecca Whittle,Will Medd, Maggie Mort, Hugh Deeming, Marion Walker, Clare Twigger-Ross, Gordon Walker, Nigel Watson, Richard Johnson, Esther Edwards, James Gardner, Brij Mohan, Josephine Baxter, Takashi Harada, Arthur McIvor, Rupert Ashmore, Peter Lurz, Marc Ancrenaz, Isabelle Lackman, OEzgun Emre Can, Bryndis Snaebjoernsdottir, Mark Wilson, Pat Caplan, Billy Sinclar, Phil O'Keefe

Considerations of the effect of trauma on heritage sites. The essays in this volume address the displacement of natural and cultural heritage caused by disasters, whether they be dramatic natural impacts or terrible events unleashed by humankind, including holocaust and genocide. Disasters can be natural or human-made, rapid or slow, great or small, yet the impact is effectively the same; nature, people and cultural heritage are displaced or lost. Yet while heritage and place are at risk from disasters, in time,sites of suffering are sometimes reframed as sites of memory; through this different lens these "difficult" places become heritage sites that attract tourists. Ranging widely chronologically and geographically, the contributors explore the impact of disasters, trauma and suffering on heritage and sense of place, in both theory and practice. Contributors: Kai Erikson, Catherine Roberts, Philip R. Stone, Stephen Miles, Susannah Eckersley, Gerard Corsane, Graeme Were, Jo Besley, Tim Padley, Chia-Li Chen, Jonathan Skinner, Diana Walters, Shalini Sharma, Ellie Land, Rob Morley, Ian Convery, John Welshman, Aron Mazel, Andrew Law, Bryony Onciul, Sarah Elliott, Rebecca Whittle,Will Medd, Maggie Mort, Hugh Deeming, Marion Walker, Clare Twigger-Ross, Gordon Walker, Nigel Watson, Richard Johnson, Esther Edwards, James Gardner, Brij Mohan, Josephine Baxter, Takashi Harada, Arthur McIvor, Rupert Ashmore, Peter Lurz, Marc Ancrenaz, Isabelle Lackman, Özgün Emre Can, Bryndís Snæbjörnsdóttir, Mark Wilson, Pat Caplan, Billy Sinclar, Phil O'Keefe

Wide-ranging essays on intangible cultural heritage, with a focus on its negotiation, its value, and how to protect it. Awareness of the significance of intangible cultural heritage (ICH) has recently grown, due to the promotional efforts of UNESCO and its Convention for the Safeguarding of the Intangible Cultural Heritage (2003). However, the increased recognition of intangible heritage has brought to light its undervalued status within the museum and heritage sector, and raised questions about safeguarding efforts, ownership, protective legal frameworks, authenticity and how global initiatives can be implemented at a local level, where most ICH is located. This book provides a variety of international perspectives on these issues, exploring how holistic and integrated approaches to safeguarding ICH offer an opportunity to move beyond the rhetoric of UNESCO; in partiular, the authors demonstrate that the alternative methods and attitudes that frequently exist at a local level can be the most effective way of safeguarding ICH. Perspectives are presented both from "established voices", of scholars and practitioners, and from "new voices", those of indigenous and local communities, where intangible heritage lives. It will be an important resource for students of museum and heritage studies, anthropology, folk studies, the performing arts, intellectual property law and politics. Michelle Stefano is Folklorist-in-Residence, University of Maryland BaltimoreCounty; Peter Davis is Professor of Museology, International Centre for Cultural and Heritage Studies, Newcastle University; Gerard Corsane is Senior Lecturer in Heritage, Museum and Galley Studies, International Centre for Cultural and Heritage Studies, School of Arts and Cultures, Newcastle University. Contributors: Marilena Alivizatou, Alissandra Cummins, Kate Hennessey, Ewa Bergdahl, George Abungu, Shatha Abu-Khafajah, Shaher Rababeh, Vasant Hari Bedekar, Christian Hottin, Sylvie Grenet, Lyn Leader-Elliott, Daniella Trimboli, Leontine Meijer-van Mensch, Peter van Mensch, Andrew Dixey, Susan Keitumetse, Richard MacKinnon, Alexandra Denes, Christina Kreps, Harriet Deacon, D. Jared Bowers, Gerard Corsane, Paula Assuncao dos Santos, Elaine Muller, Michelle L. Stefano, Maurizio Maggi, Aron Mazel

Wide-ranging essays on intangible cultural heritage, with a focus on its negotiation, its value, and how to protect it. Awareness of the significance of intangible cultural heritage (ICH) has recently grown, due to the promotional efforts of UNESCO and its Convention for the Safeguarding of the Intangible Cultural Heritage (2003). However, the increased recognition of intangible heritage has brought to light its undervalued status within the museum and heritage sector, and raised questions about safeguarding efforts, ownership, protective legal frameworks, authenticity and how global initiatives can be implemented at a local level, where most ICH is located. This book provides a variety of international perspectives on these issues, exploring how holistic and integrated approaches to safeguarding ICH offer an opportunity to move beyond the rhetoric of UNESCO; in partiular, the authors demonstrate that the alternative methods and attitudes that frequently exist at a local level can be the most effective way of safeguarding ICH. Perspectives are presented both from "established voices", of scholars and practitioners, and from "new voices", those of indigenous and local communities, where intangible heritage lives. It will be an important resource for students of museum and heritage studies, anthropology, folk studies, the performing arts, intellectual property law and politics. Michelle Stefano is Folklorist-in-Residence, University of Maryland BaltimoreCounty; Peter Davis is Professor of Museology, International Centre for Cultural and Heritage Studies, Newcastle University; Gerard Corsane is Senior Lecturer in Heritage, Museum and Galley Studies, International Centre for Cultural and Heritage Studies, School of Arts and Cultures, Newcastle University. Contributors: Marilena Alivizatou, Alissandra Cummins, Kate Hennessey, Ewa Bergdahl, George Abungu, Shatha Abu-Khafajah, Shaher Rababeh, Vasant Hari Bedekar, Christian Hottin, Sylvie Grenet, Lyn Leader-Elliott, Daniella Trimboli, Leontine Meijer-van Mensch, Peter van Mensch, Andrew Dixey, Susan Keitumetse, Richard MacKinnon, Alexandra Denes, Christina Kreps, Harriet Deacon, D. Jared Bowers, Gerard Corsane, Paula Assuncao dos Santos, Elaine Muller, Michelle L. Stefano, Maurizio Maggi, Aron Mazel

Signalling and Performance: Ancient Rock Art in Britain and Ireland presents a state of the art survey of the ancient rock art of Britain and Ireland, bringing together new discoveries and new interpretations. Ancient rock art offers unique insights into the mindsets of its makers and the landscapes in which they lived. The making of rock art was not just an aesthetic practice, but an activity informed by deep social and cultural meanings held by its makers - meanings that they were compelled to express on rocks in Britain and Ireland, through mostly abstract images, for thousands of years. For a long time, ancient rock art remained a topic on the fringes of Archaeology. Since the 1960s, however, there has been sustained recording and research into ancient rock art. Increased publicity has evoked growing interest in British and Irish rock art, with professional and amateur archaeologists and the public, with the latter being responsible for many discoveries. In 2007, Aron Mazel, George Nash and Clive Waddington published the first edited volume focusing on ancient British rock art, entitled Art as Metaphor. Since then, there have been a number of publications covering this topic. Building on the increased interest in rock art, this lavishly illustrated volume constructed of thirteen thought-provoking chapters and an Introduction will do much to further enhance of understanding of this fascinating and meaningful resource. It will further establish ancient British and Irish rock art as a significant archaeological assemblage worthy of attention and additional study.

Why publish a Reader? Today, it is relatively easy and convenient to switch on your computer and download an academic paper. However, as many scholars have experienced, historic references are difficult to access. Moreover, some are now lost and are merely references in later papers. This can be frustrating. This book provides a series of papers from all over the world that extend as far back as the 1970s when rock art research was in its infancy. The papers presented in the Reader reflect the development in the various approaches that have influenced advancing scholarly research.

Professor Daniel Arsenault, along with his wife, Nadine Desbiens, and stepson, Jacob Desbiens-Doyle, were sadly taken from this world in 2016 following a tragic car accident. Daniel was the leading exponent in Canadian Shield rock art. Working in the northern part of Quebec, Daniel explored many hundreds of square kilometres of this vast area for rock art. Working with ethnographers and First Nation people, Daniel became a formidable force in promoting this little known assemblage, lecturing all over the world and stimulating audiences wherever he went. Complementing his knowledge of rock art, Daniel also had a deep understanding of the heritage of the people whose ancestors made the images. Shortly before his death, Daniel was made an Erasmus Mundus Professor at Polytechnic Institute of Tomar in Portugal. Here, he was due to share his wealth of knowledge and enthusiasm about rock art and cultural heritage to an attentive audience. Daniel clearly had much more to offer, and this book is an extension of his ways of thinking. He has left an important legacy that has touched the lives of many, including people who contributed to this volume. The book has 14 thought-provoking chapters and deals with Daniel's first love - the archaeology of artistic endeavour. It gathers together both academic colleagues and family who share with the reader elements of Daniel's life. The book is also a serious academic volume, providing the reader with new ideas about the interpretation and dating of rock art, ethnography, heritage and material culture.

Enigmatic, esoteric and fascinating, the rock-art of the British Isles has for a long time been a well kept secret at home and abroad. However, dedicated work by rock-art researchers over the last few decades has seen the discovery of hundreds of new panels and the publication of several high quality regional surveys and numerous survey reports and academic articles, and the creation of a highly successful world-class website on Northumberland rock-art. British rock-art has arrived on the world stage. Drawing on these exciting developments, this volume brings together a carefully selected collection of papers that cover British prehistoric rock-art from over 10,000 years ago. Some of the topics addressed include: recent discoveries of Palaeolithic cave art and probable Mesolithic; inscriptions; new perspectives on Neolithic-Early Bronze Age and Pictish rock-art; regional studies on the rock-art of Cumbria, Northumberland, North Yorkshire and South West Britain; relationships between rock-art and ritual and funerary monuments and between rock-art and landscape; experiential approaches to understanding passage grave art within chambered tombs; the history of British rock-art research. Contents: 1) A coming of age (Aron Mazel, George Nash and Clive Waddington); 2) Rock-art and art mobilier of the British Upper Palaeolithic (Paul Pettitt and Paul Bahn); 3) Possible Mesolithic cave art in southern England (Graham Mullan & Linda Wilson); 4) Neolithic rock-art in the British Isles: retrospect and prospect (Clive Waddington); 5) Pictish symbol stones: caught between prehistory and history (Meggen Gondek); 6) Rock-art in Cleveland and north-east Yorkshire: contexts and chronology (Blaise Vyner);7) Exploring links between cupmarks and cairnfields (Philip Deakin); 8) Light at the end of the tunnel: the way megalithic art was viewed and experienced (George Nash); 9) Rock-art and rough outs: exploring the sacred and social dimensions of prehistoric carvings at Copt Howe, Cumbria (Kate E. Sharpe); 10 ) A scattering of images: the rock-art of southern Britain (George Nash); 11) How the study of rock-art began and developed (Stan Beckensall); 12) On the fells and beyond: exploring aspects of Northumberland rock-art (Aron D. Mazel).