Wes Lang is an artist whose work bridges the worlds of cutting-edge street culture and nostalgic Americana, invoking references as varied as Jean-Michel Basquiat and the Hell's Angels, Francis Bacon and the Grateful Dead. Oversized and with pull-out gatefold pages, the book is testament to the scope and richness of Lang's work, expansive in its iconography and deceptively intimate in its detail. From drawings made on hotel stationery during his residency at Chateau Marmont a decade ago, to richly layered oil paintings exhibited in Paris this year, Lang's work juxtaposes a textured, painterly style with a playful acceptance of the diversity of his own influences. Edited by the artist himself and with an exploratory essay by the critic Arty Nelson, the book draws on more than 25 years of work, from stark paintings on wood that formed the artist's first exhibition to new sculptures in bronze, unseen series of ink drawings, and images made iconic by his enigmatic commercial collaborations.

Michael Muller has carved a career out of impressive encounters. Famed for his portraits of the world's most elite actors, musicians, and sports stars, he has in the last decade built up one of the most spectacular portfolios of underwater shark photography. Muller's quest is to document sharks with an unprecedented proximity and precision, bringing the Hollywood portrait session to the ocean predator. In ocean depths around the world, he approaches the sharks with a patented seven-bulb, 1200-watt plexi-encased strobe lighting rig, developed with NASA engineering, and no cage. This collection of Muller's images, including the first-known photograph of a great white breaching at night, is a catalog of adrenalin and awe. Arranged geographically, it follows Muller's ocean adventures from black tip and sand tiger sharks in South Africa to great hammerheads in the Bahamas, with thrilling narratives from each trip documenting the challenges and near-misses along the way. To compliment Muller's work for advocacy organizations such as WildAid and EarthEcho, the images are contextualized with essays from Philippe Cousteau, Jr. and marine biologist Alison Kock, who discuss exploration and conservation of our oceanic kingdom. Culture writer Arty Nelson adds an overview of Muller's work, while a technical section explains the precise equipment behind these spectacular shots. Together, these insightful texts and awesome images offer a record of breathtaking photographic feats, a tribute to the beauty and might of the shark, and a rallying cry for its fragile future. This book is also available in a signed Collector's Edition and two Art Editions, each including a signed and numbered print.