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further 02 (Paperback)
Florian Genz, Lea Szramek, Michelle Jekel, Magnus Terhorst, Aurelien Guillery, …
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R607
Discovery Miles 6 070
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Ships in 12 - 17 working days
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The Fotobus Society, founded by Christoph Bangert, provides a
network connecting more than 700 photographers who are currently
studying at German and European universities or photography
schools. Members have access to a wide range of cultural and social
activities offered by the association. At the heart of the
community is a 30-year-old bus that serves as a mobile photography
school and regularly carries members to photo festivals, symposia,
and professional events. This book is the second volume in a series
presenting selected works by members. Whereas the main mission of
the association is to promote exchange within the international
photography scene, the coronavirus pandemic prevented the artists
from travelling and meeting up as usual. For many of them, taking
photos became an outlet and a medium to communicate with the
"outside world". As a result, the projects showcased in this
publication also tell of the insecurity, hope, and distress of the
last months, giving an inside view of the experiences and stories
of people from around the world. In different ways, the images
document their lives and the spaces in which they live, or the
concepts and ideas, in which they believe.
Fotobus Society is a network of photographers founded by Christoph
Bangert. Its more than 800 members are studying at universities and
photography schools across Germany and Europe and benefit from the
association's broad cultural and social programs. At the heart of
this community is a 30-year-old bus that acts as a mobile
photography school and regularly takes members to photography
festivals, symposia, and professional events. This book is the
third volume in a series that introduces selected works of the
association's members and offers a fascinating glimpse into the
contemporary scene of young European photography. Telling stories
about everyday life and the boundless excesses of our time, it
features pictures that are marked by violence: directed against
oneself, against others, and against the planet. There are poignant
snapshots that reveal personal stories of individuals, groups, or
communities who are grappling with ever-new challenges. The photos
show freedom, hope, and love - as well as their absence. They do
what photography does best: opening people's eyes to a world that
would otherwise remain hidden from them.
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