Sharing Friendship represents a post-liberal approach to ecclesiology and theology generated out of the history, practices and traditions of the Anglican Church. Drawing on the theological ethics of Stanley Hauerwas, this book explores the way friendship for the stranger emerges from contextually grounded reflection and conversations with contemporary Anglican theologians within the English tradition, including John Milbank, Oliver O'Donovan, Rowan Williams, Daniel Hardy and Anthony Thiselton. Avoiding abstract definitions of character, mission or friendship, John Thomson explores how the history of the English Church reflects a theology of friendship and how discipleship in the New Testament, the performance of worship, and the shape of Anglican ecclesiology are congruent with such a theology. The book concludes by rooting the theme of sharing friendship within the self-emptying kenotic performance of Jesus' mission, and looks at challenges to the character of contemporary Anglican ecclesiology represented by secularization and globalization as well as by arguments over appropriate new initiatives such as Fresh Expressions.

This book presents the theological work of Stanley Hauerwas as a distinctive kind of 'liberation theology'. John Thomson offers an original construal of this diffuse, controversial, yet highly significant modern theologian and ethicist. Organising Hauerwas' corpus in terms of the focal concept of liberation, Thomson shows that it possesses a greater degree of coherence than its usual expression in ad hoc essays or sermons. John Thomson locates Hauerwas in relation to a wide range of figures, including the obvious choices - Rauschenbusch, Niebuhr, Barth, Yoder, Lindbeck, MacIntyre, Milbank and O'Donovan - as well as less expected figures such as Gadamer, Habermas, Ricoeur, Pannenberg, Moltmann, and Hardy. Providing a structured and rigorous outline of Hauerwas' intellectual roots, this book presents an account of his theological project that demonstrates an underlying consistency in his attempt to create a political understanding of Christian freedom, reaching beyond the limitations of the liberal post-enlightenment tradition. Hauerwas is passionate about the importance of moral discourse within the Christian community and its implications for the Church's politics. When the Church is often perceived to be in decline and an irrelevance, Hauerwas proffers a way of recovering identity, confidence and mission, particularly for ordinary Christians and ordinary churches. Thomson evaluates the comparative strengths and weaknesses of Hauerwas' argument and indicates a number of vulnerabilities in his project.

Sharing Friendship represents a post-liberal approach to ecclesiology and theology generated out of the history, practices and traditions of the Anglican Church. Drawing on the theological ethics of Stanley Hauerwas, this book explores the way friendship for the stranger emerges from contextually grounded reflection and conversations with contemporary Anglican theologians within the English tradition, including John Milbank, Oliver O'Donovan, Rowan Williams, Daniel Hardy and Anthony Thiselton. Avoiding abstract definitions of character, mission or friendship, John Thomson explores how the history of the English Church reflects a theology of friendship and how discipleship in the New Testament, the performance of worship, and the shape of Anglican ecclesiology are congruent with such a theology. The book concludes by rooting the theme of sharing friendship within the self-emptying kenotic performance of Jesus' mission, and looks at challenges to the character of contemporary Anglican ecclesiology represented by secularization and globalization as well as by arguments over appropriate new initiatives such as Fresh Expressions.

This book presents the theological work of Stanley Hauerwas as a distinctive kind of 'liberation theology'. John Thomson offers an original construal of this diffuse, controversial, yet highly significant modern theologian and ethicist. Organising Hauerwas' corpus in terms of the focal concept of liberation, Thomson shows that it possesses a greater degree of coherence than its usual expression in ad hoc essays or sermons. John Thomson locates Hauerwas in relation to a wide range of figures, including the obvious choices - Rauschenbusch, Niebuhr, Barth, Yoder, Lindbeck, MacIntyre, Milbank and O'Donovan - as well as less expected figures such as Gadamer, Habermas, Ricoeur, Pannenberg, Moltmann, and Hardy. Providing a structured and rigorous outline of Hauerwas' intellectual roots, this book presents an account of his theological project that demonstrates an underlying consistency in his attempt to create a political understanding of Christian freedom, reaching beyond the limitations of the liberal post-enlightenment tradition. Hauerwas is passionate about the importance of moral discourse within the Christian community and its implications for the Church's politics. When the Church is often perceived to be in decline and an irrelevance, Hauerwas proffers a way of recovering identity, confidence and mission, particularly for ordinary Christians and ordinary churches. Thomson evaluates the comparative strengths and weaknesses of Hauerwas' argument and indicates a number of vulnerabilities in his project.

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When a writer produces a novel that is both denounced as Communist propaganda and extolled as the ideal travelling companion for hearty venture capitalists looking to conquer the untapped markets of Southeast Asia, one would expect to see a troupe of post-modernist scholars scrambling to be the first to point out the textual ironies at play.
Strangely, however, this has not been the case for Graham Greene, author of The Quiet American and several dozen of the twentieth-century's most critically acclaimed bestsellers.
Graham Greene and the Politics of Popular Fiction and Film examines why contemporary scholars have largely ignored the popular and wildly controversial writer. It explores how the evolution of literature as a discipline helped entrench intellectual biases against popular fiction, how the post-war economy and the collapse of the Hollywood studio system conspired to transform The Third Man from a thriller into the work of an auteur, and why movie critics felt that The End of the Affair was sexually obscene while priests celebrated God's belated cameo on cinema screens.

Adapted To The Capacities Of The Young And The Method Of Instruction, In Schools And Academies.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone