Librarians Stuart Goodson and Myra see their regular winter day shaken up when a collection of homeless patrons decide to take shelter in their library overnight as temperatures outside drop to deadly levels of freezing.

What starts as a peaceful sit-in quickly escalates into a full-on face-off, orchestrated on one side by city prosecutor and mayoral candidate, Josh Davis and on the other by increasingly impatient crisis negotiator, Bill Ramstead, resulting in a growing media storm with violence on the horizon...

Tom Cruise reprises his role as Impossible Mission Force (IMF) agent Ethan Hunt in the fifth film of the action thriller series.

Written and directed by Christopher McQuarrie, the movie follows on from events in the previous instalment where the IMF agents find themselves being targeted by a shadowy organisation of highly-trained assassins known only as the Syndicate.

Can Ethan reassemble the now-disbanded IMF team to bring down this rogue organisation before it's too late?

The days of "revolutionary" campaign strategies are gone. The extraordinary has become ordinary, and campaigns at all levels, from the federal to the municipal, have realized the necessity of incorporating digital media technologies into their communications strategies. Still, little is understood about how these practices have been taken up and routinized on a wide scale, or the ways in which the use of these technologies is tied to new norms and understandings of political participation and citizenship in the digital age. The vocabulary that we do possess for speaking about what counts as citizenship in a digital age is limited. Drawing on ethnographic fieldwork in a federal-level election, interviews with communications and digital media consultants, and textual analysis of campaign materials, this book traces the emergence and solidification of campaign strategies that reflect what it means to be a citizen in the digital era. It identifies shifting norms and emerging trends to build new theories of citizenship in contemporary democracy. Baldwin-Philippi argues that these campaign practices foster engaged and skeptical citizens. But, rather than assess the quality or level of participation and citizenship due to the use of technologies, this book delves into the way that digital strategies depict what "good" citizenship ought to be and the goals and values behind the tactics.

Before he was a civil rights leader, the Rev. Martin Luther King, Jr., was a man of the church. His father was a pastor, and much of young Martin's time was spent in Baptist churches. He went on to seminary and received a Ph.D. in theology. In 1953, he took over leadership of Dexter Avenue Baptist Church in Atlanta. The church was his home. But, as he began working for civil rights, King became a fierce critic of the churches, both black and white. He railed against white Christian leaders who urged him to be patient in the struggle-or even opposed civil rights altogether. And, while the black church was the platform from which King launched the struggle for civil rights, he was deeply ambivalent toward the church as an institution, and saw it as in constant need of reform. In this book, Lewis Baldwin explores King's complex relationship with the Christian church, from his days growing up at Ebenezer Baptist, to his work as a pastor, to his battles with American churches over civil rights, to his vision for the global church. King, Baldwin argues, had a robust and multifaceted view of the nature and purpose of the church that serves as a model for the church in the 21st century.

Triple bill of horror films. In 'Devil Riders' (2009), lawyers Robert (Bertie Higgins) and Allen (J.D. Rudometkin) go on a five-stop motorcycle poker run, along with their wives Susan (Debra Hopkins) and Cheri (Jasmine Waltz), but on the way they encounter psychopaths Ray (Robert Thorne) and Billy (Jay Wisell). Before long Susan and Cheri are kidnapped and Robert and Allen are put through their paces in a number of horrific challenges as they attempt to get their wives back. In 'The Maze' (2010), five teenagers decide to explore a corn maze one night. Unbeknown to them, however, a murderous lunatic lurks within the maze and is luring them to their deaths. Will any of them make it out alive? In 'The Goatman Murders' (2011), a group of friends on a road trip to Florida experience some car trouble and end up in the Maryland countryside where an axe-wielding murderer, who is half-man, half-goat, begins to kill them one by one. Will there be any survivors?