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Interpreting Religion at Museums and Historic Sites encourages
readers to consider the history of religion as integral to American
culture and provides a practical guide for any museum to include
interpretation of religious traditions in its programs and
exhibits. Combining both theoretical essays and practical case
studies from a wide cross section of the field, the book explores
how museums are finding new ways to connect with audiences about
this important aspect of American history. This book explores the
practical and interpretive problems that museums encounter when
they include religion in their interpretation: *How do we make sure
visitors don't think the museum is taking the side of any
particular religious group, or proselytizing, or crossing
church-state boundaries? *How do we spin out a rich story with the
available artifact base? *What are the opportunities and perils of
telling particular religious stories in a multicultural context?
These and other questions are addressed in a series of interpretive
essays and case studies that capture the experimental and
innovative religion programming that is beginning to find a place
in American history museums. An introduction by Gretchen Buggeln
places the subject of religion and museums in the intellectual
context of national and international scholarship. Case studies
cover a range of topics and venues that include outdoor museums,
historic houses and exhibits; interpretive issues of secular and
sacred contexts; and interpretive techniques like dialogue, music
and first person accounts. A concluding essay suggests a publicly
oriented historiography of religion for American museums and
historic sites.
Ideas and Images presents eleven case studies, walking you through
the process of developing interpretive history exhibits. Learn how
to identify and build new audiences, work with consultants and
experts, cope with institutional change, present temporary and
permanent exhibitions, and experiment with new subjects, design
techniques and media.
Interpreting Religion at Museums and Historic Sites encourages
readers to consider the history of religion as integral to American
culture and provides a practical guide for any museum to include
interpretation of religious traditions in its programs and
exhibits. Combining both theoretical essays and practical case
studies from a wide cross section of the field, the book explores
how museums are finding new ways to connect with audiences about
this important aspect of American history. This book explores the
practical and interpretive problems that museums encounter when
they include religion in their interpretation: *How do we make sure
visitors don't think the museum is taking the side of any
particular religious group, or proselytizing, or crossing
church-state boundaries? *How do we spin out a rich story with the
available artifact base? *What are the opportunities and perils of
telling particular religious stories in a multicultural context?
These and other questions are addressed in a series of interpretive
essays and case studies that capture the experimental and
innovative religion programming that is beginning to find a place
in American history museums. An introduction by Gretchen Buggeln
places the subject of religion and museums in the intellectual
context of national and international scholarship. Case studies
cover a range of topics and venues that include outdoor museums,
historic houses and exhibits; interpretive issues of secular and
sacred contexts; and interpretive techniques like dialogue, music
and first person accounts. A concluding essay suggests a publicly
oriented historiography of religion for American museums and
historic sites.
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